European Art of the Fifteenth Century

European Art of the Fifteenth Century

Author: Stefano Zuffi

Publisher: Getty Publications

Published: 2005

Total Pages: 384

ISBN-13: 9780892368310

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Influenced by a revival of interest in Greco-Roman ideals and sponsored by a newly prosperous merchant class, fifteenth-century artists produced works of astonishingly innovative content and technique. The International Gothic style of painting, still popular at the beginning of the century, was giving way to the influence of Early Netherlandish Flemish masters such as Jan van Eyck, who emphasized narrative and the complex use of light for symbolic meaning. Patrons favored paintings in oil and on wooden panels for works ranging from large, hinged altarpieces to small, increasingly lifelike portraits. In the Italian city-states of Florence, Venice, and Mantua, artists and architects alike perfected existing techniques and developed new ones. The painter Masaccio mastered linear perspective; the sculptor Donatello produced anatomically correct but idealized figures such as his bronze nude of David; and the brilliant architect and engineer Brunelleschi integrated Gothic and Renaissance elements to build the self-supporting dome of the Florence Cathedral. This beautifully illustrated guide analyzes the most important people, places, and concepts of this early Renaissance period, whose explosion of creativity was to spread throughout Europe in the sixteenth century.


Painting and Experience in Fifteenth Century Italy

Painting and Experience in Fifteenth Century Italy

Author: Michael Baxandall

Publisher: Oxford Paperbacks

Published: 1988

Total Pages: 200

ISBN-13: 9780192821447

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An introduction to 15th century Italian painting and the social history behind it, arguing that the two are interlinked and that the conditions of the time helped fashion distinctive elements in the painter's style.


Origins of European Printmaking

Origins of European Printmaking

Author: Peter W. Parshall

Publisher: Yale University Press

Published: 2005-01-01

Total Pages: 396

ISBN-13: 0300113390

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The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture


The Woodcut in Fifteenth-century Europe

The Woodcut in Fifteenth-century Europe

Author: Peter W. Parshall

Publisher: Ngw-Stud Hist Art

Published: 2009

Total Pages: 422

ISBN-13:

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The advent of printing in Western Europe is a familiar historical milestone; far less known is the emergence of a technology of image printing more than a generation before Gutenberg.


European Art of the Fourteenth Century

European Art of the Fourteenth Century

Author: Sandra Baragli

Publisher: Getty Publications

Published: 2007

Total Pages: 382

ISBN-13: 9780892368594

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Fourteenth-century Europe was ravaged by famine, war, and, most devastatingly, the Black Plague. These widespread crises inspired a mystical religiosity, which emphasized both ecstatic joy and extreme suffering, producing emotionally charged and often graphic depictions of the Crucifixion and the martyrdoms of the saints. This third volume in the Art through the Centuries series highlights the most noteworthy concepts, geographic centers, and artists of this turbulent century. Important facts about the subjects under discussion are summarized in the margins of each entry, and salient features of the illustrated art works are identified and discussed.


Sephardic Book Art of the 15th Century

Sephardic Book Art of the 15th Century

Author: Luís Urbano Afonso

Publisher: Harvey Miller

Published: 2020-06-25

Total Pages: 259

ISBN-13: 9781909400597

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The current volume presents ten different studies dealing with the final stages of Hebrew book art production in medieval Iberia. Ranging from the Farhi Codex, copied and illuminated in the late 14th century, to the Philadelphia Bible, copied and illuminated in Lisbon in 1496, this volume discusses a wide scope of topics related with the production, consumption and circulation of medieval decorated Hebrew manuscripts. Among the issues discussed in this volume we highlight the role played by three distinct artistic languages (Mudejar, Late Gothic and Renaissance) in the shapping of 15th century Sephardic illumination, the codicological specificity of some solutions in terms of layout and the relation between the layout of these manuscripts and Hebrew incunabula, the use of geometric decoration in scientific diagrams, or the afterlife of these manuscripts in Europe and Asia following the expulsion of the Jews from Iberia.


Painting in France in the 15th Century

Painting in France in the 15th Century

Author: Frédéric Elsig

Publisher: 5Continents

Published: 2004

Total Pages: 164

ISBN-13:

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This examination of a distinctive period of French painting discusses the interrelated artistic cities and regions that formed essential links in Renaissance-era artistic exchanges. The interaction between the French courts and Paris during the International Gothic period, the diffusion of ars nova in France during the days of Charles VII and Louis XI, and the standardization of a French style based on Jean Fouquet's model are among the artistic geographies considered in this analysis. Reproductions of key works that illustrate cultural confluences accompany an updated introduction to the scholarship of these relationships.


Luxury Arts of the Renaissance

Luxury Arts of the Renaissance

Author: Marina Belozerskaya

Publisher: Getty Publications

Published: 2005-10-01

Total Pages: 292

ISBN-13: 0892367857

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Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.


The Power of Color

The Power of Color

Author: Marcia B. Hall

Publisher: Yale University Press

Published: 2019-01-01

Total Pages: 305

ISBN-13: 0300237197

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This beautifully illustrated volume explores the history of color across five centuries of European painting, unfolding layers of artistic, cultural, and political meaning through a deep understanding of technique.


The Agency of Art Objects in Northern Europe, 1380-1520

The Agency of Art Objects in Northern Europe, 1380-1520

Author: Antoni Ziemba

Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften

Published: 2021-03-19

Total Pages: 1032

ISBN-13: 9783631821237

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This monograph book offers a new interpretation of northern European art of the fifteenth century. The author presents it as a conglomerate of objects-things which act on the recipient in a specific - material and spatial - way. He analyzes macro-scale objects that impose movement on the viewer, and micro-scale objects that encourage manipulation. Inspired by the anti-anthropocentric concept of "returning to things" (B. Latour, A. Gell and others), the author searches for the "agency of things" in late-medieval art objects, which evoke specific liturgical, devotional, propaganda-political behaviors, or establish the status of social owner of the object that once co-created the network of material and spiritual culture. This methodologically innovative approach is part of the latest research in early art in Western Europe and the United States.