Benghazi!

Benghazi!

Author: Ethan Chorin

Publisher: Hachette UK

Published: 2022-09-06

Total Pages: 408

ISBN-13: 0306829746

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In recognition of the 10th anniversary of the attack in Benghazi, a noted Libya expert and eyewitness to the attack provides a startling reconsideration of one of the defining controversies of our era. Ten years after an attack on the US diplomatic mission in Benghazi killed Ambassador Christopher Stevens and three other Americans, cries of "Benghazi!" still echo across America. But instead of a landmark event to be taken seriously, it has become a punchline, an empty word, or a code for controversy and political theatre. In this thrilling retelling, Ethan Chorin reveals Benghazi as a watershed moment in American history, one that helped create the world America lives in today: polarized, fearful, and dangerously unstable. Here, Benghazi is not a story contained in 13 hours, but a decades-long history beginning with the rise of Muammar Gaddafi, stretching through 9/11, the War on Terror, and the Arab Spring, and reaching into the present day, as the impact of the attack and ensuing controversy remain visible in America and around the world. Chorin draws on his own bone-chilling experience during the Benghazi attack, his expertise as a former diplomat and scholar of Libyan history, and new interviews with Libyan insiders, eyewitnesses, and key players like Hillary Clinton and Ben Rhodes. With this ambitious, engaging narrative, Chorin makes clear why Benghazi still matters so much ten years later—and why we can’t afford to continue overlooking and misunderstanding it.


The Broadview Anthology of Restoration and Early Eighteenth-Century Drama

The Broadview Anthology of Restoration and Early Eighteenth-Century Drama

Author: J. Douglas Canfield

Publisher: Broadview Press

Published: 2001-05-31

Total Pages: 2001

ISBN-13: 1770484116

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This is the first new full-scale anthology of Restoration and eighteenth-century drama in over sixty years. Concentrating on plays from the heyday of 1660-1737, it focuses especially on Restoration drama proper (1660-1688) and Revolution drama (1689-1714), with a smaller selection of plays from the early Georgian period (1715-1737) and a glimpse at the later Georgian period’s “laughing comedy” (1770s and 80s). It includes nine sub-genres (heroic romance, political tragedy, personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy), with the preponderance of exposure given to the jewel of this theatre, its comedy. The core canonical plays from the era—from Dryden’s All for Love and Behn’s The Rover to Congreve’s The Way of the World and Sheridan’s School for Scandal—are all here, but so are a remarkably wide range of non-canonical works. There are many more plays by women than in any previous general anthology of drama of the period. Also included are a number of works from the neglected 1660s, whose comedies feature delightful, subversive, levelling folk elements. In all there are forty-one plays; each is fully annotated and prefaced with an historical introduction. Also included are a general introduction, head-notes for each genre, and a glossary.


Classic Plays by Women

Classic Plays by Women

Author: Hrotswitha

Publisher: Aurora Metro Publications Ltd.

Published: 2019-04-02

Total Pages: 435

ISBN-13: 1910798789

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Classic Plays by Women: an anthology of the best plays by female dramatists from 1600-2000 Staged in theatres by successive generations and proving relevant to contemporary audiences, the plays demonstrate the wit, theatrical skill and innovation of their creators in exploring timeless topics from marriage, morality and money to class conflict, rage and sexual desire. An essential resource for students, playwrights, colleges, universities and libraries, this collection also provides theatres with the opportunity to programme a range of theatrical classics by women. Plays from: Hroswitha’s Paphnutius (extract); Elizabeth Cary’s The Tragedy of Mariam(extract); Aphra Behn’s The Rover; Susanna Centlivre’s A Bold Stroke For A Wife; Joanna Baillie’s De Montfort; Githa Sowerby’s Rutherford and Son; Enid Bagnold’s The Chalk Garden; Caryl Churchill’s Top Girls (extract); Marie Jones’ Stones in his Pockets.