In The Co-authored Self, Kate McLean addresses the question of how an individual comes to develop an identity by focusing on the process of interpersonal storytelling, particularly through the stories people hear, co-tell, and share of and with their families. McLean details how identity development is a collaborative construction between the individual and his or her narrative ecology.
Intimate and honest essays on motherhood, marriage, love, and acceptance Brown White Black is a portrait of Nishta J. Mehra's family: her wife, who is white; her adopted child, Shiv, who is black; and their experiences dealing with America's rigid ideas of race, gender, and sexuality. Her clear-eyed and incisive writing on her family's daily struggle to make space for themselves amid racial intolerance and stereotypes personalizes some of America's most fraught issues. Mehra writes candidly about her efforts to protect and shelter Shiv from racial slurs on the playground and from intrusive questions by strangers while educating her child on the realities and dangers of being black in America. In other essays, she discusses growing up in the racially polarized city of Memphis; coming out as queer; being an adoptive mother who is brown; and what it's like to be constantly confronted by people's confusion, concern, and expectations about her child and her family. Above all, Mehra argues passionately for a more nuanced and compassionate understanding of identity and family. Both poignant and challenging, Brown White Black is a remarkable portrait of a loving family on the front lines of some of the most highly charged conversations in our culture.
How do second-generation migrant women connect with their cultural heritage when ethnic ties have been weak or absent for most of their lives? Family, Story and Identity presents the life stories of twenty women of various ethnicities, analysis of published autobiographies, as well as autoethnographic accounts of the author’s experiences, to show how stories connect adult children of immigrants with their cultural heritage. The collecting of stories comes in various forms and can include brief visits to ancestral homelands, documenting family histories and genealogies, and gathering stories, folktales, and recipes. Senem Mallman found that, as adults, many children of immigrants actively seek out family histories and stories in order to connect with their cultural heritage and with their parents, and to pass this knowledge on to their own children. She argues that seeking out stories enables the second-generation to find a place within their family narrative. This pursuit of stories leads them toward developing new perspectives about their culture, family and life in Australia, and new ways of living with their cultural ambivalence.
The editors bring together an interdisciplinary and international group of creative researchers and theorists to examine the way the stories we tell create our identities. The contributors to this volume explore how, beginning in adolescence and young adulthood, narrative identities become the stories we live by.
Straight from the headlines comes the story of two students, one buried under the wrong name, one in a coma being cared for by the wrong family, and the heart wrenching discovery five weeks later that their identities had been mistakenly reversed.
What do you like? How do you feel? Who are you? This brightly illustrated children's book provides a straightforward introduction to gender for anyone aged 5-8. It presents clear and direct language for understanding and talking about how we experience gender: our bodies, our expression and our identity. An interactive three-layered wheel included in the book is a simple, yet powerful, tool to clearly demonstrate the difference between our body, how we express ourselves through our clothes and hobbies, and our gender identity. Ideal for use in the classroom or at home, a short page-by-page guide for adults at the back of the book further explains the key concepts and identifies useful discussion points. This is a one-of-a-kind resource for understanding and celebrating the gender diversity that surrounds us.
“I used to be a lesbian.” In Gay Girl, Good God, author Jackie Hill Perry shares her own story, offering practical tools that helped her in the process of finding wholeness. Jackie grew up fatherless and experienced gender confusion. She embraced masculinity and homosexuality with every fiber of her being. She knew that Christians had a lot to say about all of the above. But was she supposed to change herself? How was she supposed to stop loving women, when homosexuality felt more natural to her than heterosexuality ever could? At age nineteen, Jackie came face-to-face with what it meant to be made new. And not in a church, or through contact with Christians. God broke in and turned her heart toward Him right in her own bedroom in light of His gospel. Read in order to understand. Read in order to hope. Or read in order, like Jackie, to be made new.
The author of The Key to Happily Ever After—“a true gem filled with heart, laughs, and a cast of delightful characters” (Nina Bocci, USA TODAY bestselling author)—returns with a heartwarming and charming novel about a woman who travels to the Philippines to reconnect with her long-lost family…and manages to find herself along the way. Diana Gallagher-Cary is at a tipping point. As a Washington, DC, OB/GYN at a prestigious hospital, she uses her career to distract herself from her grief over her granny’s death and her breakup from her long-term boyfriend after her free-spirited mother moves in with her. But when she makes a medical decision that disparages the hospital, she is forced to go on a short sabbatical. Never one to wallow, Diana decides to use the break to put order in her life, when her mother, Margo, stumbles upon a box of letters from her grandfather, Antonio Cruz, to her grandmother from the 1940s. The two women always believed that Antonio died in World War II, but the letters reveal otherwise. When they learn that he lived through the war, and that they have surviving relatives in the Philippines, Diana becomes determined to connect with the family that she never knew existed, though Margo refuses to face her history. But Diana pushes on, and heads on a once-in-a-lifetime trip that challenges her identity, family history, and her idea of romantic love that could change her life forever. Infused with Tif Marcelo’s signature “sexy, adorable, and heartfelt” (Kate Meader, USA TODAY bestselling author) voice, Once Upon a Sunset is a moving and lyrical celebration of love, family, and second chances.
Is there anything more splendid than a baby’s skin? For families of all stripes comes a sweet celebration of what makes us unique—and what holds us together. Look at you! You look so cute in your brand-new birthday suit. Just savor these bouquets of babies—cocoa-brown, cinnamon, peaches and cream. As they grow, their clever skin does too, enjoying hugs and tickles, protecting them inside and out, and making them one of a kind. Fran Manushkin’s rollicking text and Lauren Tobia’s delicious illustrations paint a breezy and irresistible picture of the human family—and how wonderful it is to be just who you are.
