What connection does a small-time pot dealer's death have to do with an innocent woman's gruesome suicide and a masked thief's string of New York City burglaries? Super-hero-turned-mayor Mitchell Hundred will risk everything to find out! Part 2 of the controversial 4-part story "Smoke Smoke."
Award-winning writer Brian K. Vaughan (PRIDE OF BAGHDAD, Y: THE LAST MAN) uniquely combines big city politics and superheroes in this critically acclaimed series. Set in our modern-day world, EX MACHINA tells the story of civil engineer MitchellHundred, who becomes America's first living, breathing superhero after a strange accident gives him the power to communicate with machines. Eventually Mitchell tires of risking his life merely to maintain the status quo, retires from maskedcrimefighting and runs for mayor of New York City, winning by a landslide after the events of 9/11. Illustrated by Tony Harris, EX MACHINA BOOK ONE is the first chapter of one of the finest series ever from Vertigo. Collects issues #1-11.
In this last deluxe EX MACHINA hardcover, Mayor Mitchell Hundred descends into the NYC sewers to learn why he was given the strange powers that helped him become the heroic Great Machine while a powerful new foe reveals a terrifying plan that's been in the works since the series began.
In the shocking conclusion of his globetrotting adventure to Vatican City, superhero-turned-mayor Mitchell Hundred learns that religion and politics can be an explosive mix.
Ex Machina d20 is the ultimate cyberpunk genre and setting book for the d20 System! In addition to an extensive treatment of cyberpunk role-playing rules and options, this hardcover book features four dynamic and distinct settings that range from the grim-and-gritty far future to a dystopian world 90 minutes from now.
Following the events of Star Trek: The Motion Picture the captain and crew of the USS Enterprise found themselves haunted by their extraordinary encounter with the vast artificial intelligence of V'Ger, and by the sacrifice and ascension of their friend and shipmate, Willard Decker. As James T. Kirk, Spock and Leonard McCoy attempt to cope with the personal fallout of their ordeal, a chapter from their mutual past is reopened, raising troubling new questions about the relationship of God, man and A.I. On the recently settled world of Daran IV, the former refugees of the Fabrini worldship Yonada are divided by conflicting ideologies, some clinging to their theocratic past while others envision a future governed by reason alone. Years ago the officers of the Enterprise helped overthrow the Oracle, the machine-god that controlled Yonada. Now confronting the consequences of those actions, together with echoes of their strange encounter with V'Ger, Kirk, Spock and McCoy face choices which will decide the fate of a civilization - and which may change them forever.
Science fiction thrills collide with explosive political drama in this critically acclaimed tale from renowned writer Brian K. Vaughan and legendary artist Tony Harris--assembled in a single hardcover volume! When a strange accident gives Mitchell Hundred the ability to control machinery, he uses his newfound powers to become the world's first superhero. But the thrill of risking his life simply to help maintain the status quo eventually wears thin, leading Mitch to retire from masked crime-fighting in order to run for mayor of New York City. And that's when the real weirdness begins! Collects the Eisner Award-winning series Ex Machina #1-50 and Ex Machina Special #1-4.
Robert Lepage/Ex Machina: Revolutions in Theatrical Space provides an ideal introduction to one of our most innovative companies – and a much-needed and timely reappraisal of Lepage's oeuvre. International, interdisciplinary and intercultural to the core, Ex Machina have negotiated some of the most complex creative and cultural challenges of our time. This book maps the story of that journey by analysing the full spectrum of their richly varied work. Through a comprehensive historiography of productions since 1994, Robert Lepage/Ex Machina offers a detailed picture of the relationship between director and company, while connecting Ex Machina to culturally specific features of Québec, and its theatre. This book reveals for the first time how overlooked aspects of creativity and culture shaped the company's early work, while installing a dynamic interplay between director and company that would spark a unique and ongoing evolution of praxis. Central to this re-evaluation of practice is the book's identification of an architectural aesthetic at the heart of Ex Machina's work, an aesthetic which provides its artistic and political centres of gravity. Moreover, this architectural aesthetic powers the emergence of concrete narrative as a new and distinctive mode of theatrical storytelling – uniting story and space, body and technology, content and form – and demanding that we discover the politics of these performances in the energetic gestures of theatre design, and space itself. Drawing on extensive interviews with Lepage, Ex Machina personnel and collaborative partners, Robert Lepage/Ex Machina calls upon us to revise both our creative and critical perceptions of this vital and distinctive practice.