No one is immune to the byproducts of compulsory schooling and standardized testing. And while reform may be a worthy cause for some, it is not enough for countless others still trying to navigate the tyranny of what schooling has always been. Raising Free People argues that we need to build and work within systems truly designed for any human to learn, grow, socialize, and thrive, regardless of age, ability, background, or access to money. Families and conscious organizations across the world are healing generations of school wounds by pivoting into self-directed, intentional community-building, and Raising Free People shows you exactly how unschooling can help facilitate this process. Individual experiences influence our approach to parenting and education, so we need more than the rules, tools, and “bad adult” guilt trips found in so many parenting and education books. We need to reach behind our behaviors to seek and find our triggers; to examine and interrupt the ways that social issues such as colonization still wreak havoc on our ability to trust ourselves, let alone children. Raising Free People explores examples of the transition from school or homeschooling to unschooling, how single parents and people facing financial challenges unschool successfully, and the ways unschooling allows us to address generational trauma and unlearn the habits we mindlessly pass on to children. In these detailed and unabashed stories and insights, Richards examines the ways that her relationships to blackness, decolonization, and healing work all combine to form relationships and enable community-healing strategies rooted in an unschooling practice. This is how millions of families center human connection, practice clear and honest communication, and raise children who do not grow up to feel that they narrowly survived their childhoods.
In North Carolina’s Free People of Color, 1715–1885, Warren Eugene Milteer Jr. examines the lives of free persons categorized by their communities as “negroes,” “mulattoes,” “mustees,” “Indians,” “mixed-bloods,” or simply “free people of color.” From the colonial period through Reconstruction, lawmakers passed legislation that curbed the rights and privileges of these non-enslaved residents, from prohibiting their testimony against whites to barring them from the ballot box. While such laws suggest that most white North Carolinians desired to limit the freedoms and civil liberties enjoyed by free people of color, Milteer reveals that the two groups often interacted—praying together, working the same land, and occasionally sharing households and starting families. Some free people of color also rose to prominence in their communities, becoming successful businesspeople and winning the respect of their white neighbors. Milteer’s innovative study moves beyond depictions of the American South as a region controlled by a strict racial hierarchy. He contends that although North Carolinians frequently sorted themselves into races imbued with legal and social entitlements—with whites placing themselves above persons of color—those efforts regularly clashed with their concurrent recognition of class, gender, kinship, and occupational distinctions. Whites often determined the position of free nonwhites by designating them as either valuable or expendable members of society. In early North Carolina, free people of color of certain statuses enjoyed access to institutions unavailable even to some whites. Prior to 1835, for instance, some free men of color possessed the right to vote while the law disenfranchised all women, white and nonwhite included. North Carolina’s Free People of Color, 1715–1885 demonstrates that conceptions of race were complex and fluid, defying easy characterization. Despite the reductive labels often assigned to them by whites, free people of color in the state emerged from an array of backgrounds, lived widely varied lives, and created distinct cultures—all of which, Milteer suggests, allowed them to adjust to and counter ever-evolving forms of racial discrimination.
On the eve of the Civil War, most people of color in the United States toiled in bondage. Yet nearly half a million of these individuals, including over 250,000 in the South, were free. In Beyond Slavery's Shadow, Warren Eugene Milteer Jr. draws from a wide array of sources to demonstrate that from the colonial period through the Civil War, the growing influence of white supremacy and proslavery extremism created serious challenges for free persons categorized as "negroes," "mulattoes," "mustees," "Indians," or simply "free people of color" in the South. Segregation, exclusion, disfranchisement, and discriminatory punishment were ingrained in their collective experiences. Nevertheless, in the face of attempts to deny them the most basic privileges and rights, free people of color defended their families and established organizations and businesses. These people were both privileged and victimized, both celebrated and despised, in a region characterized by social inconsistency. Milteer's analysis of the way wealth, gender, and occupation intersected with ideas promoting white supremacy and discrimination reveals a wide range of social interactions and life outcomes for the South's free people of color and helps to explain societal contradictions that continue to appear in the modern United States.
Free People of Color is a path-breaking historical inquiry into the forces that unified and divided free African Americans in the pre-Civil War North, as they dealt with human issues vastly complicated by the racist character of American society. James Oliver Horton explores the social and psychological interior of free African American communities and reveals the diversity and nuances of free black society in such northern cities as Boston, Buffalo, and Washington, D.C. While examining the heated debates within these communities over gender roles, skin color, national identity, leadership styles, and politics, he argues for a complex and pluralistic view of free black society - where disagreement did not preclude cooperation toward common goals, such as ending slavery, obtaining full citizenship, and securing educational and economic opportunities for all African Americans. Horton also discusses relations between blacks and the European immigrants with whom they shared living space and often competed for employment. He finds the association between African Americans and Germans to have been relatively harmonious, particularly in contrast to the violence and acrimony that marked contact between blacks and Irish immigrants. "Black people", observes Horton, "like all Americans, develop communities which reflect the national, regional, and local issues that affect their well-being". The essays in Free People of Color document the complexity of antebellum African American communities and portray their inhabitants as a multifaceted people whose lives were both complicated by restrictive forces and unified by common goals.
