Photographer Steve Pidcock sees faces in the magical reflections of water and rock along the Susquehanna River. Though not everyone sees them in the same way, more than 200 images show the beautiful scenery, details of rocks, plants, and shapes and colors of the seasons and how, with a slightly different perspective, they reveal surprising results. Early Native Americans used these waters as a major highway. Today, sports enthusiasts and environmentalists use it for recreation and research. Laid out in what the photographer calls "Verti-zontal Art," the humorous and sometimes dark "beings" within the images take form. If you love art, nature, history, or just enjoy viewing the world from a different vantage point, then this book is for you.
This first volume in the new Stories of the Susquehanna Valley series describes the Native American presence in the Susquehanna River Valley, a key crossroads of the old Eastern Woodlands between the Great Lakes and the Chesapeake Bay in northern Appalachia. Combining archaeology, history, cultural anthropology, and the study of contemporary Native American issues, contributors describe what is known about the Native Americans from their earliest known presence in the valley to the contact era with Europeans. They also explore the subsequent consequences of that contact for Native peoples, including the removal, forced or voluntary, of many from the valley, in what became a chilling prototype for attempted genocide across the continent. Euro-American history asserted that there were no native people left in Pennsylvania (the center of the Susquehanna watershed) after the American Revolution. But with revived Native American cultural consciousness in the late twentieth century, Pennsylvanians of native ancestry began to take pride in and reclaim their heritage. This book also tells their stories, including efforts to revive Native cultures in the watershed, and Native perspectives on its ecological restoration. While focused on the Susquehanna River Valley, this collection also discusses topics of national significance for Native Americans and those interested in their cultures.
The rugged hillscapes of Pennsylvania have for centuries been fertile ground for legends and folk tales; this collection features many of the finest stories of the region. Some of the yarns date back to a time before white European settlers arrived in the area; repeated and shared over many generations, their narratives often employ nature and natural phenomena as both setting and plot device; mountain ranges, ponds and lakes, dense woodlands. The appearance of ghosts or spirits is melded with the reality of life; living in the lap of nature was no easy business, with Native Americans and settlers alike fending with the weather and wilderness dangers. The author casts himself as a mere compiler of various legends that have circulated in Pennsylvania for countless years. Pursuing accuracy and honesty rather than literary convention, the stories are transcribed as closely as possible to versions passed down in the oral tradition. Writing in the early 20th century, Henry Shoemaker's personal view is that the tales defy convention; many lack the traditional happy conclusions and end on a gloomy or spooky note. Nevertheless, their value - both as historic recollection of a Pennsylvania long-departed, and as folk literature - stands undoubted.
Rounds out Edward J. Lenik’s comprehensive and expert study of the rock art of northeastern Native Americans Decorated stone artifacts are a significant part of archaeological studies of Native Americans in the Northeast. The artifacts illuminated in Amulets, Effigies, Fetishes, and Charms: Native American Artifacts and Spirit Stones from the Northeast include pecked, sculpted, or incised figures, images, or symbols. These are rendered on pebbles, plaques, pendants, axes, pestles, and atlatl weights, and are of varying sizes, shapes, and designs. Lenik draws from Indian myths and legends and incorporates data from ethnohistoric and archaeological sources together with local environmental settings in an attempt to interpret the iconography of these fascinating relics. For the Algonquian and Iroquois peoples, they reflect identity, status, and social relationships with other Indians as well as beings in the spirit world. Lenik begins with background on the Indian cultures of the Northeast and includes a discussion of the dating system developed by anthropologists to describe prehistory. The heart of the content comprises more than eighty examples of portable rock art, grouped by recurring design motifs. This organization allows for in-depth analysis of each motif. The motifs examined range from people, animals, fish, and insects to geometric and abstract designs. Information for each object is presented in succinct prose, with a description, illustration, possible interpretation, the story of its discovery, and the location where it is now housed. Lenik also offers insight into the culture and lifestyle of the Native American groups represented. An appendix listing places to see and learn more about the artifacts and a glossary are included. The material in this book, used in conjunction with Lenik’s previous research, offers a reference for virtually every known example of northeastern rock art. Archaeologists, students, and connoisseurs of Indian artistic expression will find this an invaluable work.
