Erika, a young girl, walking along a deserted beach, finds an injured and dying mermaid, carries her home, and nurses her back to health. Once her body is whole again, Maari, the mermaid is able to turn herself into a human girl. When she gets homesick, Erika and her Dad take her home to the island of Tiki-roa. Several years later Erika returns to Tiki-roa. They often play at the girls secret lagoon, in a cave of the ancient Maoris, and on Skull Mountain, where they encounter a huge flightless moa bird, and find a cave with pirates treasure of pearls. At the end of her stay Erika meets Maaris mother, the mermaid Cyrena, and her father, Jupiter, mighty ruler of all the oceans. In gratitude for saving their daughters life they bestow upon Erika the power to turn herself into a mermaid.
Now a Hallmark Channel Original Movie! A magical, modern-day Christmas Carol Digital designer Emma Wallace is finally poised for her big break: kitchenware giant Johnson Cookware is looking to rebrand – and with Christmas around the corner, Emma’s long-held philosophy of work-before-play may just give her the edge she needs to win the account. The only peppermint twist in her Scrooge-worthy plan? She’s promised her ever-patient, architect boyfriend Sam Cole that after spending the last three Christmases in her office instead of in his arms, she’ll make this holiday just about the two of them. But as Christmas Eve draws near and the deadline crunch threatens her promise to Sam, Emma finds herself visited by three boyfriend “ghosts” of Christmases past, who come bearing the gift of hindsight. Will showing Emma her past romantic failures, as well as her early courtship with Sam, help her to see the path to true happiness in time to save her future?
When aspiring-writer Mallory Reynolds packed up for New York City, she ditched more than her quiet hometown of Magnolia Bay—she left her high-school sweetheart, Josh Loveless, behind. But when the big city didn’t deliver big contracts on her novels, she turned to writing erotica under the pen name Farrah Ivory to spare her family any embarrassment. Soon, her scandalously-sexy series, The Lost Diaries of Scarlet, is a break-out hit. Just as Mallory begins to enjoy her sweet success, her publisher leaks her true identity and a media firestorm ensues. Exposed, she decides there’s nowhere to hide—except for home. For Josh Loveless, getting over Mallory Reynolds hasn’t been easy, but he’s done his best to move on. For starters, he’s turned his love of the outdoors and rock-climbing into his own business. And just as things are starting to settle for him, he learns Mallory’s coming home to ride out her scandal, and suddenly his world is turned upside down again… Can Mallory convince her friends and family that she’s still the same good-hearted girl they knew? And more importantly, can Josh trust the woman she’s become, and give her a second chance to rewrite their love story with a happy ending?
*Includes "The Little Mermaid," now a major motion picture from Disney starring Halle Bailey and directed by Rob Marshall* Dive into centuries of mermaid lore with these captivating tales from around the world. A Penguin Classic Among the oldest and most popular mythical beings, mermaids and other merfolk have captured the imagination since long before Ariel sold her voice to a sea witch in the beloved Disney film adaptation of Hans Christian Andersen's "The Little Mermaid." As far back as the eighth century B.C., sailors in Homer's Odyssey stuffed wax in their ears to resist the Sirens, who lured men to their watery deaths with song. More than two thousand years later, the gullible New York public lined up to witness a mummified "mermaid" specimen that the enterprising showman P. T. Barnum swore was real. The Penguin Book of Mermaids is a treasury of such tales about merfolk and water spirits from different cultures, ranging from Scottish selkies to Hindu water-serpents to Chilean sea fairies. A third of the selections are published here in English for the first time, and all are accompanied by commentary that explores their undercurrents, showing us how public perceptions of this popular mythical hybrid--at once a human and a fish--illuminate issues of gender, spirituality, ecology, and sexuality. For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
A fun and accessible guide to foreign television series that were later broadcast in or adapted for the U.S., including popular favorites such as The Office and Doctor Who. In Broadcast in the U.S.: Foreign TV Series Brought to America, Vincent Terrace delivers a wonderful resource of over 400 foreign television shows broadcast in the United States, along with their American adaptations. From British comedies like Fawlty Towers and Keeping Up Appearances to the Australian fantasy series The Girl from Tomorrow and the Japanese cartoons Astro Boy and Kimba, the White Lion, this book explores an often-overlooked side of American television and popular culture. Each entry includes details regarding the cast, genre, episodes, U.S. and foreign networks, broadcast dates, storylines, and trivia. Containing information not easily found anywhere else, such as unsold script proposals, internet TV series, and unaired pilots, this first and only guide to foreign television series broadcast in the U.S. is a valuable reference for all fans of television history.
Erika is transgender. She's known since she was young; being a woman just fit better. She loved to wear her mother's dresses and tight corsets, but that was before the disease took her mother away. Erika's father doesn't see a daughter, he sees a confused son that needs a new start in a new city across the ocean. Erika has no place to go, so with the last of her mother's dresses she packs for months on a sailing ship. Halfway across the ocean, Erika's life is forever altered. She sneaks on deck in her mother's dress in the dead of night and a superstitious deckhand throws her overboard, dress and all. But drowning at sea isn't how Erika plans to die. She cuts a deal with a sea witch for more than her life--for the first time, she is transformed into the woman she's always known was inside. Her dress becomes a mermaid tail and all it took was her voice. She should have known living her authentic life wouldn't be so easy, though. The witch wants more than Erika's voice, she's on the hunt for the undersea throne, the seat of power. Ariel, the last daughter of the king must marry in three days or the first place Erika has ever called home will be destroyed. The magic of true love is the only thing that can save them now.
