Essays on Art and Language

Essays on Art and Language

Author: Charles Harrison

Publisher: MIT Press

Published: 2003-09-12

Total Pages: 350

ISBN-13: 9780262582414

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Critical and theoretical essays by a long-time participant in the Art & Language movement. These essays by art historian and critic Charles Harrison are based on the premise that making art and talking about art are related enterprises. They are written from the point of view of Art & Language, the artistic movement based in England—and briefly in the United States—with which Harrison has been associated for thirty years. Harrison uses the work of Art & Language as a central case study to discuss developments in art from the 1950s through the 1980s. According to Harrison, the strongest motivation for writing about art is that it brings us closer to that which is other than ourselves. In seeing how a work is done, we learn about its achieved identity: we see, for example, that a drip on a Pollock is integral to its technical character, whereas a drip on a Mondrian would not be. Throughout the book, Harrison uses specific examples to address a range of questions about the history, theory, and making of modern art—questions about the conditions of its making and the nature of its public, about the problems and priorities of criticism, and about the relations between interpretation and judgment.


Conceptual Art and Painting

Conceptual Art and Painting

Author: Charles Harrison

Publisher: MIT Press

Published: 2001

Total Pages: 252

ISBN-13: 9780262582407

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In 'Conceptual Art and Painting', a companion to his 'Essays on Art and Language', Charles Harrison reconsiders Conceptual Art in light of renewed interest in the original movement and of the various forms of 'neo-Conceptual' art--Publisher's description.


Essays on Mexican Art

Essays on Mexican Art

Author: Octavio Paz

Publisher: Harvest Books

Published: 1995-01

Total Pages: 303

ISBN-13: 9780156000611

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Essays discuss pre-Columbian art, the influence of European art on the Mexican muralists, and the abstract art of Tamayo


Art on the Line

Art on the Line

Author: Jack Hirschman

Publisher:

Published: 2002

Total Pages: 418

ISBN-13: 9781880684771

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Art on the Line is a collection of essays by writers and artists speaking about where their social commitment and their art intersect. That is, these essays illuminate the aesthetics of "engaged literature," and include work by writers from the U.S., Latin America, Europe, Asia, and Africa who believe art can move people to action.


Still Looking

Still Looking

Author: John Updike

Publisher: Knopf

Published: 2005-11-08

Total Pages: 243

ISBN-13: 1400044189

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When, in 1989, a collection of John Updike’s writings on art appeared under the title Just Looking, a reviewer in the San Francisco Chronicle commented, “He refreshes for us the sense of prose opportunity that makes art a sustaining subject to people who write about it.” In the sixteen years since Just Looking was published, he has continued to serve as an art critic, mostly for The New York Review of Books, and from fifty or so articles has selected, for this richly illustrated book, eighteen that deal with American art. After beginning with early American portraits, landscapes, and the transatlantic career of John Singleton Copley, Still Looking then considers the curious case of Martin Johnson Heade and extols two late-nineteenth-century masters, Winslow Homer and Thomas Eakins. Next, it discusses the eccentric pre-moderns James McNeill Whistler and Albert Pinkham Ryder, the competing American Impressionists and Realists in the early twentieth century, and such now-historic avant-garde figures as Alfred Stieglitz, Marsden Hartley, Arthur Dove, and Elie Nadelman. Two appreciations of Edward Hopper and appraisals of Jackson Pollock and Andy Warhol round out the volume. America speaks through its artists. As Updike states in his introduction, “The dots can be connected from Copley to Pollock: the same tense engagement with materials, the same demand for a morality of representation, can be discerned in both.” On Just Looking “Some of these essays are marvelous examples of critical explanation, in which the psychological concerns of the novelist drive the eye from work to work in an exhibition until a deep understanding of the art emerges.” —Arthur Danto, The New York Times Book Review “These are remarkably elegant little essays, dense in thought and perception but offhandedly casual in style. Their brevity makes more acute the sense of regret one feels to see them end.” —Jeremy Strick, Newsday


New Essays on the Psychology of Art

New Essays on the Psychology of Art

Author: Rudolf Arnheim

Publisher: Univ of California Press

Published: 1986

Total Pages: 354

ISBN-13: 9780520055537

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Thousands of readers who have profited from engagement with the lively mind of Rudolf Arnheim over the decades will receive news of this new collection of essays expectantly. In the essays collected here, as in his earlier work on a large variety of art forms, Arnheim explores concrete poetry and the metaphors of Dante, photography and the meaning of music. There are essays on color composition, forgeries, and the problems of perspective, on art in education and therapy, on the style of artists' late works, and the reading of maps. Also, in a triplet of essays on pioneers in the psychology of art (Max Wertheimer, Gustav Theodor Fechner, and Wilhelm Worringer) Arnheim goes back to the roots of modern thinking about the mechanisms of artistic perception.


Looking at the Overlooked

Looking at the Overlooked

Author: Norman Bryson

Publisher: Reaktion Books

Published: 2013-06-01

Total Pages: 194

ISBN-13: 1780232527

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In this, the only up-to-date critical work on still life painting in any language, Norman Bryson analyzes the origins, history and logic of still life, one of the most enduring forms of Western painting. The first essay is devoted to Roman wall-painting while in the second the author surveys a major segment in the history of still life, from seventeenth-century Spanish painting to Cubism. The third essay tackles the controversial field of seventeenth-century Dutch still life. Bryson concludes in the final essay that the persisting tendency to downgrade the genre of still life is profoundly rooted in the historical oppression of women. In Looking at the Overlooked, Norman Bryson is at his most brilliant. These superbly written essays will stimulate us to look at the entire tradition of still life with new and critical eyes.


Art Objects

Art Objects

Author: Jeanette Winterson

Publisher: Vintage Canada

Published: 2014-06-24

Total Pages: 151

ISBN-13: 0307363635

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In ten interlocking essays, the acclaimed author of Written on the Body and Art & Lies reveals art as an active force in the world--neither elitist nor remote, available to those who want it and affecting those who don't. Original, personal, and provocative, these essays are not so much a point of view as they are a way of life, revealing "a brilliant and deeply feeling artist at work" (San Francisco Chronicle).