Off Headset: Essays on Stage Management Work, Life, and Career

Off Headset: Essays on Stage Management Work, Life, and Career

Author: Rafael Jaen

Publisher: Routledge

Published: 2022-01-26

Total Pages: 209

ISBN-13: 1000435342

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Off Headset is a collection of chapters containing essays by a richly diverse group of stage management professionals and educators covering the challenges stage managers face on the job, in their lives, and in their careers. The book starts with the intersectional history of stage managers and the actors' union. In "Part 1: Work," the contributors share a wide range of experiences, from regional theatre and Broadway to operas and cruises—and even running with the circus. The essays in "Part 2: Life" explore the relevance of stage managers claiming their identity, their resilience, and practicing self-care. Finally, in "Part 3: Career," readers receive aspirational and business advice for life in the real world: leadership, networking, unemployment, managing demanding calendars, and career planning. The book ends with a moment of pause during tech—a direct response to the absence we have been enduring throughout the COVID-19 pandemic and a tribute to a world we used to take for granted. Intertwining practical advice with personal anecdotes, Off Headset: Essays on Stage Management Work, Life, and Career is the perfect accompaniment to students studying stage management in a university setting and professionals working in the field.


Inventing the Modern Yiddish Stage

Inventing the Modern Yiddish Stage

Author: Joel Berkowitz

Publisher: Wayne State University Press

Published: 2012

Total Pages: 398

ISBN-13: 0814335047

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Collects leading scholars' insight on the plays, production, music, audiences, and political and aesthetic concerns of modern Yiddish theater. While Yiddish theater is best known as popular entertainment, it has been shaped by its creators' responses to changing social and political conditions. Inventing the Modern Yiddish Stage: Essays in Drama, Performance, and Show Business showcases the diversity of modern Yiddish theater by focusing on the relentless and far-ranging capacity of its performers, producers, critics, and audiences for self-invention. Editors Joel Berkowitz and Barbara Henry have assembled essays from leading scholars that trace the roots of modern Yiddish drama and performance in nineteenth-century Eastern Europe and span a century and a half and three continents, beyond the heyday of a Yiddish stage that was nearly eradicated by the Holocaust, to its post-war life in Western Europe and Israel. Each chapter takes its own distinct approach to its subject and is accompanied by an appendix consisting of primary material, much of it available in English translation for the first time, to enrich readers' appreciation of the issues explored and also to serve as supplementary classroom texts. Chapters explore Yiddish theater across a broad geographical span--from Poland and Russia to France, the United States, Argentina, and Israel and Palestine. Readers will spend time with notable individuals and troupes; meet creators, critics, and audiences; sample different dramatic genres; and learn about issues that preoccupied both artists and audiences. The final section presents an extensive bibliography of book-length works and scholarly articles on Yiddish drama and theater, the most comprehensive resource of its kind. Collectively these essays illuminate the modern Yiddish stage as a phenomenon that was constantly reinventing itself and simultaneously examining and questioning that very process. Scholars of Jewish performance and those interested in theater history will appreciate this wide-ranging volume.


Essays on Theatre and Change

Essays on Theatre and Change

Author: Kélina Gotman

Publisher: Routledge

Published: 2017-10-30

Total Pages: 372

ISBN-13: 1351598023

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If theatre is a way of seeing, an event onstage but also a fleeting series of moments; not a copy or double but more vitally metamorphosis, transformation, and change, how might we speak to – and of – it? How do we envision and frame a fluid reality that moves faster than we can write? Arranged over two parts, 'Figurations' and 'Translations', Essays on Theatre and Change reflects on the animal, history, doubling, translation, and the performative potential of writing itself. Each fictocritical essay weaves between voices, genres and contexts to consider what theatre might be, offering a 'partial object' rather than a complete theory. Leaving the page radically open to its reader, Essays on Theatre and Change is a dazzling, multi-lensed account of what it is to think and write on theatre.


Languages of the Stage

Languages of the Stage

Author: Patrice Pavis

Publisher: AJ Publishing Company

Published: 1982

Total Pages: 214

ISBN-13:

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"This volume should be read by those interested in both theatre and interpretive strategies, semiological and otherwise." -- "Modern Language Notes"In "Languages of the Stage," Patrice Pavis explores the questions of semiology in both classical and contemporary drama, ranging widely over the works of the ancient Greeks, Marivaux, Artaud, Brecht, Brook, Handke, and Wilson.


