Catalogue of the Harvard University Fine Arts Library, The Fogg Art Museum
Author: Harvard University. Fine Arts Library
Publisher:
Published: 1976
Total Pages: 642
ISBN-13:
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Author: Harvard University. Fine Arts Library
Publisher:
Published: 1976
Total Pages: 642
ISBN-13:
DOWNLOAD EBOOKAuthor: Debora L. Silverman
Publisher: Univ of California Press
Published: 2023-12-22
Total Pages: 446
ISBN-13: 0520913280
DOWNLOAD EBOOKWinner, 1990 Berkshire Conference Book Award Art Nouveau in Fin-de-Siecle France: Politics, Psychology, and Style explores the shift in the locus of modernity from technological monument to private interior. It examines the political, economic, social, intellectual and artistic factors, specific to late 19th century France, that interacted in the development of art nouveau.
Author:
Publisher:
Published: 1984
Total Pages: 804
ISBN-13:
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Publisher: Macmillan Reference USA
Published: 1987
Total Pages: 632
ISBN-13:
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Publisher:
Published: 1987
Total Pages: 656
ISBN-13:
DOWNLOAD EBOOKAuthor: Thomas Wolf
Publisher:
Published: 1984
Total Pages: 786
ISBN-13: 9780931036118
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Publisher:
Published: 1981
Total Pages: 1184
ISBN-13:
DOWNLOAD EBOOKAuthor: Riva Castleman
Publisher: ABRAMS
Published: 1997-09
Total Pages: 0
ISBN-13: 9780810961814
DOWNLOAD EBOOKPublished to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
Author: Christine Poggi
Publisher: Yale University Press
Published: 1992-01-01
Total Pages: 318
ISBN-13: 9780300051094
DOWNLOAD EBOOKThe invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.