Why I Write

Why I Write

Author: George Orwell

Publisher: Renard Press Ltd

Published: 2021-01-01

Total Pages: 15

ISBN-13: 1913724263

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George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times


How to Write a Thesis

How to Write a Thesis

Author: Umberto Eco

Publisher: MIT Press

Published: 2015-02-27

Total Pages: 257

ISBN-13: 0262328763

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The wise and witty guide to researching and writing a thesis, by the bestselling author of The Name of the Rose—now published in English for the first time. Learn the art of the thesis from a giant of Italian literature and philosophy—from choosing a topic to organizing a work schedule to writing the final draft. By the time Umberto Eco published his best-selling novel The Name of the Rose, he was one of Italy’s most celebrated intellectuals, a distinguished academic, and the author of influential works on semiotics. Some years before that, Eco published a little book for his students, in which he offered useful advice on all the steps involved in researching and writing a thesis. Since then, it has been translated into 17 languages—and is now for the first time presented in English. Eco’s approach is anything but dry and academic. He not only offers practical advice but also considers larger questions about the value of the thesis-writing exercise in six different parts: • The Definition and Purpose of a Thesis • Choosing the Topic • Conducting the Research • The Work Plan and the Index Cards • Writing the Thesis • The Final Draft Eco advises students how to avoid “thesis neurosis” and he answers the important question “Must You Read Books?” He reminds students “You are not Proust” and “Write everything that comes into your head, but only in the first draft.” Of course, there was no Internet in 1977, but Eco’s index card research system offers important lessons about critical thinking and information curating for students of today who may be burdened by Big Data. Irreverent and often hilarious, How to Write a Thesis is unlike any other writing manual and belongs on the bookshelves of students, teachers, writers, and Eco fans everywhere.


Author:

Publisher: Houghton Mifflin Harcourt

Published:

Total Pages: 338

ISBN-13: 0544179595

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An Essay on Man

An Essay on Man

Author: Ernst Cassirer

Publisher: Felix Meiner Verlag

Published: 2023-06-27

Total Pages: 287

ISBN-13: 3787320377

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Angeregt von Freunden und Kollegen, legte Ernst Cassirer 1944 im amerikanischen Exil mit dem Essay on Man eine komprimierte und zugleich überarbeitete Fassung seiner Kulturphilosophie vor, in der er die dreibändige Philosophie der symbolischen Formen in ihren Hauptgedanken fortführt. Dabei wird der wohl wichtigste Bestandteil der Cassirerschen Kulturphilosophie, die Idee der Humanität, thematisiert und zusammenfassend begründet. Mit Bezugnahme auf das komplexe und vielschichtige Gefüge von Sprache, Mythos, Religion, Kunst, Geschichte und Wissenschaft bestimmt Cassirer den Menschen als »animal symbolicum«, als ein Wesen, das Symbole schafft und sich durch Symbole verständigt. Dank seiner klaren, verständlichen Sprache und Argumentationsstruktur ermöglicht der »Essay on Man« nicht nur dem philosophischen Fachpublikum, sondern auch einem weiteren Kreis interessierter Leser den Zugang zu Cassirers Denken. Er darf somit als allgemeine Einführung in die Philosophie Cassirers verstanden werden. Inhalt: Part I. What is man? I. The Crisis in Man's Knowledge of Himself II. A Clue to the Nature of Man: the Symbol III. From Animal Reactions to Human Responses IV. The Human World of Space and Time V. Facts and Ideals Part II. Man and Culture VI. The Definition of Man in Terms of Human Culture VII. Myth and Religion VIII. Language IX. Art X. History XI. Science XII. Summary and Conclusion


Louis H. Sullivan and a 19th-Century Poetics of Naturalized Architecture

Louis H. Sullivan and a 19th-Century Poetics of Naturalized Architecture

Author: LaurenS. Weingarden

Publisher: Routledge

Published: 2017-07-05

Total Pages: 457

ISBN-13: 1351559729

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For most of the twentieth century, modernist viewers dismissed the architectural ornament of Louis H. Sullivan (1856-1924) and the majority of his theoretical writings as emotional outbursts of an outmoded romanticism. In this study, Lauren Weingarden reveals Sullivan's eloquent articulation of nineteenth-century romantic practices - literary, linguistic, aesthetic, spiritual, and nationalistic - and thus rescues Sullivan and his legacy from the narrow role imposed on him as a pioneer of twentieth-century modernism. Using three interpretive models, discourse theory, poststructural semiotic analysis, and a pragmatic concept of sign-functions, she restores the integrity of Sullivan's artistic choices and his historical position as a culminating figure within nineteenth-century romanticism. By giving equal weight to Louis Sullivan's writings and designs, Weingarden shows how he translated both Ruskin's tenets of Gothic naturalism and Whitman's poetry of the American landscape into elemental structural forms and organic ornamentation. Viewed as a site where various romantic discourses converged, Sullivan's oeuvre demands a cross-disciplinary exploration of each discursive practice, and its "rules of accumulation, exclusion, reactivation." The overarching theme of this study is the interrogation and restitution of those Foucauldian rules that enabled Sullivan to articulate architecture as a pictorial mode of landscape art, which he considered co-equal with the spiritual and didactic functions of landscape poetry.