This collection of piano duets (for one piano, four hands) includes the most popular repertoire by French composers and is appropriate for intermediate to early advanced pianists. It includes complete editions of Fauré's Dolly Suite, Debussy's Petite Suite, Ravel's Mother Goose Suite as well as five pieces from Bizet's Jeux d'enfants. The primo and secondo parts are on separate pages and essential ornamentation is realized in footnotes. Both parts contain measure numbers for easy reference.
This collection of piano duets (for one piano, four hands) includes the most popular repertoire by French composers and is appropriate for intermediate to early advanced pianists. It includes complete editions of Fauré's Dolly Suite, Debussy's Petite Suite, Ravel's Mother Goose Suite as well as five pieces from Bizet's Jeux d'enfants. The primo and secondo parts are on separate pages and essential ornamentation is realized in footnotes. Both parts contain measure numbers for easy reference. The comb binding creates a lay-flat book that is perfect for study and performance.
This collection of 40 piano duets (for one piano, four hands) is appropriate for pianists at the late elementary through intermediate levels. Duet repertoire from the 18th, 19th and early-20th centuries are included by such composers as Brahms, Bruckner, Cui, Diabelli, Foote, Godowsky, Haydn, Moscheles, Mozart, Ravel, Schubert, Spindler, Stravinsky, Türk and more. To facilitate reading, the primo and secondo parts are on separate pages. Essential ornamentation is realized in footnotes, both parts contain measure numbers for convenient reference and brief composer biographies are included.
In this book each duet is arranged for student-teacher (parent or older student) performance. These charming Duet Books increase motivation and add fun to practice time and lessons.
Play waltzes, gavottes, marches and dances from throughout the world. This collection includes a variety of repertoire. Your students will improve in musicianship, ensemble performance, fingering and rhythmic control while enjoying this delightful duet literature. Whether student/teacher or student/student, duets can supplement any young pianist's learning as they have fun "making music" with a partner. Titles: * Sonatina in D Major, Op. 45, No. 3 (André) * Fugue on a Russian Theme, Op. 34, No. 4 (from 6 Children's Pieces) (Arensky) * Menuetto, Op. 66, No. 4 (Arensky) * Galop, Op. 266, No. 1 (from Precipitevolissimevolmente) (Becucci) * Allegro molto, Op. 6 (from Sonata in D Major) (Beethoven) * Le bal, Op. 22, No. 12 (from Jeax d'enfants) (Bizet) * Russian Dance, Op. 18, No. 2 (Bortkiewicz) * Waltz in A Major, Op. 29, No. 15 (Brahms) * Allegro moderato, Op. 156, No. 1 (from Sonatina in C Major) (Czerny) * En bateau (from Petite Suite) (Debussy) * Rondo, Op. 163, No. 6 (from Pleasures of Youth) (Diabelli) * Andantino con moto, Op. 67, No. 1 (from Sonata in C Major) (Dussek) * Berceuse, Op. 56, No. 1 (from Dolly) (Fauré) * Waltz in E-flat Major, Op. 25, No. 11 (Fuchs) * March in C Major, Op. 18, No. 1 (Gade) * Trojky (from Moravian Dances) (Janácek) * Allegro, Op. 44, No. 1 (from Sonatina in G Major) (Kuhlau) * Waltz and Trio No. 5 (Moscheles) * Spanish Dance, Op. 12, No. 2 (Moszkowski) * Andalusierin (Poldini) * Le jardin féerique (from Ma mère l'oye) (Ravel) * Allegro moderato (from Sonata Miniature) (Reinecke) * Two Ländler, D. 814, Nos. 1 and 2 (Schubert) * Gartenmelodie, Op. 85, No. 3 (Schumann) * The Russians Are Coming, Op. 11, No. 3 (Volkmann)
This exciting edition contains 100 early intermediate selections in their original form, spanning the Baroque period to present day. The repertoire, which includes several minuets, folk dances, character pieces and much more, has been carefully graded and selected for student appeal by editor Lynn Freeman Olson.