Cultural observer Os Guinness argues that the American experiment in freedom is at risk. Guinness calls us to cultivate the essential civic character needed for ordered liberty and sustainable freedom. True freedom requires virtue, which in turn requires faith. Only within the framework of what is true, right and good can freedom be found.
USA TODAY BESTSELLER Official IndieNext Selection "Incisive and insightful." — Texas Monthly From environmental journalist and founder of the #TransRightsReadathon Sim Kern, comes the eat-the-rich climate fiction you won't want to put down: In an alternate 2020 timeline, Al Gore won the 2000 election and declared a War on Climate Change rather than a War on Terror. For twenty years, Democrats have controlled all three branches of government, enacting carbon-cutting schemes that never made it to a vote in our world. Green infrastructure projects have transformed U.S. cities into lush paradises (for the wealthy, white neighborhoods, at least), and the Bureau of Carbon Regulation levies carbon taxes on every financial transaction. English teacher by day, Maddie Ryan spends her nights and weekends as the rhythm guitarist of Bunny Bloodlust, a queer punk band living in a warehouse-turned-venue called “The Lab” in Houston’s Eighth Ward. When Maddie learns that the Eighth Ward is to be sacrificed for a new electromagnetic hyperway out to the wealthy, white suburbs, she joins “Save the Eighth,” a Black-led organizing movement fighting for the neighborhood. At first, she’s only focused on keeping her band together and getting closer to Red, their reckless and enigmatic lead guitarist. But working with Save the Eighth forces Maddie to reckon with the harm she has already done to the neighborhood—both as a resident of the gentrifying Lab and as a white teacher in a predominantly Black school. When police respond to Save the Eighth protests with violence, the Lab becomes the epicenter of “The Free People’s Village”—an occupation that promises to be the birthplace of an anti-capitalist revolution. As the movement spreads across the U.S., Maddie dreams of a queer, liberated future with Red. But the Village is beset on all sides—by infighting, police brutality, corporate-owned media, and rising ecofascism. Maddie’s found family is increasingly at risk from state violence, and she must decide if she’s willing to sacrifice everything in pursuit of justice. “Sim Kern’s masterpiece burns with righteous fury. This book doesn’t pull punches — instead of hopelessness, it sliced straight through frustration, fatalism, and ennui and made me want to fight back.” —Shana Hausman, All She Wrote Books “Achingly real, bitterly funny, and deeply moving, The Free People’s Village is a commentary, both compassionate and cutting, on the woke white activist’s journey and, above all, a full-throated ode to resistance and the found family that fuels it.” — Megan Bell, Southern Bookseller Review "Full of furious kindness, radical community, passionate politics, and authentic friendships, The Free People's Village is a sharply-written paean to hope, set in a vivid, brilliantly imagined future that alternately filled me with loathing and yearning. From the carefully crafted timelines to the intensely real characters, this was a story that yanked me into its world and didn't let me surface for hours. You live because you still can, and you organize because you still can, and you fight because you still can." – Premee Mohamed, Nebula Award-winning author of And What Can We Offer You Tonight “A thought-provoking, exciting ride. The Free People's Village is a mesmerizing portrait of revolutions — the internal ones that call us to find and fight for the best versions of ourselves; the external that consume, invigorate, and demand as they explore paths to justice. Grounded in an imaginative landscape and rounded out by an inclusive, complex cast, this novel masterfully explores identity, morality, and the choices we make as vehicles that hold radical power in the quest for liberation. More than a love letter to Houston, its bayous, and people forgotten and remembered, Sim Kern's world sings with possibility, hope, and joy that will leave you laughing--and crying — long after the last bomb has dropped." —Ehigbor Okosun, author of Forged by Blood "Beautiful, brilliant, and unflinching, The Free People's Village will both inspire you and devour you...in the best possible way." — Nicky Drayden, author of Escaping Exodus and The Prey of Gods
Os Guinness traces the evolution of the American ideal of freedom from the founders to the present, warning that the country's defining experiment is on the verge of failure. Summoning historical evidence on the fate of early democracies, he argues that without a renewed commitment to the task of virtue, America will soon wish away her own freedom.
Hmong students interviewed their elders in the community to capture the history and culture of their people. A minority in every country where they have lived, they value their independence and self-sufficiency. This book reunites the Hmong youth, who have become alienated from their culture in living in the United States, to Hmong culture and inspire self-esteem as well as helping others learn about this amazing culture. An excellent collection of stories, writings and photographs by Hmong students in Minnesota. Hmong people are refugees from Laos via Thailand.
