Explorations in American Archaeology is a collection of original essays relating to the areas of archaeology within which Hurt conducted pioneering research. The contributions include a number of noted scholars in both North And South America and reflect Hurt's regional and topical interests. This volume is focused to a considerable degree of continuity among its contributions. Many of the papers provide new data and insights related to seminal and contemporary issues in American archaeology, and is strengthened by Pedro Schmitz and other prominent Brazilian archaeologists who provide new and unpublished data regarding native subsistence strategies. Due to the integration and continuity of the entire volume, those searching for specific information will finds essays throughout the volume useful to their purposes.
Remnants of the curious and peculiar ways humankind has marked the archaeological landscape are abundant but often ignored: wrecked aircraft, abandoned airfields, old highway billboards, derelict boats, movie props, and deserted mining operations. In this book, archaeologist P.J. Capelotti explores places and things that people do not typically think of as archaeological sites and artifacts, introducing readers to the most extreme fieldwork taking place today. Capelotti shows that even seemingly ordinary objects from the recent past hold secrets about the cultural history of humans. He investigates the site where a stunt copy of the Orca, the fishing boat used in the movie Jaws, was stripped to pieces by fans—a revelation of the ways humans relate to popular culture. He takes readers to abandoned base camps near the North Pole that are now used as destinations for Arctic tourism. Retelling the story of Thor Heyerdahl’s research expedition across the Pacific Ocean on a balsa log raft, Capelotti shows how experimental archaeology attempts to reveal cultural connections between continents. And he doesn’t stop at the limits of the planet. He discusses debris floating through outer space and equipment left behind on the surface of the moon, highlighting current efforts to preserve artifacts that exist beyond the Earth’s atmosphere. These discarded materials, says Capelotti, help archaeologists piece together the sweeping story of human cultural expansion and exploitation. He explains how the unusual sites of shorelines, sea, air, and space represent the farthest reaches of human civilization. His enthusiasm will inspire readers to set out on their own to investigate the secret meanings of treasures hiding in plain sight.
Published in cooperation with the William P. Clements Center for Southwest Studies, Southern Methodist University Ruins are as central to the image of the American Southwest as are its mountains and deserts, and antiquity is a key element of modern southwestern heritage. Yet prior to the mid-nineteenth century this rich legacy was largely unknown to the outside world. While military expeditions first brought word of enigmatic relics to the eastern United States, the new intellectual frontier was seized by archaeologists, who used the results of their southwestern explorations to build a foundation for the scientific study of the American past. In Ruins and Rivals, James Snead helps us understand the historical development of archaeology in the Southwest from the 1890s to the 1920s and its relationship with the popular conception of the region. He examines two major research traditions: expeditions dispatched from the major eastern museums and those supported by archaeological societies based in the Southwest itself. By comparing the projects of New York's American Museum of Natural History with those of the Southwest Museum in Los Angeles and the Santa Fe-based School of American Archaeology, he illustrates the way that competition for status and prestige shaped the way that archaeological remains were explored and interpreted. The decades-long competition between institutions and their advocates ultimately created an agenda for Southwest archaeology that has survived into modern times. Snead takes us back to the days when the field was populated by relic hunters and eastern "museum men" who formed uneasy alliances among themselves and with western boosters who used archaeology to advance their own causes. Richard Wetherill, Frederic Ward Putnam, Charles Lummis, and other colorful characters all promoted their own archaeological endeavors before an audience that included wealthy patrons, museum administrators, and other cultural figures. The resulting competition between scholarly and public interests shifted among museum halls, legislative chambers, and the drawing rooms of Victorian America but always returned to the enigmatic ruins of Chaco Canyon, Bandelier, and Mesa Verde. Ruins and Rivals contains a wealth of anecdotal material that conveys the flavor of digs and discoveries, scholars and scoundrels, tracing the origins of everything from national monuments to "Santa Fe Style." It rekindles the excitement of discovery, illustrating the role that archaeology played in creating the southwestern "past" and how that image of antiquity continues to exert its influence today.
This comprehensive text is intended for the junior-senior level course in North American Archaeology. Written by accomplished scholar Dean Snow, this new text approaches native North America from the perspective of evolutionary ecology. Succinct, streamlined chapters present an extensive groundwork for supplementary material, or serve as a core text.The narrative covers all of Mesoamerica, and explicates the links between the part of North America covered by the United States and Canada and the portions covered by Mexico, Guatemala, Belize, and the Greater Antilles. Additionally, book is extensively illustrated with the author's own research and findings.
The understanding and interpretation of ancient architecture, landscapes, and art has always been viewed through an iconographic lens—a cognitive process based on traditional practices in art history. But ancient people did not ascribe their visions on canvas, rather on hills, stones, and fields. Thus, Chris Tilley argues, the iconographic approach falls short of understanding how ancient people interacted with their imagery. A kinaesthetic approach, one that uses the full body and all the senses, can better approximate the meaning that these artifacts had for their makers and today’s viewers. The body intersects the landscape in a myriad of ways—through the effort to reach the image, the angles that one can use to view, the multiple senses required for interaction. Tilley outlines the choreographic basis of understanding ancient landscapes and art phenomenologically, and demonstrates the power of his thesis through examples of rock art and megalithic architecture in Norway, Ireland, and Sweden. This is a powerful new model from one of the leading contemporary theorists in archaeology.
Shedding new light on the division of power, the essays in this volume explore the variety of roles and assumptions about queens from the Americas to Eurasia. Together they provide a global tour of archaeological and historical queens that illustrate the intersection of gender and power in archaeology.
This volume addresses the entanglement between archaeology, imperialism, colonialism, capitalism, and war. Popular sentiment in the West has tended to embrace the adventure rather than ponder the legacy of archaeological explorers; allegations by imperial powers of "discovering" archaeological sites or "saving" world heritage from neglect or destruction have often provided the pretext for expanding political influence. Consequently, citizens have often fallen victim to the imperial war machine, seeing their lands confiscated, their artifacts looted, and the ancient remains in their midst commercialized. Spanning the globe with case studies from East Asia, Siberia, Australia, North and South America, Europe, and Africa, sixteen contributions written by archaeologists, art historians, and historians from four continents offer unusual breadth and depth in the assessment of various claims to patrimonial heritage, contextualized by the imperial and colonial ventures of the last two centuries and their postcolonial legacy.
