Magic can be fun unless, of course, you haven't got a clue how to use it. When a levitation spell goes calamitously wrong, Raven meets a young man who makes her heart go pitter-patter. Turns out her Prince Charming is actually a prince - and quite charming. They find Cumulos Castle which floats in a cloud high above the earth. There they encounter a Scots mage, a Transylvanian witch, and . . . a purple creature with the disposition of a honey badger. There's a ten-inch pixie with a crush on the prince and an ebullient dragon. Giant, magic-sucking spyders, dark ghosts, and trolls infest her new world and sometimes Raven yearns for the peace and quiet of Denver - almost. Enter Valgren, a gorgeous and mysterious Rider of Gaia who takes an interest in Raven - and not just in her magical skills. This series is for those of us who still enjoy a fun fantasy romp through the delightful world of magic reminiscent of childhood - but all grown up.
When Archie's beloved grandpa is diagnosed with Alzheimer's disease, Archie desperately wants to slow the progression of his grandpa's memory loss. Using Grandpa's old journal entries as inspiration, he creates shared role-playing fantasies with epic quests for them to tackle together—allowing Grandpa to live in the present and stay in touch with his fading memories. But as Grandpa's condition gradually worsens, Archie must come to terms with what's happening to his hero. The limits of the fantasies, revelations about Grandpa's past, and a school project about the future force Archie to grapple with what it truly means to live a life worth remembering.
The Blue Cliff Record is a classic text of Zen Buddhism, designed to assist in the activation of dormant human potential. The core of this extraordinary work is a collection of one hundred traditional citations and stories, selected for their ability to bring about insight and enlightenment. These vignettes are known as gongan in Chinese and koan in Japanese. Secrets of the Blue Cliff Record is a fresh translation featuring newly translated commentary from two of the greatest Zen masters of early modern Japan, Hakuin Ekaku (1685–1768) of the Rinzai sect of Zen and Tenkei Denson (1648–1735) of the Soto sect of Zen. This translation and commentary on The Blue Cliff Record sheds new light on the meaning of this central Zen text.
Trust is the thread that binds us . . . and the rope that hangs us. In Nadezra, peace is as tenuous as a single thread. The ruthless House Indestor has been destroyed, but darkness still weaves through the city's filthy back alleys and jewel-bright gardens, seen by those who know where to look. Derossi Vargo has always known. He has sacrificed more than anyone imagines to carve himself a position of power among the nobility, hiding a will of steel behind a velvet smile. He'll be damned if he lets anyone threaten what he's built. Grey Serrado knows all too well. Bent under the yoke of too many burdens, he fights to protect the city's most vulnerable. Sooner or later, that fight will demand more than he can give. And Ren, daughter of no clan, knows best of all. Caught in a knot of lies, torn between her heritage and her aristocratic masquerade, she relies on her gift for reading pattern to survive. And it shows her the web of corruption that traps her city. But all three have yet to discover just how far that web stretches. And in the end, it will take more than knives to cut themselves free... 'The Mask of Mirrors is exactly the fantasy adventure novel you're craving: an escape into a vast, enchanting world of danger, secret identities, and glittering prose' Tasha Suri, author of The Jasmine Throne 'The Mask of Mirrors kept me up reading way past my bedtime. A web of intrigue, magic, and the art of the con this novel will catch hold of your dreams and keep you from sleeping' Mary Robinette Kowal, author of The Calculating Stars 'The Mask of Mirrors ushers you into the fascinating city of Nadezra, replete with complex politics, intricate magic, and mysteries that readers will be racing to unravel. Wonderfully immersive--I was unable to put it down' Andrea Stewart, author of The Bone Shard Daughter 'An intricate, compelling dream of a book that kept me turning pages, with a world and characters that felt deeply real and plenty of riveting twists and turns. I loved it!' Melissa Caruso, author of The Obsidian Tower 'For those who like their revenge plots served with the intrigue of The Goblin Emperor, the colonial conflict of The City of Brass, the panache of Swordspoint, and the richly detailed settings of Guy Gavriel Kay' Booklist (starred review) 'Utterly captivating. Carrick spins an exciting web of mystery, magic, and political treachery in a richly drawn and innovative world.' S. A. Chakraborty, author of The City of Brass
Wichita, aka “Doo-Dah,” is a midsize city with attractions that easily rival the nation’s largest metropolises in entertainment value. Fun awaits for all who come to discover it! 100 Things to Do in Wichita Before You Die is a bucket-list book filled cover to cover with timeless destinations and lesser known places. Dig into the burgeoning arts scene with tips for the First Friday Gallery Crawl or the Tallgrass Film Festival. Find out the story behind the 44-foot-tall Keeper of the Plains statue in downtown. Root, root, root for the home team, the Wichita Wind Surge at Riverfront Stadium. Outdoor activities, delicious dining, shopping, concerts, and a thriving arts scene scratch the surface. As they say, “Wichita is what you make it,” and around every corner is an experience waiting for you. Wichita native and travel writer Vanessa Whiteside is your personal guide to her favorite places in her much beloved hometown. Crack the spine on this book and choose an adventure in the city!
