Essays on Medieval Rhetoric
Essays on Medieval Rhetoric

Author: Martin Camargo

Publisher: Routledge

Published: 2018-02-06

Total Pages: 313

ISBN-13: 1351219367

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Originally published between 1981 and 2003, the thirteen essays collected here cover topics in medieval rhetoric from its origins in late antiquity through the end of the Middle Ages. Most of the essays are concerned with the teaching of prose composition, especially the art of letter writing known as the ars dictaminis, and many of them focus on specific textbooks that were used for such instruction, in particular those composed in England from the twelfth through the fifteenth centuries. Individual essays are devoted to works by major figures such as Saint Augustine, Peter of Blois, and Geoffrey of Vinsauf; to teaching programmes at important academic centres such as Oxford and Bologna; and to such topics as the relationship between the art of letter writing and the art of poetry, the oral dimension of medieval epistolography, the manuscript traditions of influential textbooks, medieval genre terminology, and the position of medieval rhetoric within a continuous disciplinary history rooted in classical rhetoric.

Rhetoric Beyond Words
Rhetoric Beyond Words

Author: Mary Carruthers

Publisher: Cambridge University Press

Published: 2010-04-08

Total Pages: 333

ISBN-13: 0521515300

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This book analyses collaborative activities across the visual arts to show the power of non-verbal rhetoric in the Middle Ages.

Romance and Rhetoric
Romance and Rhetoric

Author: Georgiana Donavin

Publisher: Brepols Publishers

Published: 2010

Total Pages: 0

ISBN-13: 9782503531496

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The book series Disputatio publishes interdisciplinary scholarship on the intellectual cultural and intellectual history of the European Middle Ages. The medieval focus is construed broadly to encompass a chronology ranging from the end of the classical Roman age to the rise of the modern world. Disputatio seeks to promote scholarly dialogue among the various disciplines that study medieval texts and ideas and their diffusion and reception.

Emotion and the History of Rhetoric in the Middle Ages
Emotion and the History of Rhetoric in the Middle Ages

Author: Rita Copeland

Publisher: Oxford University Press

Published: 2021-11-18

Total Pages: 432

ISBN-13: 0192659758

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Rhetoric is an engine of social discourse and the art charged with generating and swaying emotion. The history of rhetoric provides a continuous structure by which we can measure how emotions were understood, articulated, and mobilized under various historical circumstances and social contracts. This book is about how rhetoric in the West, from Late Antiquity to the later Middle Ages, represented the role of emotion in shaping persuasions. It is the first book-length study of medieval rhetoric and the emotions, coloring that rhetorical history between about 600 CE and the cusp of early modernity. Rhetoric in the Middle Ages, as in other periods, constituted the gateway training for anyone engaged in emotionally persuasive writing. Medieval rhetorical thought on emotion has multiple strands of influence and sedimentations of practice. The earliest and most persistent tradition treated emotional persuasion as a property of surface stylistic effect, which can be seen in the medieval rhetorics of poetry and prose, and in literary production. But the impact of Aristotelian rhetoric, which reached the Latin West in the thirteenth century, gave emotional persuasion a core role in reasoning, incorporating it into the key device of proof, the enthymeme. In Aristotle, medieval teachers and writers found a new rhetorical language to explain the social and psychological factors that affect an audience. With Aristotelian rhetoric, the emotions became political. The impact of Aristotle's rhetorical approach to emotions was to be felt in medieval political treatises, in poetry, and in preaching.

Readings in Medieval Rhetoric
Readings in Medieval Rhetoric

Author: Joseph M. Miller

Publisher:

Published: 1973

Total Pages: 334

ISBN-13:

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This authoritative anthology puts to rest the general impression that traditional rhetoric had little impact during the years between the death of St. Augustine and Bracciolini's rediscovery of Quintilian. It covers 36 rhetorical treatises.

