(Amadeus). This holistic approach to the keyboard, based on a sound understanding of the relationship between physical function and musical purpose, is an invaluable resource for pianists and teachers. Professor Fink explains his ideas and demonstrates his innovative developmental exercises that set the pianist free to express the most profound musical ideas. HARDCOVER.
This is the first book that teaches piano practice methods systematically, based on mylifetime of research, and containing the teachings of Combe, material from over 50 pianobooks, hundreds of articles, and decades of internet research and discussions with teachersand pianists. Genius skills are identified and shown to be teachable; learning piano can raiseor lower your IQ. Past widely taught methods based on false assumptions are exposed;substituting them with efficient practice methods allows students to learn piano and obtainthe necessary education to navigate in today's world and even have a second career. See http://www.pianopractice.org/
ON PIANO PLAYING begins with a revealing introduction to the fundamental relationships among motions and emotions, the keyboard itself and the human performing mechanism - the physical equipment that is used to make music. Here Sandor explains the role each plays in performance, pointing out typical mistakes and misconceptions that get in the way of virtually every pianist. He then discusses the basic technical patterns: free fall, scales and arpeggios, rotation, staccato, and thrust. Aided by carefully designed exercises, he shows how to execute physical movements to build muscle tone, sharpen coordination, and increase strength and flexibility. The exercises are based on common-sense principles of anatomy and physiology. Sandor next applies these patterns to the classic repertoire, showing how to play the exposition of Beethoven's WALDSTEIN sonata, for example. The emphasis in this section is on simplicity of motion and movement, and on ways to integrate motions to optimal effect - how to identify the technical patterns of a score and put them in the service of musical interpretation. No pianist, Sandor demonstrates, need suffer fatigue or exhaustion from playing a difficult piece. He shows that strength alone is not enough; the ability to use different muscles of the upper arm - is essential if practice is to be something more than a mechanical warming-up exercise. Special attention is given to problems of interpretation and performance as well: pedalling, variants, the development of precise musical diction and a singing piano tone, and much more. And he explores the common psychological challenges of public performance as well. Complete with line drawings, photographs, and many musical examples, ON PIANO PLAYING provides the means for mastering the complexities and intricacies of good musicianship. It offers an accessible, intriguing, and effective program for developing the fundamental skills that are the building blocks of good music-making.
Looking for that definitive text that covers improvisation in all its diversity with clarity and ease? Are you ready to put in the time and effort required to be a complete musician? Are you unable to afford huge tuitions for your education, but want the careful guidance that a private teacher with the right text can give you? Your search has ended! This book covers "Essential" materials for a thorough study of improvisation and Jazz piano in two parts: Techniques and Styles. Part 1 includes studies of chord voicings, (how to arrange chord notes in your hands), harmonic and linear approaches to soloing, keyboard bass, rhythmic phrasing, and the "free areas" of introductions, endings, and turnarounds. Part 2 covers a chronological study of style from early Stride techniques, through Swing, Be-Bop, modal harmony, Latin "montuno" techniques and thoughts on soloing in general. Serious amateurs and young professionals alike will learn basic concepts, enabling a deeper pursuit of each subject, opening the door to a personal repertoire and individual style for a lifetime of enjoyment.
The Complete Piano Technique book is a carefully structured method, developed over several years, to help you build perfect piano technique from the ground up. It covers every aspect of piano playing technique and you will learn essential scales and arpeggios at the same time!
The full eBook version of Essential Piano Technique Primer B: Making waves in fixed-layout format. Winner of Education Publication of the Year at the Presto Music Awards 2023 Penelope Roskell, author of the award-winning book The Complete Pianist, is recognized as one of the world's leading exponents of a natural and healthy piano technique. Her series Essential Piano Technique draws on the principles of The Complete Pianist to develop a strong foundation of healthy technique, helping young pianists to progress rapidly and confidently through the early stages of piano playing. Can be used by beginner pianists alongside existing tutor books to enhance the teaching of good technique Includes detailed notes for teachers, giving learning objectives and teaching tips Links to free videos show technique in practice Fun activities, illustrations and imaginative original music throughout Teacher accompaniment duets provide a rich musical experience Penelope Roskell is a Professor of Piano and Piano Pedagogy at Trinity Laban Conservatoire of Music and Dance, London. She is a world-leader in the field of healthy piano playing, and Piano Adviser to the British Association for Performing Arts Medicine. Her award-winning book, The Complete Pianist, is the leading book on healthy piano technique. As a soloist she has performed in major concert halls in more than thirty countries. Books in the series include: Primer A: from the first lesson to legato and staccato Primer B: from dynamics to scales and broken chords Level 1: from hands-together to Grade 1