INSTANT NEW YORK TIMES BESTSELLER An Edgar Award Nominee for Best First Novel Longlisted for the Center for Fiction's First Novel Prize Named a New York Times Best Crime Novel of 2022 Named A Most Anticipated Book of 2022 by *Marie Claire* *Washington Post* *Vulture* *NBC News* *Buzzfeed* *Veranda* *PopSugar* *Paste* *The Millions* *Bustle* *Crimereads* Goodreads* *Bookbub* *Boston.com* and more! "The thefts are engaging and surprising, and the narrative brims with international intrigue. Li, however, has delivered more than a straight thriller here, especially in the parts that depict the despair Will and his pals feel at being displaced, overlooked, underestimated, and discriminated against. This is as much a novel as a reckoning." —New York Times Book Review Ocean's Eleven meets The Farewell in Portrait of a Thief, a lush, lyrical heist novel inspired by the true story of Chinese art vanishing from Western museums; about diaspora, the colonization of art, and the complexity of the Chinese American identity History is told by the conquerors. Across the Western world, museums display the spoils of war, of conquest, of colonialism: priceless pieces of art looted from other countries, kept even now. Will Chen plans to steal them back. A senior at Harvard, Will fits comfortably in his carefully curated roles: a perfect student, an art history major and sometimes artist, the eldest son who has always been his parents' American Dream. But when a mysterious Chinese benefactor reaches out with an impossible—and illegal—job offer, Will finds himself something else as well: the leader of a heist to steal back five priceless Chinese sculptures, looted from Beijing centuries ago. His crew is every heist archetype one can imagine—or at least, the closest he can get. A con artist: Irene Chen, a public policy major at Duke who can talk her way out of anything. A thief: Daniel Liang, a premed student with steady hands just as capable of lockpicking as suturing. A getaway driver: Lily Wu, an engineering major who races cars in her free time. A hacker: Alex Huang, an MIT dropout turned Silicon Valley software engineer. Each member of his crew has their own complicated relationship with China and the identity they've cultivated as Chinese Americans, but when Will asks, none of them can turn him down. Because if they succeed? They earn fifty million dollars—and a chance to make history. But if they fail, it will mean not just the loss of everything they've dreamed for themselves but yet another thwarted attempt to take back what colonialism has stolen. Equal parts beautiful, thoughtful, and thrilling, Portrait of a Thief is a cultural heist and an examination of Chinese American identity, as well as a necessary critique of the lingering effects of colonialism.
Carol Milford dreams of living in a small, rural town. But Gopher Prairie, Minnesota, isn't the paradise she'd imagined. First published in 1920, this unabridged edition of the Sinclair Lewis novel is an American classic, considered by many to be his most noteworthy and lasting work. As a work of social satire, this complex and compelling look at small-town America in the early 20th century has earned its place among the classics.
The classic Harmony of the Gospels by J. W. McGarvey and Philip Y. Pendleton with interspersed comments. Attractively re-typeset, this enduring work is a valuable resource to modern Bible students. "In most commentaries a fifth or sixth of the space is taken up in drawing distinctions between the texts of the four Gospels, while in this work these distinctions are placed before the reader's eye, where he can see them for himself at a glance. Moreover, in other commentaries, which give the text, another sixth or seventh of the work is taken up in reprinting in the notes that portion of the text concerning which the commentator wishes to speak. Our interjected method avoids all this needless repetition, and makes it possible for us to present the comment with the least preliminary verbiage or introductory setting. Time is also saved because the reader does not have to look back and forth from the text at the top to the comment at the bottom of the page. Again, other commentaries lose a large amount of space by using the King James text. Those which preceded the revision waste space correcting the translation and modernizing its English: those published since the revision suffer a similar waste by drawing endless comparisons between the two texts. By choosing the American revision as the basis for our work, we have a text which needs but little explanation or apology, and we are thereby enabled to employ the reader's time and strength to his best advantage." --Excerpted from the Introduction