Let these captivating fairy tale retellings sweep you into happily ever after. Re-imagined as black, trans women, come along with Cinderella, Erika, and Belle as they find love and laughter at the ends of their stories. Ella’s stepmother insists she’s a boy, but the princess sees her for the woman she is. When Ella is dumped at the edge of the kingdom, she finds strength in herself to create a new life. Erika’s father sends her across the ocean to the New World, only for a suspicious deckhand to throw her overboard mid-journey. With help from princess Ariel, and a little bit of magic, Erika learns how to live and love under the sea without her voice. Belle has been harassed by Gaston for years, and escapes into her books and the abandoned castle in the woods to get away. It turns out, the castle isn’t abandoned, and the Guardian who lives there thinks Belle deserves the whole world.
Writing romance and commercial fiction means knowing the rules, and this book will help you learn them and get there. If you're wondering where to start, what to do, what not to do, how to find your author brand... this book has it all and more. Just take it from the 12 bestselling authors who wrote it! Experiencing all the ups and downs of the publishing industry isn't easy, so Writing the Bestseller II will help you not only handle the work involved, but handle it well. Learning from authors who have been in your shoes, who understand the market and genre, willingly share their tips, wisdom, and encouragement so you can also succeed. What are you waiting for? Get started on your writing career today!
Analysis of the mermaid in Japanese and English fairy tales through the framework of pleasure. Lucy Fraser's The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of "The Little Mermaid "explores Japanese and English transformations of Hans Christian Andersen's 1837 Danish fairy tale "The Little Mermaid" by focusing on pleasure as a means to analyze the huge variety of texts that transform a canonical fairy tale such as Andersen's. Fraser examines over twenty Japanese and English transformations, including literary texts, illustrated books, films, and television series. This monograph also draws upon criticism in both Japanese and English, meeting a need in Western fairy-tale studies for more culturally diverse perspectives. Fraser provides a model for critical cross-cultural fairy tale analysis in her examination of the journey of a single fairy tale across two languages. The book begins with the various approaches to reading and writing fairy tales, with a history of "The Little Mermaid" in Japanese and English culture. Disney's The Little Mermaid and Studio Ghibli's Ponyo on the Cliff by the Sea are discussed as examples that simulate pleasurable physical experiences through animation's tools of music and voice, and visual effects of movement and metamorphosis. Fraser then explores the literary effects of the fairy tale by male authors, such as Oscar Wilde, Tanizaki Jun'ichiro, and Abe Kobo, who invoke familiar fairy-tale conventions and delineate some of the pleasures of what can be painful enchantment with a mermaid or with the fairy tale itself. The author examines the portrayals of the mermaid in three short stories by Matsumoto Yuko, Kurahashi Yumiko, and Ogawa Yoko, engaging with familiar fairy tales, reference to fairy-tale research, and reflections on the immersive experience of reading. Women characters and authors are also hyperaware of the possible meanings of Andersen's "The Little Mermaid" and of the fairy tale itself, furthering the discussion with Nonaka Hiiragi's novel Ningyo-hime no kutsu, and D[di?]'s novel Sento no ningyo-hime to majo no mori, as well as an episode of the science fiction television series Dark Angel.Fraser concludes that the "pleasure" framework is useful for a cross-cultural study of creative engagements with and transformations of a particular fairy tale. Few studies have examined Japanese fairy-tale transformations to the extent that Fraser has, presenting fascinating information that will intrigue fairy-tale scholars and those wanting to learn more about the representation of pleasure behind the imaginative and fantastical.
We no longer ascribe the term ’mermaid’ to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid’s image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not entertain the possibility of the mermaid’s existence. This, author Tara Pedersen argues, makes it difficult for contemporary scholars to consider the mermaid as a figure who wields much social significance. During the early modern period, however, this was not the case, and Pedersen illustrates the complicated category distinctions that the mermaid inhabits and challenges in 16th-and 17th-century England. Addressing epistemological questions about embodiment and perception, this study furthers research about early modern theatrical culture by focusing on under-theorized and seldom acknowledged representations of mermaids in English locations and texts. While individuals in early modern England were under pressure to conform to seemingly monolithic ideals about the natural order, there were also significant challenges to this order. Pedersen uses the figure of the mermaid to rethink some of these challenges, for the mermaid often appears in surprising places; she is situated at the nexus of historically specific debates about gender, sexuality, religion, the marketplace, the new science, and the culture of curiosity and travel. Although these topics of inquiry are not new, Pedersen argues that the mermaid provides a new lens through which to look at these subjects and also helps scholars think about the present moment, methodologies of reading, and many category distinctions that are important to contemporary scholarly debates.
