Superbly rendered by the late John Glassco, Harvey's controversial work is presented in its true cultural and social setting. First published in 1934, this novel satirizing the bourgeois élite and the suffocating rule of the Catholic clergy created a furor in Quebec.
A Gentleman of Pleasure not only spans Glassco's life but delves into his background as a member of a once prominent and powerful Montreal family. In addition to Glassco's readily available work, Brian Busby draws on pseudonymous writings published as a McGill student as well as unpublished and previously unknown poems, letters, and journal entries to detail a vibrant life while pulling back the curtain on Glassco's sexuality and unconventional tastes. In a lively account of a man given to deception, who took delight in hoaxes, Busby manages to substantiate many of the often unreliable statements Glassco made about his life and work. A Gentleman of Pleasure is a remarkable biography that captures the knowable truth about a fascinatingly complex and secretive man.
New offers an unconventionally structured overview of Canadian literature, from Native American mythologies to contemporary texts. Publishers Weekly A History of Canadian Literature looks at the work of writers and the social and cultural contexts that helped shape their preoccupations and direct their choice of literary form. W.H. New explains how - from early records of oral tales to the writing strategies of the early twenty-first century - writer, reader, literature, and society are interrelated. New discusses both Aboriginal and European mythologies, looking at pre-Contact narratives and also at the way Contact experience altered hierarchies of literary value. He then considers representations of the "real," whether in documentary, fantasy, or satire; historical romance and the social construction of Nature and State; and ironic subversions of power, the politics of cultural form, and the relevance of the media to a representation of community standard and individual voice. New suggests some ways in which writers of the later twentieth century codified such issues as history, gender, ethnicity, and literary technique itself. In this second edition, he adds a lengthy chapter that considers how writers at the turn of the twenty-first century have reimagined their society and their roles within it, and an expanded chronology and bibliography. Some of these writers have spoken from and about various social margins (dealing with issues of race, status, ethnicity, and sexuality), some have sought emotional understanding through strategies of history and memory, some have addressed environmental concerns, and some have reconstructed the world by writing across genres and across different media. All genres are represented, with examples chosen primarily, but not exclusively, from anglophone and francophone texts. A chronology, plates, and a series of tables supplement the commentary.
Focuses on urban society, with essays on social structure, the family, ethnicity and immigration, and religion. This title includes other sections that are devoted to urban growth, the physical environment, and urban government and reform.
These selections date from early contact of the native peoples of Atlantic Canada with, among others, Norse sailors, and a French priest in 1612. Some excerpts look at the now-extinct Beothuk people of Newfoundland, but most pertain to the Micmac peoples.
This thorough study will be of assistance to those seeking to understand the role of education in contemporary Canada. Education policy and practice regarding language and culture are highlighted, as is the crucially important question of cultural transmission.
Originally published in 1922, and set in Ottawa, this tells the story of an Anglicized French-Canadian, Jules de Lantagnac, who goes back to French roots in mid-life and in the process sacrifices his English-speaking wife and three children.