Indulge yourself in hand-painted and lace yarns. Many shawl projects take only one skein! What is actually more popular than knitting socks? Knitting shawls! 13 out of 35 of Ravelry's most popular patterns of all time are small shawls or wraps. And who better to curate a collection of these trendy-yet-classic designs than the editor of Knitscene, Lisa Shroyer? Free Spirit Shawls features 20 shawl projects that are presented along 4 themes: Color (simple colorwork), Lace (the infinite pretty possibilities achieved by simple yarnovers), Simplicity (variegated yarns and simple stitches used to create simple yet striking designs), and Texture (cables and knit-purl combinations). Technique features focus on special areas of expertise such as Shetland construction and the anatomy of semicircular shawls. With her intimate knowledge of what knitters are hungry to make and wear, Lisa has curated a contemporary collection that will reach far beyond simple trends and will continue to inspire for years to come.
A knitting sourcebook full of patterns and techniques for making shawls and wraps with ease Kate Atherley and Kim McBrien Evans aim to equip adventurous knitters with the skills to knit and create shawls and wraps of all shapes and sizes and to help them forge their own shawl-knitting paths. Tips and tutorials address the technical aspects of shawl knitting, from shaping to adapting stitch patterns to making color and fabric choices. A gallery of patterns using a variety of yarns both mainstream and indie provides knitters with inspiration for customizing and creating their own designs. More than a dozen patterns illustrate the featured knitting techniques. One-third of the patterns are aimed at beginning knitters, one-third teach intermediate knitters new skills for intriguing results, and one-third offer creative instruction in customizing. The featured yarns are a mix: some luxury fibers, some classics. Together, Atherley and McBrien Evans provide a 360-degree view of the shawl-creation process from designing to knitting
Timeless and beautiful shawls from Ireland, Scotland, and Wales in an array of shapes with openwork, textured stitches, and lace edgings. Everything you need to know to design and knit your own shawls is provided, including detailed instructions for eight shawls.
"The Empire Inside is unique in its tight focus on the objects from one geographical location, and their deployment in one genre of fiction. This combination results in a powerful study with a wealth of fine formal analyses of literary texts and a similar trove of marvelous historical data." ---Elaine Freedgood, New York University "In The Empire Inside, Suzanne Daly does a wonderful job integrating an array of primary materials, especially novels and journal essays, to show the extent to which these 'foreign' colonial products of India represented absolutely central aspects of domestic life, at once part of the unremarkable everyday experience of Victorians and rich with meanings." ---Timothy Carens, College of Charleston By the early nineteenth century, imperial commodities had become commonplace in middle-class English homes. Such Indian goods as tea, textiles, and gemstones led double lives, functioning at once as exotic foreign artifacts and as markers of proper Englishness. The Empire Inside: Indian Commodities in Victorian Domestic Novels reveals how Indian imports encapsulated new ideas about both the home and the world in Victorian literature and culture. In novels by Charlotte Bront , Charles Dickens, and Anthony Trollope, the regularity with which Indian commodities appear bespeaks their burgeoning importance both ideologically and commercially. Such domestic details as the drinking of tea and the giving of shawls as gifts point us toward suppressed connections between the feminized realm of private life and the militarized realm of foreign commerce. Tracing the history of Indian imports yields a record of the struggles for territory and political power that marked the coming-into-being of British India; reading the novels of the period for the ways in which they infuse meaning into these imports demonstrates how imperialism was written into the fabric of everyday life in nineteenth-century England. Situated at the intersection of Victorian studies, material cultural studies, gender studies, and British Empire studies, The Empire Inside is written for academics, graduate students, and advanced undergraduates in all of these fields. Suzanne Daly is Associate Professor of English, University of Massachusetts Amherst.
This unique book is not written from a specific national perspective, but adopts an international approach throughout. It treats the topic of International Financial Accounting and Reporting as a subject in its own right and not as an alternative or an extension to the existing domestic regulatory framework.The book begins with an introduction to accounting and financial reporting, followed by a description of the development of international standards and the present structure, role and operations of the International Accounting Standards Board.While a major part of the book is devoted to a discussion on individual IFRS (International Financial Reporting Standards), it also discusses income statements, balance sheets and cash flow statements. These financial statements are examined in the context of International Financial Reporting regulations and students are introduced to the main IFRS relating to those statements. Subsequent chapters examine individually, the more complex standards.A complimentary copy of the Instructor's Manual and the PowerPoint presentations of the text materials are available for all instructors who adopt this book as a course text. Please send your request to [email protected].
Fashion that was in vogue in the East was highly desirable to pioneers during the frontier period of the American West. It was also extraordinarily difficult to obtain, often impractical, and sometimes the clothing was just not durable enough for the men and women who were forging new homes for themselves in the West. Full hoopskirts were of little use in a soddy on the prairie, and chaps and spurs were a vital part of the cowboy's equipment. In this book, author Chris Enss examines the fashion that shaped the frontier through short essays; brief clips from letters, magazines, and other period sources; and period illustrations demonstrating the sometimes bizarre, often beautiful, and frequently highly inventive ways of dressing oneself in the Old West.
