Etruscan Red-Figured Vase-Painting at Caere
Etruscan Red-Figured Vase-Painting at Caere

Author: Mario A. Del Chiaro

Publisher: Univ of California Press

Published: 2023-11-10

Total Pages: 303

ISBN-13: 0520311264

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This study derives from a close investigation of a class of Etruscan plates belonging to the Genucillia Group. Soon attracted to these products of no great aesthetic merit were many vases of different shapes and more imposing character, also decorated by Caeretan painters. We can now recognize a fairly important and prolific red-figured fabric produced at Caere, an Etruscan city of major significance whose pottery must be fully considered in any future discussion of Etruscan art and civilization. Many vases previously grouped and treated within the more general framework of Etruscan red-figure are now attributed to Caertan potters an vase painters. This disclosure will provide important data for the better understanding of political, commercial and cultural relations between cities within and beyond Etruria during the whole of the 4th century B.C. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.

Greek Vases
Greek Vases

Author: Dietrich von Bothmer

Publisher: Getty Publications

Published: 1983-12-31

Total Pages: 97

ISBN-13: 0892360658

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The eloquent beauty of the vases produced in the workshops of the ancient Greeks is represented by a selection of pieces from the superb private collection of Molly and Walter Bareiss that spans more than a thousand years of the craft. From a delightful miniature stirrup vase dating ca. 1300 B.C. to prime examples of the molded vases from Augustan Rome, the Bareiss collection includes a splendid representative collection, guided by a sure instinct for the unique beauty of design and drawing. Assembled in this brief catalogue are illustrated discussions of forty-seven of the masterpieces from the 258 vases currently on loan to the Getty Museum. Dietrich von Bothmer, Chairman of Greek and Roman Art at the Metropolitan Museum of Art, introduces this most important collection, one with which he has been intimately involved since its conception, advising, studying, interpreting, and even piecing together shattered vases. Following the individual catalogue entries is a full checklist of an additional 205 vases that are on loan to the Getty Museum.

Pots & Plays
Pots & Plays

Author: Oliver Taplin

Publisher: Getty Publications

Published: 2007-10-15

Total Pages: 322

ISBN-13: 0892368071

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This interdisciplinary study opens up a fascinating interaction between art and theater. It shows how the mythological vase-paintings of fourth-century B.C. Greeks, especially those settled in southern Italy, are more meaningful for those who had seen the myths enacted in the popular new medium of tragedy. Of some 300 relevant vases, 109 are reproduced and accompanied by a picture-by-picture discussion. This book supplies a rich and unprecedented resource from a neglected treasury of painting.

The Sarpedon Krater
The Sarpedon Krater

Author: Nigel Spivey

Publisher: University of Chicago Press

Published: 2019-09-26

Total Pages: 257

ISBN-13: 022666659X

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Perhaps the most spectacular of all Greek vases, the Sarpedon krater depicts the body of Sarpedon, a hero of the Trojan War, being carried away to his homeland for burial. It was decorated some 2,500 years ago by Athenian artist Euphronios, and its subsequent history involves tomb raiding, intrigue, duplicity, litigation, international outrage, and possibly even homicide. How this came about is told by Nigel Spivey in a concise, stylish book that braids together the creation and adventures of this extraordinary object with an exploration of its abiding influence. Spivey takes the reader on a dramatic journey, beginning with the krater’s looting from an Etruscan tomb in 1971 and its acquisition by the Metropolitan Museum of Art, New York, followed by a high-profile lawsuit over its status and its eventual return to Italy. He explains where, how, and why the vase was produced, retrieving what we know about the life and legend of Sarpedon. Spivey also pursues the figural motif of the slain Sarpedon portrayed on the vase and traces how this motif became a standard way of representing the dead and dying in Western art, especially during the Renaissance. Fascinating and informative, The Sarpedon Krater is a multifaceted introduction to the enduring influence of Greek art on the world.

The Frame in Classical Art
The Frame in Classical Art

Author: Verity Platt

Publisher: Cambridge University Press

Published: 2017-04-20

Total Pages: 737

ISBN-13: 1316943275

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The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.

The Art of Vase-Painting in Classical Athens
The Art of Vase-Painting in Classical Athens

Author: Martin Robertson

Publisher: Cambridge University Press

Published: 1992

Total Pages: 372

ISBN-13: 9780521338813

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In his new book, Professor Martin Robertson - author of A History of Greek Art (CUP 1975) and A Shorter History of Greek Art (CUP 1981) - draws together the results of a lifetime's study of Greek vase-painting, tracing the history of figure-drawing on Athenian pottery from the invention of the 'red-figure' technique in the later archaic period to the abandonment of figured vase-decoration two hundred years later. The book covers red-figure and also work produced over the same period in the same workshops in black-figure and other techniques, especially that of drawing in outline on a white ground. The book is intended as a companion volume to Sir John Beazley's The Development of Attic Black-figure (originally published in 1951 by California University Press), and as an examination and defence of Beazley's methods and achievements. This book is a major contribution to the history of Greek vase-painting and anyone seriously interested in the subject - whether scholar, student, curator, collector or amateur - will find it essential reading.

Artists and Signatures in Ancient Greece
Artists and Signatures in Ancient Greece

Author: Jeffrey M. Hurwit

Publisher: Cambridge University Press

Published: 2015-06-30

Total Pages: 243

ISBN-13: 1107105714

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This book offers insight into Greek conceptions of art, the artist, and artistic originality by examining artists' signatures in ancient Greece.

The Colors of Clay
The Colors of Clay

Author: Beth Cohen

Publisher: Getty Publications

Published: 2006

Total Pages: 386

ISBN-13: 0892369426

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"The catalogue ... is truly excellent and makes an important contribution to the study of Greek Art." --Bryn Mawr Classical Review "An overwhelming volume. The subject matter ... is described in great detail in nine chapters. Essential." --Choice This catalogue documents a major exhibition at the Getty Villa that was the first ever to focus on ancient Athenian terracotta vases made by techniques other than the well-known black- and red-figure styles. The exhibition comprised vases executed in bilingual, coral-red gloss, outline, Kerch-style, white ground, and Six's technique, as well as examples with added clay and gilding, and plastic vases and additions. The Colors of Clay opens with an introductory essay that integrates the diverse themes of the exhibition and sets them within the context of vase making in general; a second essay discusses conservation issues related to several of the techniques. A detailed discussion of the techniques featured in the exhibition precedes each section of the catalogue. More than a hundred vases from museums in the United States and Europe are described in depth.