/MEGA-BOOKS America's hottest teen detectives team up when scandal rocks an aristocratic household. A fairy tale wedding takes Nancy to Holland, where the bride disappears. Meanwhile, Frank and Joe are working undercover for the U.S. Treasury in the Netherlan
This anthology of new noir fiction set in the Dutch capital “features superior writing from authors largely unknown to an American audience” (Publishers Weekly). From its numerous coffee shops where drugs are openly available, to its world-famous Red Light District where prostitutes display themselves in shop windows, Amsterdam is a city where almost anything goes in broad daylight. And yet, this serene city of canals has its dark side as well. In fifteen tales of greed, jealousy and revenge, some of the finest Dutch crime writers—including literary award-winners and international bestsellers—explore the seamy shadows of this historic city. Amsterdam Noir features brand-new stories by: Michael Berg, Anneloes Timmerije, Murat Isik, René Appel & Josh Pachter, Simon de Waal, Hanna Bervoets, Karin Amatmoekrim, Christine Otten, Mensje van Keulen, Max van Olden, Theo Capel, Loes den Hollander, Herman Koch, Abdelkader Benali, and Walter van den Berg, whose story "Get Rich Quick" won the inaugural Literatuurprijs Nieuw-West award.
Charlie Howard travels the globe writing suspense novels for a living, about an intrepid burglar named Faulks. To supplement his income---and to keep his hand in---Charlie also has a small side business: stealing for a very discreet clientele on commission. When a mysterious American offers to pay Charlie 20,000 euros if he steals two small monkey figurines to match the one he already has, Charlie is suspicious; he doesn't know how the American found him, and the job seems too good to be true. And, of course, it is. Although the burglary goes off without a hitch, when he goes to deliver the monkeys he finds that the American has been beaten to near-death, and that the third figurine is missing. Back in London, his long-suffering literary agent, Victoria (who is naive enough to believe he actually looks like his jacket photo), tries to talk him through the plot problems in both his latest manuscript and his real life---but Charlie soon finds himself caught up in a caper reminiscent of a Cary Grant movie, involving safe-deposit boxes, menacing characters, and, of course, a beautiful damsel in distress. Publishers Weekly called Chris Ewan's The Good Thief's Guide to Amsterdam one of the "best books for grownups."
An endlessly entertaining portrait of the city of Amsterdam and the ideas that make it unique, by the author of the acclaimed Island at the Center of the World Tourists know Amsterdam as a picturesque city of low-slung brick houses lining tidy canals; student travelers know it for its legal brothels and hash bars; art lovers know it for Rembrandt's glorious portraits. But the deeper history of Amsterdam, what makes it one of the most fascinating places on earth, is bound up in its unique geography-the constant battle of its citizens to keep the sea at bay and the democratic philosophy that this enduring struggle fostered. Amsterdam is the font of liberalism, in both its senses. Tolerance for free thinking and free love make it a place where, in the words of one of its mayors, "craziness is a value." But the city also fostered the deeper meaning of liberalism, one that profoundly influenced America: political and economic freedom. Amsterdam was home not only to religious dissidents and radical thinkers but to the world's first great global corporation. In this effortlessly erudite account, Russell Shorto traces the idiosyncratic evolution of Amsterdam, showing how such disparate elements as herring anatomy, naked Anabaptists parading through the streets, and an intimate gathering in a sixteenth-century wine-tasting room had a profound effect on Dutch-and world-history. Weaving in his own experiences of his adopted home, Shorto provides an ever-surprising, intellectually engaging story of Amsterdam.
