Lee and Kirby spin the classics with characters and concepts that remain among Marvel's mainstays today! After being lorded over in Latveria by Doctor Doom, the FF face a new level of grudge match when the Thing is tapped for the fighting arena of gangster Skrulls! Featuring the enigmatic inhumans, the Frightful Four, the Mad Thinker and other enduring opponents! Guest-starring Magneto and the Sub-Mariner! Plus: classic invasions from under the earth and under the sea! COLLECTING: FANTASTIC FOUR (1961) 84-110, ANNUAL 7-8
Manhattan is cut off from the rest of the world by a fleet of miles-high alien spacecraft -and that's just the beginning! With the Avengers in disarray, New York reluctantly turns to the disenfranchised Fantastic Four, the only heroes in town, to save them - but where to even start? And which member of the team will make a decision that will radically change the Fantastic Four for some time to come? Plus: Witness the genesis of an all-new, all-twisted Frightful Four! Collects Fantastic Four #514-519.
It's another fantastic volume of classic FF action! Marvel's first family heroically battles the Brute and takes on Salem's Seven for the life of young Franklin - so why, when the Molecule Man possesses Mr. Fantastic, does it lead to the team's dissolution? Separated, the Fantastic Four face such foes as Diablo, the Impossible Man and Namor...but when the deadly threat of Dr. Doom returns, the family rises to the challenge and reunites! And just in time, too, for waiting in the wings are Quasimodo, the Inhumans, the Mole Man and the Sandman! COLLECTING: Fantastic Four (1961) 184-188, 190-207; Fantastic Four Annual 12-13
In 1961, Stan Lee and Jack Kirby lit the fuse to the greatest revolution in comic book history - the Marvel Age of Comics - and now you can experience it from page one! With the space race on, Reed Richards, Ben Grimm, Sue Storm and Johnny Storm aimed for the stars - but after their craft was bombarded by cosmic rays, they gained the startling powers of the Fantastic Four! The FF weren't just any super heroes, though. COLLECTING: Fantastic Four 1-10
Field trip! That's "field trip" as defined in the Lee/Kirby dictionary, which means you'd better pack that bag lunch in unstable molecules and buckle up for a trip beyond your wildest imagination! First stop: a visit to the neighbor's place, Attilan, the home of the Inhumans! Second stop: Paris is beautiful in the springtime, but according to the brochure Latveria's lovely year round. Then again, the savvy traveler never trusts a Chamber of Commerce run by Doombots. Third stop: Down Under. Way down under in the lair of the Mole Man! Last stop: The Thing takes an intergalactic tour as a gladiator in the Skulls' slave arena! You'd better make those travel plans today, True Believer...tickets for this trip are guaranteed to sell out! COLLECTING: Fantastic Four (1961) 82-93, Annual (1963) 7
This work provides an extensive guide for students, fans, and collectors of Marvel Comics. Focusing on Marvel's mainstream comics, the author provides a detailed description of each comic along with a bibliographic citation listing the publication's title, writers/artists, publisher, ISBN (if available), and a plot synopsis. One appendix provides a comprehensive alphabetical index of Marvel and Marvel-related publications to 2005, while two other appendices provide selected lists of Marvel-related game books and unpublished Marvel titles.
Winner, John G. Cawelti Award for the Best Textbook/Primer, Popular Culture Association/American Culture Association, 2019 MPCA/ACA Book Award, Midwest Popular Culture Association / Midwest American Culture Association, 2020 Taking a multifaceted approach to attitudes toward race through popular culture and the American superhero, All New, All Different? explores a topic that until now has only received more discrete examination. Considering Marvel, DC, and lesser-known texts and heroes, this illuminating work charts eighty years of evolution in the portrayal of race in comics as well as in film and on television. Beginning with World War II, the authors trace the vexed depictions in early superhero stories, considering both Asian villains and nonwhite sidekicks. While the emergence of Black Panther, Black Lightning, Luke Cage, Storm, and other heroes in the 1960s and 1970s reflected a cultural revolution, the book reveals how nonwhite superheroes nonetheless remained grounded in outdated assumptions. Multiculturalism encouraged further diversity, with 1980s superteams, the minority-run company Milestone’s new characters in the 1990s, and the arrival of Ms. Marvel, a Pakistani-American heroine, and a new Latinx Spider-Man in the 2000s. Concluding with a discussion of contemporary efforts to make both a profit and a positive impact on society, All New, All Different? enriches our understanding of the complex issues of racial representation in American popular culture.
A guide to graphic novels for children and pre-teens offers historical and genre information, provides collection building tips, and discusses how to manage, promote, and maintain the collection.