Staging Resistance

Staging Resistance

Author: Jeanne Marie Colleran

Publisher: University of Michigan Press

Published: 1998

Total Pages: 324

ISBN-13: 9780472066711

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Fresh perspectives on political theater and its essential contribution to contemporary culture. Focused studies of individual plays complement broad-based discussions of the place of theater in a radically democratic society. This consistently challenging collection describes the art of change confronting the actual processes of change. 17 photos.


Diverse Pursuits

Diverse Pursuits

Author: Javed Malick

Publisher: Routledge

Published: 2021-07-08

Total Pages: 277

ISBN-13: 1000412865

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The five essays in this book reflect many years of the author's sustained academic engagement with dramatic forms and traditions. The opening essay traces the historical trajectory of modern drama in Europe from its bourgeois period through the period of the liberal dissent to the more recent periods of radical alternative. The subsequent essays deal with certain specific examples of that drama in India and the West, such as Shakespeare adaptations on the Parsi theatre stage, Habib Tanvir, and Samuel Beckett. The author places each of these in a historical perspective. This approach constitutes the theoretical underpinning of the book giving cohesion to this collection of diverse essays. Although they were individually published in various journals and books in their earlier versions, they have been substantially revived and updated by the author for this volume. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.


What's the Story

What's the Story

Author: Anne Bogart

Publisher: Routledge

Published: 2014-04-16

Total Pages: 202

ISBN-13: 1317703685

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Anne Bogart is an award-winning theatre maker, and a best-selling writer of books about theatre, art, and cultural politics. In this her latest collection of essays she explores the story-telling impulse, and asks how she, as a ‘product of postmodernism’, can reconnect to the primal act of making meaning and telling stories. She also asks how theatre practitioners can think of themselves not as stagers of plays but ‘orchestrators of social interactions’ and participants in an on-going dialogue about the future. We dream. And then occasionally we attempt to share our dreams with others. In recounting our dreams we try to construct a narrative... We also make stories out of our daytime existence. The human brain is a narrative creating machine that takes whatever happens and imposes chronology, meaning, cause and effect... We choose. We can choose to relate to our circumstances with bitterness or with openness. The stories that we tell determine nothing less than personal destiny. (From the introduction) This compelling new book is characteristically made up of chapters with one-word titles: Spaciousness, Narrative, Heat, Limits, Error, Politics, Arrest, Empathy, Opposition, Collaboration and Sustenance. In addition to dipping into neuroscience, performance theory and sociology, Bogart also recounts vivid stories from her own life. But as neuroscience indicates, the event of remembering what happened is in fact the creation of something new.


Looking Into the Abyss

Looking Into the Abyss

Author: Arnold Aronson

Publisher: University of Michigan Press

Published: 2005

Total Pages: 250

ISBN-13: 9780472068883

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Engaging essays by an internationally prominent historian and theorist of theater set design


Memory of the Body

Memory of the Body

Author: Jan Kott

Publisher: Northwestern University Press

Published: 1992-06

Total Pages: 165

ISBN-13: 0810110431

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To see through the eyes of essayist and dramaturge Jan Kott is to gain in knowledge not just of the theater but also of human culture. Since his Shakespeare Our Contemporary appeared in English in 1964, Kott's work has altered—and strengthened—the way critics and the public approach the theater as a whole. The Memory of the Body highlights a number of dramatic personalities and personages: authors and directors Witkiewicz, Brecht, Kantor, Grotoswki, Ingmar Bergman, Wedekind; Tilly Newes on the stage in turn-of-the-century Vienna; the all-too-mortal, two-thirds divine Gilgamesh; and a shaman in rural Korea. In a style flecked with passion, poignancy, and wit, Kott moves beyond a mere discussion of theater to speak of eroticism, painting, love, and death.


Beyond Failure

Beyond Failure

Author: Tony Fisher

Publisher: Routledge

Published: 2018-10-09

Total Pages: 287

ISBN-13: 1351247719

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In setting foot on stage, every performer risks the possiblity of failure. Indeed, the very performance of any human action is inextricable from its potential not to succeed. This inherent potential has become a key critical trope in contemporary theatre, performance studies, and scholarship around visual cultures. Beyond Failure explores what it means for our understanding not just of theatrical practice but of human social and cultural activity more broadly. The essays in this volume tackle contemporary debates around the theory and poetics of failure, suggesting that in the absence of success can be found a defiance and hopefulness that points to new ways of knowing and being in the world. Beyond Failure offers a unique and engaging approach for students and practitioners interested not only in the impact of failure on the stage, but what it means for wider social and cultural debates.