Book 4 of this series continues with four duets in jazz, rags, and blues styles. The duets are slightly longer than the duets in books 1 through 3, creating a satisfying performance experience for advancing students. "These duets would be a great addition to any recital or performance experience is excellent for sight reading at a lesson with the teacher; or used to provide personal pleasure as the music is shared with the duet partner." Jean Ritter, Progressions
These graded collections of piano duets by master composers are among the best literature available at respective levels. Each duet, written by composers who lived in the 18th, 19th and 20th century, has been carefully edited and fingered for performance ease. Titles: * A Bike Ride, Op. 432, No. 5 (Arnoldo) * A Little Waltz (Foote) * Calm Seas, Op. 87, No. 29 (Wohlfahrt) * The Contest, Op. 136, No. 3 (Gurlitt) * Funeral for a Bird, Op. 74, No. 1 (Cui) * Galop, Op. 87, No. 15 (Wohlfahrt) * Gentle Breeze, Op. 87, No. 13 (Wohlfahrt) * Gentle Stream, Op. 62, No. 6 (Berens) * Good Humor (Löw) * In the Boat, Op. 996, No. 14 (Sartorio) * Little and Pert, Op. 996, No. 4 (Sartorio) * Little Cradle Song, Op. 996, No. 6 (Sartorio) * Quite Contented (Foote) * Sailing, Op. 87, No. 47 (Wohlfahrt) * Springtime Waltz, Op. 432, No. 6 (Sartorio) * Waltz, Op. 87, No. 35 (Wohlfahrt)
This essential collection of 100 piano études is divided into 15 units that survey the technical challenges at the early intermediate, intermediate, and late intermediate levels. The early units review technical issues that students experience at the elementary levels, such as five-finger patterns and articulations. The later units introduce more difficult technical challenges that prepare students for advanced repertoire, such as playing ornamentation, octaves, and large chords. Each unit contains between five and ten études written by master composers from the Baroque, Classical, Romantic, and Contemporary periods. Within each unit, the études are arranged in order of difficulty. Each piece appears in its original form; notes have not been added or removed. The composers' original dynamics, tempo marks, phrase indications, and articulations have been preserved. Ornamentation is realized in footnotes. Added measure numbers provide easy reference, and editorial suggestions for fingering and pedaling have been provided. A concise foreword discusses technique at the intermediate levels. Two indexes are included: one by unit and technical skill, and another by level and composer. Unit listing: * Five-Finger Patterns * Articulation * Coordination between the Hands * Scales * Triads, Inversions, and Broken Chords * Double Notes * Left-Hand Development * Velocity * Arpeggios * Finger and Hand Independence * Repeated Notes * Accompaniment Patterns * Ornamentation * Octaves * Four- and Five-Note Chords Titles: * Alla Tarantella (from 12 Études), Op. 39, No. 2 (MacDowell) * Étude in A Minor ("Arabesque") (from 25 Easy and Progressive Studies), Op. 100, No. 2 (Burgmüller) * Étude in B-flat Major (from 25 Melodious Studies), Op. 108, No. 10 (Schytte) * Étude in C Major (from Practical Method for the Pianoforte), Op. 249, No. 65 (Köhler) * Étude in F Major (from The First Steps of the Young Pianist), Op. 82, No. 39 (Gurlitt) * Étude in G Major (from 25 Elementary Studies), Op. 176, No. 20 (Duvernoy) * Étude in D Minor ("Warrior's Song") (from 25 Melodic Studies), Op. 45, No. 15 (Heller) * Étude in G Minor (from Training of the Left Hand), Op. 89, Book II, No. 6 (Berens) * Exercise in C Major (from Étude for the Pianoforte), Op. 39, No. 1 (Cramer) * Little Étude (from Album for the Young), Op. 68, No. 14 (Schumann) * Maria (romanza sin palabras) (from Six Expressive Studies) (Granados) * Menuetto (from First Term at the Piano), Sz. 53, No. 16 (Bartók) and many more!
