Sources of Irish Traditional Music c. 1600-1855

Sources of Irish Traditional Music c. 1600-1855

Author: Aloys Fleischman

Publisher: Routledge

Published: 2016-12-05

Total Pages: 710

ISBN-13: 1135810257

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First Published in 1998. Irish traditional music is one of the richest treasuries of folk music in the world. Being an oral tradition, much of it has already been lost, and what has been recorded is only partially available in isolated collections. Until now, no composite picture has yet been presented, showing its remarkable range and diversity over four centuries. This volume covers Irish materials in general collections up to 1800 and in Irish collections up to and including Petrie's Ancient Music of Ireland (1855).The purposes of the project are to identify Irish dance tunes and songs; to present the scholar with a mass of material showing the evolution of the Irish vocal and instrumental folk style, period by period, from the earliest recorded tune up to the middle of the last century; to put into circulation many of the splendid airs which were lost but have now been located. Some 6,000 songs and dance tunes are presented, also including Scottish and English tunes. Included are Scottish tunes that were used by 18th-century Irish poets for their verses, and both English and Scottish tunes that are still current among Irish traditional musicians. Tunes of present-day currency which do not seem to be included may still be located by comparing their first 12 notes in the thematic index at the end of the volume.To make the vast array of material readily available, an index allows readers to locate a tune by its melodic incipit, by any of its titles, or by the first line of its text. Unfortunately, the vast majority of Irish songs noted up to the end of the last century lack texts, since the collectors were ignorant of the Irish language. But almost every other facet is covered-provenance, tonality structure, and variants.


The Gow Collection of Scottish Dance Music

The Gow Collection of Scottish Dance Music

Author: Neil Gow

Publisher: Oak Publications

Published: 2007-01-26

Total Pages: 253

ISBN-13: 1783234911

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An essential addition to the dance tune library and an important milestone in traditional music publishing. This volume of almost 600 strathspeys, jigs and reels has been compiled from the original collections published between 1784 and 1822 by Niel and Nathaniel Gow, the father and son violinist/composers. Niel Gow revolutionized Scottish music by inventing a new style of bowing, known as the ‘up-driven’ technique, that accented the unique strathspey rhythm. Besides the invaluable contributions of the Gows, other important Scottish composers such as William Marshall and Donald Dow are featured, as well as some of the more important tunes in the traditional Scottish repertoire. This unique collection also features detailed notes on the life and times of Niel and Nathaniel Gow, an analysis of the ‘up-driven’ bow technique, the origination of the strathspey as well as a complete discography and bibliography. This book will prove an invaluable addition to your repertoire and home library.


George P. Knauff's Virginia Reels and the History of American Fiddling

George P. Knauff's Virginia Reels and the History of American Fiddling

Author: Chris Goertzen

Publisher: Univ. Press of Mississippi

Published: 2017-09-25

Total Pages: 238

ISBN-13: 1496814304

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George P. Knauff's Virginia Reels (1839) was the first collection of southern fiddle tunes and the only substantial one published in the nineteenth century. Knauff's activity could not anticipate our modern contest-driven fiddle subcultures. But the fate of the Virginia Reels pointed in that direction, suggesting that southern fiddling, after his time, would happen outside of commercial popular culture even though it would sporadically engage that culture. Chris Goertzen uses this seminal collection as the springboard for a fresh exploration of fiddling in America, past and present. He first discusses the life of the arranger. Then he explains how this collection was meant to fit into the broad stream of early nineteenth-century music publishing. Goertzen describes the character of these fiddle tunes' names (and such titles in general), what we can learn about antebellum oral tradition from this collection, and how fiddling relates to blackface minstrelsy. Throughout the book, the author connects the evidence concerning both repertoire and practice found in the Virginia Reels with current southern fiddling, encompassing styles ranging from straightforward to fancy—old-time styles of the Upper South, exuberant West Virginia styles, and the melodic improvisations of modern contest fiddling. Twenty-six song sheets assist in this discovery. Goertzen incorporates performance descriptions and music terminology into his accessible, engaging prose. Unlike the vast majority of books on American fiddling—regional tune collections or histories—this book presents an extended look at the history of southern fiddling and a close examination of current practices.


Catalogue of the signet library

Catalogue of the signet library

Author: Anonymous

Publisher: BoD – Books on Demand

Published: 2023-02-21

Total Pages: 629

ISBN-13: 3382116650

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Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.