The Bibliographical Decameron
The Bibliographical Decameron

Author: Thomas Frognall Dibdin

Publisher: Cambridge University Press

Published: 2015

Total Pages: 561

ISBN-13: 1108076521

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Bibliomania, the almost obsessive collecting of rare books and early editions by the aristocracy, which peaked in 1812 with the sale of the Valdarfer Boccaccio, was fuelled in no small part by the work of the bibliographer Thomas Frognall Dibdin (1776-1847). His most famous book, Bibliomania, popularised the word's use in England. The present work was first published in three volumes in 1817 and may be considered a continuation of Bibliomania in both style and content. Using a dialogue format with extensive footnotes, it covers all aspects of bibliography from early illuminated manuscripts and printed books through to contemporary book collectors and auctions. The work is notable for the number and quality of its illustrations. Volume 2 presents the rise and progress of printing, particularly on the Continent, and a survey of the history of bookbinding. Dibdin's Bibliomania (revised edition, 1811) and his Reminiscences of a Literary Life (1836) are also reissued in this series.

Gothic Legacies
Gothic Legacies

Author: Laura Cleaver

Publisher: Cambridge Scholars Publishing

Published: 2012-03-15

Total Pages: 315

ISBN-13: 1443838160

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As this exciting contribution to interdisciplinary studies in the arts shows, the art and architecture of the Middle Ages were reworked, reframed and reinterpreted in diverse ways from as early as the sixteenth century. In addition, the definition of “Gothic” art and architecture was used, questioned, and challenged in a range of literature from the Renaissance onwards. The diverse essays in Gothic Legacies: Four Centuries of Tradition and Innovation in Art and Architecture demonstrate that the Gothic spirit manifested itself in many visual forms, including furniture, set design, cathedrals, book illustration, and urban architecture. Edited by Laura Cleaver and Ayla Lepine, Gothic Legacies showcases new research by scholars who are united by an interest what “Gothic” could mean in particular contexts, and how it was used across different periods, cultures, and media. The book’s twelve essays are divided into thematic sections, which identify recurring themes in discussions of the “Gothic”. The authors explore debates around the understanding and use of spolia and ideas about heritage, the relationships between “Gothic” art and literature, and the invocation of concepts of the “Gothic” in opposition to other categorisations (notably Classicism and Modernism). In doing so they shed light on rich dialogues between the present and the past (real or imagined). Featuring interdisciplinary and international contributions from medieval and modern period scholars with fresh academic perspectives, this volume constitutes a valuable resource for anyone with an interest in how and why the art of the Middle Ages was to play such an important role in forming and revising personal, national, and international identities in subsequent works of art and architecture.