Sidney has lived life as a Christian since 1977. Lived a life dedicated to serving with humilitly and dedication to a God that he has come to love, with an angels kindness. God repaid his debt with deception and disruption. Until his life became nothing more than a joke. He has lived for God. Gave all that he could for the Plan of Salvation. Might come to be known to all the residence of Vancouver to begin with, if it was God's will this is his Christian testimony.
Transform Your If Only Regrets into What If Possibilities If is a powerful little word. Some people are stuck in "if only," trudging through lives marked with regret. But God wants us to live lives marked with possibilities, with the "what if" attitude that looks forward to the future with confidence. Why? Because the answer to "If God is for us, who can be against us?" is "No one." God is always on our side. Every day, in every way. With his trademark enthusiasm and contagious joy, Mark Batterson helps readers overcome feelings of guilt, fear, and doubt, because in Christ there is no condemnation. Unpacking the promises of Romans 8, he shows readers that they are more than conquerors--right now and forever. And because of that, the possibilities for their lives are limitless. Christians from all walks of life will find themselves set free by this inspiring and entertaining read. Now in paper.
William Blake's literary works are characterized by a ceaseless dynamics constituted in the fierce interactions of the language, thought, and narrative of his myth. Highlighting the critical problems facing the linear approach that the study of Blake has adopted from the traditional methodology of Newtonian science, Jules van Lieshout argues that nonlinearity is the key to understanding Blake's prophecies. Throughout his discussions, Van Lieshout focuses on the relation of Blake's Generation and Eternity, which he identifies as Bakhtinian 'world views'. In Generation, existence is finalized as a hierarchy of geometric 'dark globes', each assuming the character of universal whole to the exclusion of all others. Eternity, on the other hand, is Blake's fractal 'human form' of existence that is continuously organized and reorganized in the dynamic interaction of whole and parts. Blake represents these world views as interinvolved. Their dynamic interaction reflects and refracts his conceptual thought, mythological narrative, and poetic language. Hence, his visionary epic self-organizes into a self-similar complex system whose patterns of behaviour are not merely remarkably like those that modern applications of nonlinear dynamics are revealing in the physical world, but are indeed inherent in the processes of writing and reading his individual works.
William Blake is acknowledged as a poet of opposition and contradiction: a writer who, from Songs of Innocence and Experience to his last epic Jerusalem, ceaselessly explored the conflicts between limitation and possibility, reason and energy, torment and joy. But the contradictions within Blake's own 'visionary' poetics are less often considered. Throughout his work, Blake powerfully dramatises the energies and agonies of his own poetic labour.
Originally published in 1949, this book presents a study of William Blake's works and philosophy, focusing particularly on his position in relation to the broader currents of 'English thought'. Illustrative figures and notes are incorporated throughout. This book will be of value to anyone with an interest in Blake's position within the English artistic and literary tradition.
In Irene Langridge's 'William Blake: A Study of His Life and Art Work', readers are taken on a deep dive into the life and creative genius of the renowned poet and artist, William Blake. Langridge's scholarly approach delves into Blake's innovative literary style, combining poetry, painting, and printmaking to create a unique body of work that defied traditional boundaries. Through meticulous analysis, Langridge contextualizes Blake's art within the socio-political landscape of his time, shedding light on the poet's visionary ideals and radical perspective. This book is a must-read for art enthusiasts, literary scholars, and anyone interested in the intersection of creativity and social consciousness in the Romantic era. Irene Langridge's insightful exploration of William Blake's life and art offers a comprehensive understanding of his enduring impact on the arts and culture of his time and beyond. Langridge's expertise in the subject matter shines through in this insightful and engaging study, making 'William Blake: A Study of His Life and Art Work' an essential addition to any bookshelf.
WHAT is Cosmic Consciousness? The present volume is an attempt to answer this question; but notwithstanding it seems well to make a short prefatory statement in as plain language as possible so as to open the door, as it were, for the more elaborate exposition to be attempted in the body of the work. Cosmic Consciousness, then, is a higher form of consciousness than that possessed by the ordinary man. This last is called Self Consciousness and is that faculty upon which rests all of our life (both subjective and objective) which is not common to us and the higher animals, except that small part of it which is derived from the few individuals who have had the higher consciousness above named. To make the matter clear it must be understood that there are three forms or grades of consciousness. (1) Simple Consciousness, which is possessed by say the upper half of the animal kingdom. By means of this faculty a dog or a horse is just as conscious of the things about him as a man is; he is also conscious of his own limbs and body and he knows that these are a part of himself. (2) Over and above this Simple Consciousness, which is possessed by man as by animals, man has another which is called Self Consciousness. By virtue of this faculty man is not only conscious of trees, rocks, waters, his own limbs and body, but he becomes conscious of himself as a distinct entity apart from all the rest of the universe. It is as good as certain that no animal can realize himself in that way. Further, by means of self consciousness, man (who knows as the animal knows) becomes capable of treating his own mental states as objects of consciousness. The animal is, as it were, immersed in his consciousness as a fish in the sea; he cannot, even in imagination, get outside of it. or one moment so as to realize it. But man by virtue of self consciousness can step aside, as it were, from himself and think: “Yes, that thought that I had about that matter is true; I know it is true and I know that I know it is true.” The writer has been asked: “How do you know that animals cannot think in the same manner?” The answer is simple and conclusive—it is: There is no evidence that any animal can so think, but if they could we should soon know it. Between two creatures living together, as dogs or horses and men, and each self conscious, it would be the simplest matter in the world to open up communication. Even as it is, diverse as is our psychology, we do, by watching his acts, enter into the dog’s mind pretty freely—we see what is going on there—we know that the dog sees and hears, smells and tastes—we know that he has intelligence—adapts means to ends—that he reasons. If he was self conscious we must have learned it long ago. We have not learned it and it is as good as certain that no dog, horse, elephant or ape ever was self conscious. Another thing: on man’s self consciousness is built everything in and about us distinctively human. Language is the objective of which self consciousness is the subjective. Self consciousness and language (two in one, for they are two halves of the same thing) are the sine qua non of human social life, of manners, of institutions, of industries of all kinds, of all arts useful and fine. If any animal possessed self consciousness it seems certain that it would upon that master faculty build (as man has done) a superstructure of language; of reasoned out customs, industries, art. But no animal has done this, therefore we infer that no animal has self consciousness.