Welcome to Italian police detective Nic Costa's Rome: the side of the city the tourist board does not want you to see. "Hewson does more than provide a thrilling read. He saves you the airfare to Italy. When you turn the last page, you'll think you've been there" LINWOOD BARCLAY "David Hewson's Rome is dark and tantalizing, seductive and dangerous, a place where present-day crimes ring with the echoes of history" TESS GERRITSEN "David Hewson is one of the finest thriller writers working today" STEVE BERRY "No author has ever brought Rome so alive for me - nor made it seem so sinister" PETER JAMES _______________________ A grisly discovery in the heart of Rome. A desperate chase. An untouchable prime suspect . . . Inside a deserted studio, in a seedy area of Rome best known for prostitution, an art expert from the Louvre is found dead in front of one of the most beautiful paintings that Detective Nic Costa has ever seen - an unknown Caravaggio masterpiece. This death is just the start. Before long, tragedy strikes Costa far closer to home . . . and the hunt to find the killer becomes deeply personal. But while the main suspect's identity is known, he remains untouchable - protected in his grand palazzo by a fleet of lawyers and a sinister cult known as the Ekstasists. Teaming with an art expert, Costa follows clues hidden in the mysterious Caravaggio canvas. As he moves through a maze of history, he begins to make stunning connections to the present case. And each discovery brings him closer and closer to a terrifying conspiracy dating back four hundred years - and to men who will stop at nothing to protect their own private garden of evil. Fans of Donna Leon's Commissario Brunetti, Andrea Camilleri's Inspector Montalbano and Michael Dibdin's Aurelio Zen, as well as Louise Penny, Jeffey Siger and Martin Walker, will love this thrilling mystery series - perfect for readers who enjoy dark and complex character-led mysteries with multiple twists. PRAISE FOR THE GARDEN OF EVIL: "Opens with a shocker that will have series fans reeling . . . Arturo Perez-Reverte has long set the gold standard for mixing history, mystery, and modern life into literary stews of mouthwatering flavor and incredible subtlety, but it's time to agree that Hewson now shares that position-and is on the verge of claiming it outright" Booklist Starred Review "A dark jewel of a thriller" Publishers Weekly Starred Review "A thought-provoking blend of art history and mystery . . .A treat for readers who like their entertainment literate" Richmond Times-Dispatch "This one took my breath away . . . Worth a read if you love art, history, the renaissance or police procedurals, especially if you love a mixture of all three" Kirsten, 5* GoodReads review "I could not recommend a book in this genre more highly. For me it is right up there with Donna Leon's wonderful series featuring Venetian Detective, Guido Brunetti" Blair, 5* GoodReads review "I've enjoyed all of Hewson's Nic Costa series but this one proved to be my favourite so far" Vivienne, 5* GoodReads review "One of the best crime series out there, and this volume, to date, is the best of the series" Linda, 5* GoodReads review THE NIC COSTA MYSTERIES, IN ORDER: 1. A Season for the Dead 2. The Villa of Mysteries 3. The Sacred Cut 4. The Lizard's Bite 5. The Seventh Sacrament 6. The Garden of Evil 7. Dante's Numbers (aka The Dante Killings) 8. City of Fear (aka The Blue Demon) 9. The Fallen Angel 10. The Savage Shore
Anthropologists have expressed wariness about the concept of evil even in discussions of morality and ethics, in part because the concept carries its own cultural baggage and theological implications in Euro-American societies. Addressing the problem of evil as a distinctly human phenomenon and a category of ethnographic analysis, this volume shows the usefulness of engaging evil as a descriptor of empirical reality where concepts such as violence, criminality, and hatred fall short of capturing the darkest side of human existence.
During a random break-in, three heroin addicts discover the corpse of banker Martin Ijsbreker. They arrange his death to look like a suicide and flee with his valuables, but are found dead of an overdose the next day. The investigating officer dismissed their deaths as an accident, but the commissaris suspects that his cousin and childhood nemesis, Willem Fernandus, murdered Ijsbreker to protect his own shares in the dead man’s bank. When the two finally confront each other as adversaries, someone will die.
A sweeping epic of two families—one Dutch, one English—from the time when New Amsterdam was a raw and rowdy settlement, to the triumph of the Revolution, when New York became a new nation’s city of dreams. In 1661, Lucas Turner, a barber surgeon, and his sister, Sally, an apothecary, stagger off a small wooden ship after eleven weeks at sea. Bound to each other by blood and necessity, they aim to make a fresh start in the rough and rowdy Dutch settlement of Nieuw Amsterdam; but soon lust, betrayal, and murder will make them mortal enemies. In their struggle to survive in the New World, Lucas and Sally make choices that will burden their descendants with a legacy of secrets and retribution, and create a heritage that sets cousin against cousin, physician against surgeon, and, ultimately, patriot against Tory. In what will be the greatest city in the New World, the fortunes of these two families are inextricably entwined by blood and fire in an unforgettable American saga of pride and ambition, love and hate, and the becoming of the dream that is New York City.
In the 1980s, America was gripped by widespread panics about Satanic cults. Conspiracy theories abounded about groups who were allegedly abusing children in day-care centers, impregnating girls for infant sacrifice, brainwashing adults, and even controlling the highest levels of government. As historian of religions David Frankfurter listened to these sinister theories, it occurred to him how strikingly similar they were to those that swept parts of the early Christian world, early modern Europe, and postcolonial Africa. He began to investigate the social and psychological patterns that give rise to these myths. Thus was born Evil Incarnate, a riveting analysis of the mythology of evilconspiracy. The first work to provide an in-depth analysis of the topic, the book uses anthropology, the history of religion, sociology, and psychoanalytic theory, to answer the questions "What causes people collectively to envision evil and seek to exterminate it?" and "Why does the representation of evil recur in such typical patterns?" Frankfurter guides the reader through such diverse subjects as witch-hunting, the origins of demonology, cannibalism, and the rumors of Jewish ritual murder, demonstrating how societies have long expanded upon their fears of such atrocities to address a collective anxiety. Thus, he maintains, panics over modern-day infant sacrifice are really not so different from rumors about early Christians engaging in infant feasts during the second and third centuries in Rome. In Evil Incarnate, Frankfurter deepens historical awareness that stories of Satanic atrocities are both inventions of the mind and perennial phenomena, not authentic criminal events. True evil, as he so artfully demonstrates, is not something organized and corrupting, but rather a social construction that inspires people to brutal acts in the name of moral order.