Nirip on the cusp of fifty is not happy with his life. His father is an ogre and his mother a witch. He is not happy with that either. His sort of half-sister is a sort of half-man. A really close relative turns out to be a serial killer. He is not happy sleeping with his chauffeur's wife. Neither is she. Then, for his amusement, his father arranges a cricket match between rival dacoit teams in which some of the players are shot dead. Who could be happy in such circumstances? Days before his fiftieth birthday, with Nirip still wondering whether he should go ahead and have himself kidnapped so that he can make some money, he discovers, most unexpectedly, that he is not the biological child of his parents. Witty, macabre, sad, cruel, unforgivingly insightful, Fairy Tales at Fifty is part adventure tale, part nightmare, part acid trip---and throughout a triumph of fiction.
Nirip on the cusp of fifty is not happy with his life. His father is an ogre and his mother a witch. He is not happy with that either. His sort of half-sister is a sort of half-man. A really close relative turns out to be a serial killer. He is not happy sleeping with his chauffeur's wife. Neither is she. Then, for his amusement, his father arranges a cricket match between rival dacoit teams in which some of the players are shot dead. Who could be happy in such circumstances? Days before his fiftieth birthday, with Nirip still wondering whether he should go ahead and have himself kidnapped so that he can make some money, he discovers, most unexpectedly, that he is not the biological child of his parents. Witty, macabre, sad, cruel, unforgivingly insightful, Fairy Tales at Fifty is part adventure tale, part nightmare, part acid trip---and throughout a triumph of fiction.
Agastya Sen, known to friends by the English name August, is a child of the Indian elite. His friends go to Yale and Harvard. August himself has just landed a prize government job. The job takes him to Madna, “the hottest town in India,” deep in the sticks. There he finds himself surrounded by incompetents and cranks, time wasters, bureaucrats, and crazies. What to do? Get stoned, shirk work, collapse in the heat, stare at the ceiling. Dealing with the locals turns out to be a lot easier for August than living with himself. English, August is a comic masterpiece from contemporary India. Like A Confederacy of Dunces and The Catcher in the Rye, it is both an inspired and hilarious satire and a timeless story of self-discovery.
Using the magical and mythic language of classic stories from around the world, Fairy Tales takes familiar myths and folktales and turns them into stories about men coming out, learning to trust themselves, looking for and finding love, facing AIDS, and helping those they love.
The fairy tale lives again in this book of forty new stories by some of the biggest names in contemporary fiction. Neil Gaiman, “Orange” Aimee Bender, “The Color Master” Joyce Carol Oates, “Blue-bearded Lover” Michael Cunningham, “The Wild Swans” These and more than thirty other stories by Francine Prose, Kelly Link, Jim Shepard, Lydia Millet, and many other extraordinary writers make up this thrilling celebration of fairy tales—the ultimate literary costume party. Spinning houses and talking birds. Whispered secrets and borrowed hope. Here are new stories sewn from old skins, gathered by visionary editor Kate Bernheimer and inspired by everything from Hans Christian Andersen’s “The Snow Queen” and “The Little Match Girl” to Charles Perrault’s “Bluebeard” and “Cinderella” to the Brothers Grimm’s “Hansel and Gretel” and “Rumpelstiltskin” to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico. Fairy tales are our oldest literary tradition, and yet they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature. This exhilarating collection restores their place in the literary canon.
Believe In Your Own Fairytale narrates a young woman’s quest to achieve dreams all thought impossible. While being raised in a poor, black household on a small island does not make one the perfect candidate for a happily-ever-after, Fletcher shows that fairytales are real for those who find the magic in themselves. It is a journey of self-discovery, relationship with God and overcoming hardships including grief, disappointment, depression, poverty, anxiety and overcoming many psychological barriers to manifest true purpose. If you’ve ever doubted that your dreams are too big or maybe never believed in fairytales at all, then this is the book for you. It is designed for all the wanderers, dreamers and every person who has felt like their goals were so big it scared them and everyone else around them. It is for those who lack support from others and struggle daily to achieve their lifelong goals. Yuh’ see when you’re born in 1990 and yuh’ grow up as an only child to a poor, black, single-parent mother in the Caribbean, wanting to become a New York Times best-selling author and broadcast journalist living in the big apple seems like a real FAIRYTALE. My childhood dream of becoming the “Caribbean Carrie Bradshaw” was often mocked and turned away by locals who told me, “give up Kay-Marie dem’ ting’ does only happen in books and movies”. Determined to prove everyone wrong and do so by age 25, I set out on the pursuit of happiness as a young, naïve but strong-minded island-girl. However, my journey to achieve these goals was often disrupted by many hardships and this book details how I dealt with them. These include grief, disappointment, depression, and poverty, anxiety, crossing geographical borders and overcoming many psychological barriers. The unexpected death of my grandmother and uncle, which made me struggle to complete university, was just one of many. This caused me great turmoil, since Education had to be my ticket into a better life. After being rejected to do my post-grad studies in the U.S., I was forced to take an ordinary desk job to earn a living. Meanwhile, I hoped that finding true love would be a worthy compromise. Sadly, I looked for it in all the wrong guys. Luckily, I landed my dream job as a journalist at the largest local news station back home. Soon after taking it however, my old dream resurfaced and I was finally given the chance to migrate to the United States. By then, I had to choose between giving up the life I’d always imagined overseas and accepting what seemed to be my new fate in Trinidad. But, what happened next completely overturned my life. After surviving a horrific car accident on my 25th birthday, I woke up to an epiphany that my fairytale was much more than just becoming a big city girl. Taking a leap of faith to go after my dreams, developing a relationship with God, and discovering my true purpose in life became my real happily ever after. This book also gives an entirely new outlook to the traditional concept of what we know a ‘fairytale’ to be. Unlike others, each chapter unravels a whole new definition of the term ‘fairytale’ and intends to convince the minds of those who never believed in fairytales at all. When you read this book you will discover that your fairytales are your dreams, your purpose, your truth, your vision, your deepest thoughts, your inner magic, your baby, your goals, your prophetic call, your diamond, your destiny, and your recipe for success, just to name a few. X
Although readers and filmgoers are strongly familiar with Disney's sanitized child-centric fairy tales, they are quick to catch on to reworkings of classic tales into a contemporary context. The rise is such retellings seems to indicate that readers are hungry for a new narrative, one that hearkens back to the old yet moves the storyline forward to reflect conditions of the modern world. No mere escapist fantasies, the reimagined fairy tales of the late 20th and early 21st centuries reflect social, political and cultural truths. Sixteen essays consider fairy tales recreated through short stories, novels, poetry, and the graphic novel from both best-selling and lesser-known writers, applying a variety of perspectives, including postmodernism, psychoanalysis, Marxism, feminism, queer theory and gender studies. Along with the classic fairy tales, fiction from writers such as Neil Gaiman (Stardust) and Gregory Macquire (Wicked) is covered.
Fifty Famous Stories Retold by James Baldwin, first published in 1896, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
