A compilation of poems by Americans writing about American art in the twentieth century, including such writers as Nancy Willard, Jane Yolen, and X.J. Kennedy.
The author argues that Chaucer is unorthodox in exploiting the possibilities for using sight both to express emotional experience and to accentuate rationality at the same time. The conventional opposition of love and knowledge in the phenomenon of love at first sight gives way in Chaucer's development of love, knowledge, and sight to a symbiosis in his love poetry.
The author investigates the points of contact between literature, visual arts and feminist criticism by offering fresh readings of selected Romantic and Victorian poems about women and a discussion of their wide-ranging visual history – a subject which has not yet been undertaken in a book-length study. The innovative feature of the project lies in its scope and merit: extensive readings of 19th century poetry, informed by carefully chosen critical approaches, are followed by a rich overview and analysis of visual renderings of the poems in question. Łuczyńska-Hołdys has succeeded in bringing to light previously unknown or undiscussed works, and reappraised many well-known paintings and illustrations.
A wealth of scholarship has highlighted how commercial, political and religious networks expanded across the Arabian Sea during the seventeenth century, as merchants from South Asia traded goods in the ports of Yemen, noblemen from Safavid Iran established themselves in the courts of the Mughal Empire, and scholars from across the region came together to debate the Islamic sciences in the Arabian Peninsula's holy cities of Mecca and Medina. This book demonstrates that the globalising tendency of migration created worldly literary systems which linked Iran, India and the Arabian Peninsula through the production and circulation of classicizing Arabic and Persian poetry. By close reading over seventy unstudied manuscripts of seventeenth-century Arabic and Persian poetry that have remained hidden on the shelves of libraries in India, Iran, Turkey and Europe, the book examines how migrant poets adapted shared poetic forms, imagery and rhetoric to engage with their interlocutors and create communities in the cities where they settled. The book begins by reconstructing overarching patterns in the movement of over a thousand authors, and the economic basis for their migration, before focusing on six case studies of literary communities, which each represent a different location in the circulatory system of the Arabian Sea. In so doing, the book demonstrates the plurality of seventeenth-century aesthetic movements, a diversity which later nationalisms purposefully simplified and misread.