This collection of Bertrand Russell's essays is available in paperback for the first time since its publication in 1961. Its first section deals with the books which influenced Russell in his youth. The works of Shelley, Turgenev, Ibsen and Gibbon are among those selected for discussion. The second part is devoted to essays on politics and education. The third section is one of divertissements and parables, which also includes some rare descriptions of Russell's dreams. Finally there are 11 essays and speeches concerned with peace and war, which include some of Russell's most famous pronouncements on nuclear warfare and international tension. Fact and Fiction provides an insight into one of this century's greatest philosophers' range of interests and depth of convictions.
From the author of The Mind-Body Problem: a witty and intoxicating novel of ideas that plunges into the great debate between faith and reason. At the center is Cass Seltzer, a professor of psychology whose book, The Varieties of Religious Illusion, has become a surprise best seller. Dubbed “the atheist with a soul,” he wins over the stunning Lucinda Mandelbaum—“the goddess of game theory.” But he is haunted by reminders of two people who ignited his passion to understand religion: his teacher Jonas Elijah Klapper, a renowned literary scholar with a suspicious obsession with messianism, and an angelic six-year-old mathematical genius, heir to the leadership of an exotic Hasidic sect. Hilarious, heartbreaking, and intellectually captivating, 36 Arguments explores the rapture and torments of religious experience in all its variety.
George Oliver Smith (1911–1981) (not to be confused with George H. Smith) was an American science fiction author. Smith was an active contributor to Astounding Science Fiction during the Golden Age of Science Fiction in the 1940s. His collaboration with the magazine’s editor, John W. Campbell, Jr., was interrupted when Campbell’s first wife, Doña, left him in 1949 and married Smith. Smith continued regularly publishing science fiction novels and stories until 1960. His output greatly diminished in the 1960s and 1970s when he had a job that required his undivided attention. He was given the First Fandom Hall of Fame award in 1980. Included are: OPERATION INTERSTELLAR STOP, LOOK, AND DIG HIGHWAYS IN HIDING THE FOURTH “R” INSTINCT HISTORY REPEATS THE BIG FIX THE UNDETECTED THE TROUBLEMAKERS AMATEUR IN CHANCERY If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 300+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!
First ever full-length study of four works by Gilbert Sorrentino, the contemporary American novelist. Gilbert Sorrentino is the most innovative and experimental writer now working in America. In a long and still continuing series of novels he has broken down the barriers of fictional realism in ways which undercut the traditionalboundaries between fact and fiction, exposing the problematical character of representation. However, although his position in contemporary American fiction is assured, he has not yet received the serious critical attention his work deserves. This volume is the first full length treatment of his work in depth and detail; it examines four novels published by Sorrentino in the 1980s (Crystal Vision, Odd Number, Rose Theatre and Misterioso), aiming to identify the critical and philosophical problems raised in his work and assessing his achievements in dealing with them.
Think You Know Your Stuff? Prove It. The gauntlet's been thrown down. Time to man up and face the challenge. This book tests it all—sports, movies, cars, history, everything—everything any real guy should know. And acing this test's the only way to prove you know it all. What type of gun does Dirty Harry use to clean up the streets and display his general badassness? Which beer is the product of the oldest active brewery in the United States? Who's the only player to pull off the improbable feat of a walkoff inside-the-park grand slam? Which gangster was responsible for the Valentine's Day Massacre? What was the name of Mr. T's character on The A-Team? The answer's pretty clear: You need this book. Whether it's to keep from getting schooled or to school your buddies, it's required reading. No question.
With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny." From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily 's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale--in which monkeys enchant and religious statues weep--becomes the old man's confession--an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, I Know This Much Is True is an extraordinary reading experience that will leave no reader untouched.
Factual Fictions: Narrative Truth and the Contemporary American Documentary Novel focuses on contemporary American documentary narratives, specifically the documentary novel, as it re-emerged in the 1960s and later developed into various other forms. The book explores the connections between the documentary novel and the concurrent rise of New Journalism (a.k.a. “literary journalism”) in the United States, situating the two genres in the cultural context of the tumultuous 1960s and an emerging postmodern ethos. Flis makes a comprehensive analysis of texts by Truman Capote, Norman Mailer, John Berendt, and Don DeLillo, while tackling discussions on various theoretical complexities with assurance and rigor. Interested in the precarious divide between fact and fiction, the author productively complicates traditional notions of the two poles. Furthermore, the book examines parallels between contemporary Slovene documentary narratives and their American counterparts. Flis’s work, with its systematic and innovative approach to the subject matter, adds an important historical dimension to the developing field of literary journalism studies as well as to the more established area of 20th Century American literature.
Facts, Fiction, and the Bible: The Truth behind the Stories in the Old Testament serves as a readers guide to conducting a thorough investigation of the stories contained in the books of the Bibles Old Testament. Its historical exploration helps to distinguish the storiesverifiable facts from their narrative fictions. The author, Gijsbert J.G. Sulman, builds upon a long history of Bible study and research to bolster his sifting of those facts from the Bibles fictions. The serious student of the Bible will find a wealth of resources at hand in the pages of Facts, Fiction, and the Bible. Twenty-two chapters treat the Old Testaments major themes, events, and figures. Plentiful illustrations, an extensive bibliography, and copious endnotes provide exhaustive visual and textual documentation to support the books presentation. By taking stock of a wealth of research and integrating it with a careful reading of the biblical text, Facts, Fiction, and the Bible: The Truth behind the Stories in the Old Testament presents to the reader a careful and reasoned assessment of the truth lying behind and beneath the Old Testaments stories. With this in-depth survey in hand, the reader will come to know and to appreciate the Bibles stories and to discern what really happened.