Public Declamations
Public Declamations

Author: Georgiana Donavin

Publisher: Brepols Publishers

Published: 2015

Total Pages: 0

ISBN-13: 9782503547770

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Martin Camargo, Professor of English, Medieval Studies, and Classics at the University of Illinois at Urbana-Champaign, is a beloved teacher, mentor, colleague, and the scholar whose work this collection celebrates. With interests in defining 'medieval rhetoric', understanding the history of both literary and bureaucratic epistles, explaining the revival of rhetorical studies in fourteenth-century England, editing texts for teaching the trivium, and excavating performance pedagogies in medieval language classrooms, Carmago has paved the way for scholars in many fields, including educational and institutional history; literature, language, and manuscript studies; and rhetoric in the Middle Ages. This book pays tribute to his own ground-breaking research by presenting original and inventive new work in many of these fields. Authored by established scholars and innovative new researchers alike, the essays contained in this volume give significant scope to didactic medieval commentaries, theories of medieval rhetoric and language, literary epistles and the ars dictaminis, and poetry of various genres including romances and riddles, as well as to the classroom practices that all of these investigations infer. In keeping with Camargo's generosity in sharing resources, the authors hope that their essays in turn will provide encouragement and suggestions for further work.

Medieval Rhetoric
Medieval Rhetoric

Author: Scott D. Troyan

Publisher: Psychology Press

Published: 2004-11-01

Total Pages: 271

ISBN-13: 0203328698

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This new volume in the Routledge Medieval Casebooks series explores medieval rhetorical practices. Ten original essays examine the ways in which contemporary readers and scholars might employ rhetorical theory to illuminate underlying meanings in medieval texts. The contributors also explore how rhetoric was used as a means of textual innovation in the work of medieval authors such as Chaucer and his contemporaries.

Italian Humanism and Medieval Rhetoric
Italian Humanism and Medieval Rhetoric

Author: Ronald G. Witt

Publisher: Routledge

Published: 2001

Total Pages: 336

ISBN-13:

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These essays are concerned with the nature of early renaissance political thought and the relationship between humanism and medieval rhetoric. One group traces the influence of medieval political thought on the rise of the modern conception of republicanism; others focus on the medieval art of letter writing and its place in the medieval cultural context; while still others analyse the often contradictory thought of the early humanist, Coluccio Salutati (1331-1406), who struggled to reconcile his classical learning with his medieval allegiances. In the collection as a whole humanism emerges as a literary movement drawing as heavily on patristic and medieval culture as on antiquity. Awareness of its various debts permits recognition of what humanism itself contributed to the development of western thought and ethics.

The Art of Vision
The Art of Vision

Author: Andrew James Johnston

Publisher:

Published: 2015

Total Pages: 307

ISBN-13: 9780814293997

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One of the most common ways of setting the arts in parallel, at least from the literary side, is through the popular rhetorical device of ekphrasis. The original meaning of this term is simply an extended and detailed, lively description, but it has been used most commonly in reference to painting or sculpture. In this lively collection of essays, Andrew James Johnston, Ethan Knapp, and Margitta Rouse offer a major contribution to the study of text-image relationships in medieval Europe. Resisting any rigid definition of ekphrasis, The Art of Vision is committed to reclaiming medieval ekphrasis, which has not only been criticized for its supposed aesthetic narcissism but has also frequently been depicted as belonging to an epoch when the distinctions between word and image were far less rigidly drawn. Examples studied range from the eleventh through the seventeenth centuries and include texts written in Medieval Latin, Medieval French, Middle English, Middle Scots, Middle High German, and Early Modern English. The essays in this volume highlight precisely the entanglements that ekphrasis suggests and/or rejects: not merely of word and image, but also of sign and thing, stasis and mobility, medieval and (early) modern, absence and presence, the rhetorical and the visual, thinking and feeling, knowledge and desire, and many more. The Art of Vision furthers our understanding of the complexities of medieval ekphrasis while also complicating later understandings of this device. As such, it offers a more diverse account of medieval ekphrasis than previous studies of medieval text-image relationships, which have normally focused on a single country, language, or even manuscript.