Filled with lots of glitter, raised pinkies, and humorous misunderstandings, this second book in the Jo Jo Makoons series—written by Dawn Quigley and illustrated by Tara Audibert—is filled with the joy of a young Ojibwe girl discovering her very own special shine from the inside out. First grader Jo Jo Makoons knows how to do a lot of things, like how to play jump rope, how to hide her peas in her milk, and how to be helpful in her classroom. But there’s one thing Jo Jo doesn’t know how to do: be fancy. She has a lot to learn before her Aunt Annie’s wedding! Favorite purple unicorn notebook in hand, Jo Jo starts exploring her Ojibwe community to find ways to be fancy. The Heartdrum imprint centers a wide range of intertribal voices, visions, and stories while welcoming all young readers, with an emphasis on the present and future of Indian Country and on the strength of young Native heroes. In partnership with We Need Diverse Books.
Fancy yarns are those produced with some deliberate discontinuity introduced either into the colour or form of the article with the intention of producing an enhanced aesthetic impression. Most fancy yarns are produced by specialist spinners using machines modified or specially developed for the purpose; others are produced from 'fancy slivers' used as minor components of yarns made by spinners with normal equipment; still others are made exclusively by filament yarns, using adaptations of the airjet texturising process.The text is well illustrated with diagrams, drawings and photographs of yarn structures and the equipment used to create them. It contains close-ups of the yarns themselves together with an analysis to show how appearance and texture can be varied by changing the feedstock or machine settings.Textile historians and conservationists will find the book especially useful in helping to identify yarn types in historical fabrics and in developing an understanding of the variety of yarns available in antiquity and typical uses for them.Fancy yarns is an essential reference to a wide range of industrial textile technologists including spinners, knitters and weavers, fabric and garment manufacturers, students of textile technology and design and curators and conservationists of historical textile collections. - The first book to be devoted exclusively to fancy yarns and fancy doubled yarns - Describes all the major yarn types, their manufacture and potential for use in garments and furnishing fabrics - Includes over 100 drawings, diagrams and photographs
Some lucky baby is about to be discovered by talent scout Kika Mancini, and hopeful parents in Tyler are all stirred up! The only baby she wants, though, belongs to Nick Miller. And he's not even tempted by what Kika is offering his daughter. What she's offering him, however, is another matter entirely.
The second in the epic Corbins series from #1 New York Times bestselling author Linda Lael Miller follows a desperate woman and a tormented man searching for love and happiness in the Pacific Northwest. When a traveling carnival leaves Fancy Jordan stranded in the rugged Washington Territory, she thinks her luck has run out. Alone and penniless, she welcomes a most intriguing offer—to live in the home of Jeff Corbin’s brother and coax the wounded, withdrawn man back to health and happiness. But a villainous attack on his ship had hurt not only his body—a far deeper sorrow tortures him, heart and soul. Can Fancy’s love breathe new life into him or are some wounds too deep to heal?
A powerful, poignant novel of love, redemption, and family secrets from the incomparable #1 New York Times bestselling author Fern Michaels. . . On his thirty-fifth birthday, Jake St. Cloud inherits a fortune—and learns the whereabouts of his mysterious half-brother. On her deathbed, Selma St. Cloud revealed that Jake had a sibling, a product of his father's affair. At last, Jake is in a position to track down Alex Rosario and make amends for their father's past neglect. At least, that's the plan. When their initial meeting goes badly, a distraught Jake crashes his car and is sentenced to community work—with Alex as his parole officer. Jake must spend a year helping Angelica Dancer and her daughter, Fancy, at the Dancer Foundation for neglected children. Fancy, scarred within and without by the accident that ended her ballet career, is even less happy with the arrangement than Jake. Yet as they're thrown together, Jake, Alex, Angelica, and Fancy make unexpected connections. And as he unravels the painful truths of his past, Jake realizes that his mother's greatest gift to him lies not in his inheritance, but in the future, and the family, he's slowly piecing together. . . Praise for Fern Michaels and her novels "Tirelessly inventive and entertaining."—Booklist on Up Close and Personal "Fast-moving. . .entertaining. . .a roller-coaster ride of serendipitous fun."—Publishers Weekly on Mr. and Miss Anonymous 60,000 Words.
Cover -- Half Title Page -- Title Page -- Copyright Page -- Original Title Page -- Original Copyright Page -- Contents -- General Editor's Preface -- 1 Imagination and the Association of Ideas -- 2 Coleridge's Distinction between Fancy and Imagination -- 3 Symbol and Concept -- Bibliography -- Index
Exploring forms of desire unaccounted for in previous histories of sexuality What can the Renaissance tell us at our present moment about who and what is “queer,” as well as the political consequences of asking? In posing this question, The Shapes of Fancy offers a powerful new method of accounting for ineffable and diffuse forms of desire, mining early modern drama and prose literature to describe new patterns of affective resonance. Starting with the question of how and why readers seek traces of desire in texts from bygone times and places, The Shapes of Fancy demonstrates a practice of critical attunement to the psychic and historical circulations of affect across time within texts, from texts to readers, and among readers. Closely reading for uncharted desires as they recur in early modern drama, witchcraft pamphlets, and early Atlantic voyage narratives and demonstrating how each is structured by qualities of secrecy, impossibility, and excess, Christine Varnado follows four “shapes of fancy”: the desire to be used to others’ ends; indiscriminate, bottomless appetite; paranoid self-fulfilling suspicion; and melancholic longings for impossible transformations and affinities. These affective dynamics go awry in atypical and perverse ways. In other words, argues Varnado, these modes of feeling are recognizable on the page or stage as “queer” because of how, and not by whom, they are expressed. This new theorization of desire expands the notion of queerness in literature, decoupling the literary trace of queerness from the binary logics of same-sex versus opposite-sex and normative versus deviant that have governed early modern sexuality studies. Providing a set of methods for analyzing affect and desire in texts from any period, The Shapes of Fancy stages an impassioned defense of the inherently desirous nature of reading, making a case for readerly investment and identification as vital engines of meaning making and political insight.