Persian Art
Persian Art

Author: Kadoi Yuka Kadoi

Publisher: Edinburgh University Press

Published: 2019-07-31

Total Pages: 200

ISBN-13: 147446968X

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In this illustrated book, nine contributors explore multifaceted aspects of art, architecture and material culture of the Persian cultural realm, encompassing West Asia, Anatolia, Central Asia, South Asia, East Asia and Europe. Each chapter examines the historical, religious or scientific role of visual culture in the shaping, influencing and transforming of distinctive 'Persian' aesthetics across the various historical periods, ranging from pre-Islamic, medieval and early modern Islamic to modern times.

Muqarnas, Volume 24
Muqarnas, Volume 24

Author: Gülru Necipoglu

Publisher: BRILL

Published: 2007-12-31

Total Pages: 316

ISBN-13: 9047423321

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Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. In Muqarnas articles are being published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.

History and Ideology
History and Ideology

Author: Julia Bailey

Publisher: BRILL

Published: 2007

Total Pages: 317

ISBN-13: 9004163204

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Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts.In Muqarnas articles are being published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.

After One Hundred Years
After One Hundred Years

Author: Andrea Lermer

Publisher: BRILL

Published: 2010-08-23

Total Pages: 452

ISBN-13: 900419102X

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The exhibition "Meisterwerke muhammedanischer Kunst" that took place in Munich in 1910 marked a turning point in the approach to Islamic Art. The show attempted to break free of Orientalism and exotic fantasies and, in doing so, set a new standard for the reception of Islamic art in Europe. Moreover, naming the Islamic artefacts masterpieces, it layed claim to bestow upon Islamic art “a place equal to that of other cultural periods”. This book is the first comprehensive study on this path-breaking exhibition. It includes a wealth of unpublished material and numerous novel ideas on the subject and addresses the exhibition’s historical context, organization, realization and display as well as its reception in the West and its later influence on the study of Islamic art.