Feminism and Theatre

Feminism and Theatre

Author: Sue-Ellen Case

Publisher: Routledge

Published: 2014-09-03

Total Pages: 160

ISBN-13: 1136735208

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This classic study is both an introduction to, and an overview of, the relationship between feminism and theatre.


From Aphra Behn to Fun Home

From Aphra Behn to Fun Home

Author: Carey Purcell

Publisher: Rowman & Littlefield

Published: 2019-12-04

Total Pages: 309

ISBN-13: 1538115263

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Theatre has long been considered a feminine interest for which women consistently purchase the majority of tickets, while the shows they are seeing typically are written and brought to the stage by men. Furthermore, the stories these productions tell are often about men, and the complex leading roles in these shows are written for and performed by male actors. Despite this imbalance, the feminist voice presses to be heard and has done so with more success than ever before. In From Aphra Behn to Fun Home: A Cultural History of Feminist Theatre, Carey Purcell traces the evolution of these important artists and productions over several centuries. After examining the roots of feminist theatre in early Greek plays and looking at occasional works produced before the twentieth century, Purcell then identifies the key players and productions that have emerged over the last several decades. This book covers the heyday of the second wave feminist movement—which saw the growth of female-centric theatre groups—and highlights the work of playwrights such as Caryl Churchill, Pam Gems, and Wendy Wasserstein. Other prominent artists discussed here include playwrights Paula Vogel Lynn and Tony-award winning directors Garry Hynes and Julie Taymor. The volume also examines diversity in contemporary feminist theatre—with discussions of such playwrights as Young Jean Lee and Lynn Nottage—and a look toward the future. Purcell explores the very nature of feminist theater—does it qualify if a play is written by a woman or does it just need to feature strong female characters?—as well as how notable activist work for feminism has played a pivotal role in theatre. An engaging survey of female artists on stage and behind the scenes, From Aphra Behn to Fun Home will be of interest to theatregoers and anyone interested in the invaluable contributions of women in the performing arts.


Feminist Theatre Practice: A Handbook

Feminist Theatre Practice: A Handbook

Author: Elaine Aston

Publisher: Routledge

Published: 2005-07-05

Total Pages: 236

ISBN-13: 1134771509

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Feminist Theatre Practice: A Handbook is a helpful, practical guide to theatre-making which explores the different ways of representing gender. Best-selling author, Elaine Aston, takes the reader through the various stages of making feminist theatre- from warming up, through workshopped exploration, to performance - this volume is organised into three clear and instructive parts: * Women in the Workshop * Dramatic Texts, Feminist Contexts * Gender and Devising Projects. Orientated around the classroom/workshop, Handbook of Feminist Theatre Practice encompasses the main elements of feminist theatre, both practical or theoretical.


Performing the Wound

Performing the Wound

Author: Niki Tulk

Publisher: Routledge

Published: 2022-05-15

Total Pages: 261

ISBN-13: 1000580644

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This book offers a matrixial, feminist-centered analysis of trauma and performance, through examining the work of three artists: Ann Hamilton, Renée Green, and Cecilia Vicuña. Each artist engages in a multi-media, or “combination” performance practice; this includes the use of site, embodied performance, material elements, film, and writing. Each case study involves traumatic content, including the legacy of slavery, child sexual abuse and environmental degradation; each artist constructs an aesthetic milieu that invites rather than immerses—this allows an audience to have agency, as well as multiple pathways into their engagement with the art. The author Niki Tulk suggests that these works facilitate an audience-performance relationship based on the concept of ethical witnessing/wit(h)nessing, in which viewers are not positioned as voyeurs, nor made to risk re-traumatization by being forced to view traumatic events re-played on stage. This approach also allows agency to the art itself, in that an ethical space is created where the art is not objectified or looked at—but joined with. Foundational to this investigation are the writings of Bracha L. Ettinger, Jill Bennett and Diana Taylor—particularly Ettinger’s concepts of the matrixial, carriance and border-linking. These artists and scholars present a capacity to expand and articulate answers to questions regarding how to make performance that remains compelling and truthful to the trauma experience, but not re-traumatizing. This study will be of great interest to students and scholars of performance studies, art history, visual arts, feminist studies, theatre, film, performance art, postcolonialism, rhetoric and writing.


Feminist Theatrical Revisions of Classic Works

Feminist Theatrical Revisions of Classic Works

Author: Sharon Friedman

Publisher: McFarland

Published: 2014-01-10

Total Pages: 302

ISBN-13: 0786452390

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Re-visioning the classics, often in a subversive mode, has evolved into its own theatrical genre in recent years, and many of these productions have been informed by feminist theory and practice. This book examines recent adaptations of classic texts (produced since 1980) influenced by a range of feminisms, and illustrates the significance of historical moment, cultural ideology, dramaturgical practice, and theatrical venue for shaping an adaptation. Essays are arranged according to the period and genre of the source text re-visioned: classical theater and myth (e.g. Antigone, Metamorphoses), Shakespeare and seventeenth-century theater (e.g. King Lear, The Rover), nineteenth and twentieth century narratives and reflections (e.g. The Scarlet Letter, Jane Eyre, A Room of One's Own), and modern drama (e.g. A Doll House, A Streetcar Named Desire).


Contemporary Feminist Theatres

Contemporary Feminist Theatres

Author: Lizbeth Goodman

Publisher: Routledge

Published: 2003-09-02

Total Pages: 326

ISBN-13: 113490696X

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A much-needed analysis of the development of feminist theatre in different cultures and on several continents in the past quarter-century.


A Sourcebook on Feminist Theatre and Performance

A Sourcebook on Feminist Theatre and Performance

Author: Carol Martin

Publisher: Routledge

Published: 2002-09-11

Total Pages: 332

ISBN-13: 1134844247

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This outstanding collection includes key texts by theorists such as Elin Diamond, Peggy Phelan and Lynda Hart and interviews with practitioners including Anna Deavere Smith and Robbie McCauley.


Performing Feminisms

Performing Feminisms

Author: Sue-Ellen Case

Publisher: JHU Press

Published: 1990-02

Total Pages: 342

ISBN-13: 9780801839696

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A valuable, provoking, important addition to any theatre scholar or practitioner's library, especially since feminist theory is a relative newcomer to the world of theatre.


Contemporary Feminist Theatres

Contemporary Feminist Theatres

Author: Lizbeth Goodman

Publisher: Routledge

Published: 2003-09-02

Total Pages: 616

ISBN-13: 1134906951

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Contemporary Feminist Theatres is a major evaluation of the forms feminism has taken in the theatre since 1968. Lizbeth Goodman provides a provocative and interdisciplinary study of the development of feminist theatres in Britain. She examines the treatment of key issues such as gender, race, sexuality, language and power in performance. Based on original research and fresh data, Contemporary Feminst Theatres is a fully comprehensive and admirably clear analysis of a flourishing field of practice and inquiry.