The second fast-paced volume of the Varigo series is a story of murder, intrigue and revenge in a small Spanish town. The police chief, faced with a severed head in the Town Hall, has failed to work out whodunit. He has been sooo incompetent and embarrassed the Guardia Civil so badly, that they are forced to promote him. He's then replaced by, of all things, a woman, Sargenta Carmen Ramrez Paragn. Her new broom is fast losing bristles trying to sweep clean the Town Hall, the Church, the astral plane and, worst of all, the lads in green, the Guardia Civil themselves.
An essential tool for assisting leisure readers interested in topics surrounding food, this unique book contains annotations and read-alikes for hundreds of nonfiction titles about the joys of comestibles and cooking. Food Lit: A Reader's Guide to Epicurean Nonfiction provides a much-needed resource for librarians assisting adult readers interested in the topic of food—a group that is continuing to grow rapidly. Containing annotations of hundreds of nonfiction titles about food that are arranged into genre and subject interest categories for easy reference, the book addresses a diversity of reading experiences by covering everything from foodie memoirs and histories of food to extreme cuisine and food exposés. Author Melissa Stoeger has organized and described hundreds of nonfiction titles centered on the themes of food and eating, including life stories, history, science, and investigative nonfiction. The work emphasizes titles published in the past decade without overlooking significant benchmark and classic titles. It also provides lists of suggested read-alikes for those titles, and includes several helpful appendices of fiction titles featuring food, food magazines, and food blogs.
Before becoming an author, George Mahood spent a decade working as a wedding photographer, covering over 250 weddings. In his tongue-in-cheek memoir, he lifts the lid on the industry and the traditions and trends associated with the modern wedding.Sometimes controversial, often insightful, but always amusing, George Mahood offers some practical advice to those planning their own wedding, sharing stories of the weddings he photographed as well as his own marriage, while shedding some light on the role of the wedding photographer and what it is like to document the most important day in these couples' lives.
From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M
INSTANT #1 NEW YORK TIMES BESTSELLER A Best Book of the Year: The New Yorker, The Guardian, The Sunday Times, The Daily Mail, Good Morning America, She Reads Famed American actress Demi Moore at last tells her own story in a surprisingly intimate and emotionally charged memoir. For decades, Demi Moore has been synonymous with celebrity. From iconic film roles to high-profile relationships, Moore has never been far from the spotlight—or the headlines. Even as Demi was becoming the highest paid actress in Hollywood, however, she was always outrunning her past, just one step ahead of the doubts and insecurities that defined her childhood. Throughout her rise to fame and during some of the most pivotal moments of her life, Demi battled addiction, body image issues, and childhood trauma that would follow her for years—all while juggling a skyrocketing career and at times negative public perception. As her success grew, Demi found herself questioning if she belonged in Hollywood, if she was a good mother, a good actress—and, always, if she was simply good enough. As much as her story is about adversity, it is also about tremendous resilience. In this deeply candid and reflective memoir, Demi pulls back the curtain and opens up about her career and personal life—laying bare her tumultuous relationship with her mother, her marriages, her struggles balancing stardom with raising a family, and her journey toward open heartedness. Inside Out is a story of survival, success, and surrender—a wrenchingly honest portrayal of one woman’s at once ordinary and iconic life.
In 2010, photographer McNair Evans returned to his childhood home in Laurinburg, North Carolina to retrace his father's life and legacy after his death nine years earlier. His father's passing had exposed the looming insolvency of their family businesses, ending five generations of family and financial stability. The economic impact on the family was immediate but the emotional impact lingered with Evans.Seeking to comprehend how the man he admired could have hidden the impending disaster from those he loved, McNair Evans delved into his family origins and his father's history to create a multi-layered photographic narrative about love and loss. The artist's poignant and lyrical photographs are presented in his first monograph, Confessions for a Son (Owl & Tiger Books, October 15, 2014). The book's themes are universal--the complex relationship between fathers and sons, the strength of family bonds and the disappearance of an American agrarian way of life.Visiting the farms where he and his father hunted, his father's college dorm rooms, and his oldest friends, Evans photographed family members and businesses while researching his father's character and actions. Through this personal and photographic journey Evans moved from anger to empathy, and grew to love his father again. Evans' photographs are documentary and ethnographic, using light and evocative symbolism to convey the metaphorical in the abandoned businesses, totemic objects, and portraits of family and friends.
____________ As well as being an incredible stage performer, a brilliant writer and a talented painter, Derren Brown is also a fantastic street photographer. Here, for the first time, is a selection of his work. As he writes of his passion: 'Street photography is a fitting refuge for those who look at life from a distance. It both sanctifies our remoteness (by offering the standpoint of the observer) and challenges it, insisting we approach with a spritely curiosity. It offers a safe route back into the world: the camera is an entry ticket to daunting social situations and extraordinary environments where we might otherwise feel entirely out of place. Suddenly we have a role: a reason to be present. And for those of us smitten by its appeal, it provides a means of fortifying and forgetting ourselves, while extending out into the world with a controlled compassion.'
