Focusing on the impact of the erotic revolution that swept through 16th-century Italy, Eros Visible presents a compendious, revisionist account of High Renaissance art. Through close visual analysis of artworks and careful reading of related texts, James Grantham Turner demonstrates the surprisingly close connection between explicitly pornographic art and the canonical works of masters such as Leonardo, Raphael, and Michelangelo. Full of new discoveries, this volume explores the passionate response to antiquity and how a new sex-positive philosophy not only encouraged an increased accentuation of sensual and erotic themes in art, but influenced the sexual cultures of both the court and the art studio. With an interdisciplinary approach that draws on a wide array of visual and textual erotica, Turner offers the first broad, synthetic history of the classically inspired and unambiguously lascivious sensibilities behind some of the most sublime artistic achievements of the Renaissance.
Eros: The Myth of Ancient Greek Sexuality is a controversial book that lays bare the meanings Greeks gave to sex. Contrary to the romantic idealization of sex dominating our culture, the Greeks saw eros as a powerful force of nature, potentially dangerous and in need of control by society: Eros the Destroyer, not Cupid the Insipid, is what fired the Greek imagination. The destructiveness of eros can be seen in Greek imagery and metaphor, and in their attitudes toward women and homosexuals. Images of love as fire, disease, storms, insanity, and violence—top 40 song clichés for us—locate eros among the unpredictable and deadly forces of nature. The beautiful Aphrodite embodies the alluring danger of sex, and femmes fatales like Pandora and Helen represent the risky charms of female sexuality. And homosexuality typifies for the Greeks the frightening power of an indiscriminate appetite that threatens the stability of culture itself. In Eros: The Myth of Ancient Greek Seualily, Bruce Thornton offers a uniquely sweeping and comprehensive account of ancient sexuality free of currently fashionable theoretical jargon and pretensions. In its conclusions the book challenges the distortions of much recent scholarship on Greek sexuality. And throughout it links the wary attitudes of the Greeks to our present-day concerns about love, sex, and family. What we see, finally, are the origins of some of our own views as well as a vision of sexuality that is perhaps more honest and mature than our own dangerous illusions.
The history of Western esotericism is rich in references to the domains of eros and sexuality, but this connection has never been explored in detail from a critical scholarly perspective. Bringing together an impressive array of top-level specialists, this volume reveals the outlines of a largely unknown history spanning more than twenty centuries.
A radical history of French surrealism seeks to demonstrate that the movement was transformed during and after World War II when Surrealists redefined and extended their interests in politics, the occult, erotica, and other areas, in an account that analyzes the conception and organization of four international exhibits.
It is a widespread prejudice of modern, scientific society that "magic" is merely a ludicrous amalgam of recipes and methods derived from primitive and erroneous notions about nature. Eros and Magic in the Renaissance challenges this view, providing an in-depth scholarly explanation of the workings of magic and showing that magic continues to exist in an altered form even today. Renaissance magic, according to Ioan Couliano, was a scientifically plausible attempt to manipulate individuals and groups based on a knowledge of motivations, particularly erotic motivations. Its key principle was that everyone (and in a sense everything) could be influenced by appeal to sexual desire. In addition, the magician relied on a profound knowledge of the art of memory to manipulate the imaginations of his subjects. In these respects, Couliano suggests, magic is the precursor of the modern psychological and sociological sciences, and the magician is the distant ancestor of the psychoanalyst and the advertising and publicity agent. In the course of his study, Couliano examines in detail the ideas of such writers as Giordano Bruno, Marsilio Ficino, and Pico della Mirandola and illuminates many aspects of Renaissance culture, including heresy, medicine, astrology, alchemy, courtly love, the influence of classical mythology, and even the role of fashion in clothing. Just as science gives the present age its ruling myth, so magic gave a ruling myth to the Renaissance. Because magic relied upon the use of images, and images were repressed and banned in the Reformation and subsequent history, magic was replaced by exact science and modern technology and eventually forgotten. Couliano's remarkable scholarship helps us to recover much of its original significance and will interest a wide audience in the humanities and social sciences.
[Gouinlock] has succeeded in naturalizing the moral life more reliably and coherently than the generation of Dewey, Santayana, and their heirs. . . . may well prove to be a landmark for the philosophical understanding of the moral conception of life in our times. - John P. Anton, University of South Florida. . . No one has done as much as Gouinlock has to tell us how our lives can be made worth living. - Peter H. Hare, State University of New York at Buffalo. . . Must reading for those interested in understanding our current problems. - John Lachs, Vanderbilt UniversityPlato defined eros as the yearning for things beautiful and good. It is on this original sense that philosopher James Gouinlock bases this insightful study of ethics and wisdom. Gouinlock argues that the only fruitful way to evaluate the norms of social life is to understand them as natural forces, not as arbitrary matters of convention or derivatives of some abstract theory. The good life and the meanings of life consist in the recognition and pursuit of values that are already resident in natural experience. Successful pursuit of them requires teaching, the accumulation of wisdom, and the cultivation of virtue. Above all is eros, the motivating force that drives us to search for life's most precious goods. In so doing we acquire a wisdom according to nature.Inspired by Greek philosophy, Gouinlock's approach avoids the pitfalls of moral systems that evolve out of abstract theorizing and tend to ignore well-established practice and conviction. Gouinlock makes the important point that social practices, like natural forces, though subject to change in varying degrees, are rarely amenable to radical overhaul. The real values of common life occur in a difficult, demanding, and often-perilous environment. This is not a context in which anything goes, for it possesses inherent constraints as well as opportunities. As Gouinlock shows in detail, there is much wisdom to be gained from understanding the distinctive functions of nature in the conduct of life.Written with clarity and eloquence, this original and fully developed philosophy of life makes fundamental philosophical arguments accessible to educated lay readers as well as to professional philosophers.James S. Gouinlock (Atlanta, GA) is professor emeritus of philosophy at Emory University and the author or editor of six books, including Rediscovering the Moral Life: Philosophy and Human Practice and The Moral Writings of John Dewey.
Eros: A Book of Psalms is a book of poetry that starts the journey of Eros, the mythological figure who worked tirelessly to save other's relationships. These poems are a collection of thoughts, feelings and emotions from author Ty Foard. Take a journey with Foard as he shows you love through the eyes of Eros.
High Energy Physics 99 contains the 18 invited plenary presentations and 250 contributions to parallel sessions presented at the International Europhysics Conference on High Energy Physics. The book provides a comprehensive survey of the latest developments in high energy physics. Topics discussed include hard high energy, structure functions, soft interactions, heavy flavor, the standard model, hadron spectroscopy, neutrino masses, particle astrophysics, field theory, and detector development.
A careful synthesis of the leading radical feminist critics presented from an original point of view that makes their thought readily available to a general audience.
