Feudal France in the French Epic
Author: George Baer Fundenburg
Publisher:
Published: 1918
Total Pages: 140
ISBN-13:
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Heroines of the French Epic
Author:
Publisher: Boydell & Brewer
Published: 2014
Total Pages: 422
ISBN-13: 9781843843610
DOWNLOAD EBOOKThe epic tales of medieval France, called chansons de geste, or "songs of deeds", provided the chief means of cultural and imaginative expression in the French language for over one hundred and fifty years (c.1100-1250), during one of the most significant periods of social change in the history of Western civilisation. Yet they remain largely unknown to most English-speaking readers of the twenty-first century. In Heroes of the Old French Epic (Boydell, 2005) Michael Newth translated a selection of the traditional militaristic narratives dominated by male heroes. This oral-based epic genre was increasingly influenced by the ethos of romance, and the present volumeoffers full English verse translations of six more of these songs, each chosen this time to illustrate the range of roles gradually accorded to women in these originally militaristic narratives. Four key narrative roles have beenselected - woman as helpmeet, woman as lover, woman as victim, and woman as spiritual model - in order to illustrate some major changes in the social status of women that took place during the period of this popular genre's existence. These poems are a key witness to the final stages of the chansons de geste before they were overtaken by the new fashion for the fictions of courtly romance. Apart from "The Capture of Orange", which has never been translated into modern English verse, none of the poems have yet appeared in English translation.
Heroes of the French Epic
Author:
Publisher: Boydell Press
Published: 2005
Total Pages: 724
ISBN-13: 9781843831471
DOWNLOAD EBOOK"The translations preserve the dynamic, musical qualities of their oral-based originals, and are intended for both general and more specialised readers. Introductions and Select Bibliographies accompany each poem."--Jacket.
Feudal France in the French Epic
Author: George Baer Fundenburg
Publisher: Forgotten Books
Published: 2016-11-12
Total Pages: 132
ISBN-13: 9781334254611
DOWNLOAD EBOOKExcerpt from Feudal France in the French Epic: A Study of Feudal French Institutions in History and Poetry On the other hand, the C liges of Chretien de Troyes, for example, written about 1170, and similar works of the end of the twelfth and beginning of the thirteenth century, show the epic in the last stages of its progression. The C lige's is one of those poems termed Court Epics, by reason of their treatment of material of Knighthood and Chivalry, in the style that re sulted (i) from the high development of aristocratic social life at the royal court, (2) from the consequent elevation of women, and (3) from the in uence of audiences that de lighted ih fantastic depiction. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
An Introduction to the Chansons de Geste
Author: Catherine Mary Jones
Publisher:
Published: 2014
Total Pages: 0
ISBN-13: 9780813061917
DOWNLOAD EBOOKThis book focuses on the best-known and most frequently taught chanson de geste ("songs of heroic deeds") from medieval France, including the Song of Roland and the Voyage of Charlemagne.
Feudal France in the French Epic
Author: George Baer Fundenburg
Publisher:
Published: 1919
Total Pages:
ISBN-13:
DOWNLOAD EBOOKA New History of Medieval French Literature
Author: Jacqueline Cerquiglini-Toulet
Publisher: JHU Press
Published: 2011-12-01
Total Pages: 176
ISBN-13: 1421403323
DOWNLOAD EBOOKIs it legitimate to conceive of and write a history of medieval French literature when the term “literature” as we know it today did not appear until the very end of the Middle Ages? In this novel introduction to French literature of the period, Jacqueline Cerquiglini-Toulet says yes, arguing that a profound literary consciousness did exist at the time. Cerquiglini-Toulet challenges the standard ways of reading and evaluating literature, considering medieval literature not as separate from that in other eras but as part of the broader tradition of world literature. Her vast and learned readings of both canonical and lesser-known works pose crucial questions about, among other things, the notion of otherness, the meaning of change and stability, and the relationship of medieval literature with theology. Part history of literature, part theoretical criticism, this book reshapes the language and content of medieval works. By weaving together topics such as the origin of epic and lyric poetry, Latin-French bilingualism, women’s writing, grammar, authorship, and more, Cerquiglini-Toulet does nothing less than redefine both philosophical and literary approaches to medieval French literature. Her book is a history of the literary act, a history of words, a history of ideas and works—monuments rather than documents—that calls into question modern concepts of literature.
