Stained Glass of Lincoln Cathedral
Stained Glass of Lincoln Cathedral

Author: Nigel J. Morgan

Publisher: Scala Arts Publishers Incorporated

Published: 2012

Total Pages: 0

ISBN-13: 9781857597745

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A stunning guidebook to the little known but very important collection of glass at Lincoln Cathedral.

The Medieval Stained Glass of the County of Lincolnshire
The Medieval Stained Glass of the County of Lincolnshire

Author: Penny Hebgin-Barnes

Publisher: Oxford University Press, USA

Published: 1996

Total Pages: 480

ISBN-13:

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This comprehensive catalogue describes all the remaining medieval glass of the county of Lincolnshire. It is heavily illustrated in both black-and-white and color and provides essential reading for all those interested in medieval art history and in the local history of Lincolnshire.

Stained Glass in England During the Middle Ages
Stained Glass in England During the Middle Ages

Author: Richard Marks

Publisher: Routledge

Published: 2006-01-16

Total Pages: 356

ISBN-13: 1134967500

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First published in 1993. The first modern study of the medium, this book considers stained glass in relation to architecture and other arts, and by examining contemporary documents, it throws valuable light on workshop organisation, prices and patronage.

Stained Glass of the Middle Ages in England and France
Stained Glass of the Middle Ages in England and France

Author: Hugh Arnold

Publisher:

Published: 1913

Total Pages: 490

ISBN-13:

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I have therefore chosen for study certain typical windows in each century, and have written about them some of the things which interest me and which, I hope, will interest others. The work of the countries and period I have chosen is of course the most important of all. There is beauty, it is true, in much Renaissance work (only a prig could resist the gaiety and charm of the windows of St. Vincent at Rouen), but it is for the most part beauty achieved in spite of, and not through, the material. There is beautiful medieval work in Germany and Italy, but the Germans, till the Renaissance, clung to a rather lifeless and archaic convention, and the Italians were hampered by their greater knowledge of painting. The art has found its noblest expression in the work of the great school which for nearly the whole of the Middle Ages was common to France and England. There is especial reason why we English should study the work of our own mediaeval glass painters.