The Narreme in the Medieval Romance Epic
Author: Eugene Dorfman
Publisher: University of Toronto Press
Published: 1969-12-15
Total Pages: 393
ISBN-13: 1442638354
DOWNLOAD EBOOKIn this study Professor Dorfman applies the methods of modern linguistics to literary analysis. Literature may be described as the structured use of language: the modern linguistic analyzes language in a search for the minimal units of sound and form, phoneme and morpheme, and determines the combinations by which they can communicate meaning. The author here searches for a minimal structural unit in the literary narrative analogous to the phoneme and the morpheme in language structure. Based on a detailed analysis of the Roland and the Cid and twelve additional Romance narratives, Professor Dorfman's argument is that the structure of the medieval Romance epics may be analyzed into functional units which he calls "narremes." He divides a narrative into two types of structure: the superstructure and the substructure. A narrative, by definition, is a series of incidents. All the incidents in the narrative, taken as written, form the superstructure. Analysis, however, shows that many of the incidents may be abstracted from the narrative without deflecting the story-line. On the other hand, other incidents reveal themselves as organically linked with each other, so they cannot be omitted, without destroying the story-line. These selected incidents are the narremes, which make up the substructure of the narrative. This method of analysis produces so interesting and surprising results, results which make an important advance in research in linguistics and Romance literature. Eugene Dorfman, as an orthodox structuralist, has focused strictly on the formal descriptions of the narratives; but his analysis leads into the great traditional problems of literary history, and in particular poses anew the problem of the origins of the epic.
Perspectives of Irony on Medieval French Literature
Author: Vladimir R. Rossman
Publisher: Walter de Gruyter GmbH & Co KG
Published: 2019-05-20
Total Pages: 200
ISBN-13: 3110821117
DOWNLOAD EBOOKNo detailed description available for "Perspectives of Irony on Medieval French Literature".
Feudal France in the French Epic
Author: George Baer Fundenburg
Publisher: Createspace Independent Publishing Platform
Published: 2016-09-02
Total Pages: 126
ISBN-13: 9781537456683
DOWNLOAD EBOOKFrom the INTRODUCTION - French Epic Poetry. At the outset of this study it is desirable to make a definite analysis of the meaning of the term French Epic Poetry and what part of this corpus is to be styled Feudal Poetry. In a large sense almost all narrative works in verse composed prior to the fourteenth century, and dealing even remotely with life in France, are known as the French Epic. The designation covers a long period of composition, and a wide variety of material and treatment. It includes the Chanson de Roland of the primitive period, and at the other extreme of age and style the Cligés and similar works of Chrétien de Troyes. The age of the first production of epic poetry in France has long been a question of dispute. Almost as many answers have been given as there are scholars in the field. Gaston Paris and Gautier have supported the theory of the origin of the epic poetry in the cantilènes, i.e., short songs that were first composed on the field of battle by the warriors, who were also poets-these songs at some less remote time being developed into the chansons de geste as they are preserved in the manuscripts of the twelfth and thirteenth centuries. Rajna, Gröber, and Jordan, have maintained that the chansons are direct continuations of ancient chansons composed, in form similar to those extant, as early as the sixth and seventh centuries. Suchier, Wechssler (also Paul Meyer and Ferdinand Lot), have upheld the opinion that the epic material existed in the remote Middle Ages in the form of legends upon which were based the chansons, less ancient in formation than the legends. Finally, Becker (and Jullian) and Bédier, in the last decade or two, have attempted to demonstrate that the French epic poetry is of comparatively recent origin.
