The Correspondence of Erasmus

The Correspondence of Erasmus

Author: Desiderius Erasmus

Publisher: University of Toronto Press

Published: 2018-04-13

Total Pages: 445

ISBN-13: 1487514409

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Volume 18 in the Collected Works of Erasmus series covers the period from 1 April 1531 to 30 March 1532. The most persistent theme in the letters is the fear, to which Erasmus had long been prey, that the religious strife in Germany and Switzerland would eventually lead to armed conflict. His Catholic and Evangelical critics continued to annoy him. In June 1531 Erasmus published his final apologia against Alberto Pio, who had accused him of being the source of the Lutheran heresy. Though Erasmus’ public controversy with the Strasbourg theologians had come to an end in 1530, he wrote a long letter to Martin Bucer emphasizing his doctrinal differences with the Strasbourgers and his low estimate of their moral character. Erasmus’ financial affairs also figure prominently in the letters between him and his friend, the banker Erasmus Schets. The letters between them are testimony to his impatience with people who owed him money, his frequent inability to understand the details of his own finances, and his quickness to assume that people he trusted were cheating him. Volume 18 of the Collected Works of Erasmus series


Humanism and the Reform of Sacred Music in Early Modern England

Humanism and the Reform of Sacred Music in Early Modern England

Author: Hyun-Ah Kim

Publisher: Routledge

Published: 2016-05-13

Total Pages: 298

ISBN-13: 1317119584

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John Merbecke (c.1505-c.1585) is most famous as the composer of the first musical setting of the English liturgy, The Booke of Common Praier Noted (BCPN), published in 1550. Not only was Merbecke a pioneer in setting English prose to music but also the compiler of the first Concordance of the whole English Bible (1550) and of the first English encyclopaedia of biblical and theological studies, A Booke of Notes and Common Places (1581). By situating Merbecke and his work within a broader intellectual and religio-cultural context of Tudor England, this book challenges the existing studies of Merbecke based on the narrow theological approach to the Reformation. Furthermore, it suggests a re-thinking of the prevailing interpretative framework of Reformation musical history. On the basis of the new contextual study of Merbecke, this book seeks to re-interpret his work, particularly BCPN, in the light of humanist rhetoric. It sees Merbecke as embodying the ideal of the 'Christian-musical orator', demonstrating that BCPN is an Anglican epitome of the Erasmian synthesis of eloquence, theology and music. The book thus depicts Merbecke as a humanist reformer, through re-evaluation of his contributions to the developments of vernacular music and literature in early modern England. As such it will be of interest, not only to church musicians, but also to historians of the Reformation and students of wider Tudor culture.


Humanism and Style

Humanism and Style

Author: Clarence H. Miller

Publisher: Lehigh University Press

Published: 2011-05-12

Total Pages: 151

ISBN-13: 1611460077

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Clarence Miller's Humanism and Style: Essays on Erasmus and More provides an illuminating and circumstantial engagement with the important works of two great humanists, especially their masterpieces, The Praise of Folly and Utopia. He shows how they were deeply influenced by the very medieval world that they rejected as they were seeking to recover vital connections to the classics and the church fathers. Miller's essays cover a complex terrain that includes the rhetorical functions of stylistic shifts, the deployment of proverbial wisdom, engagement with ancient texts in an early modern setting, and the challenges of maintaining a stance of faith in a world always muddied in its history. These essays disclose a sensibility in the work of Erasmus and More that is already attuned to many insights that have emerged with contemporary literary theory.


Collected Works of Erasmus

Collected Works of Erasmus

Author: Desiderius Erasmus

Publisher: University of Toronto Press

Published: 1997-12-15

Total Pages: 1320

ISBN-13: 1442655372

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Erasmus' Familiar Colloquies grew from a small collection of phrases, sentences, and snatches of dialogue written in Paris about 1497 to help his private pupils improve their command of Latin. Twenty years later the material was published by Johann Froben (Basel 1518). It was an immediate success and was reprinted thirty times in the next four years. For the edition of March 1522 Erasmus began to add fully developed dialogues, and a book designed to improve boys' use of Latin (and their deportment) soon became a work of literature for adults, although it retained traces of its original purposes. The final Froben edition (March, 1533) had about sixty parts, most of them dialogues. It was in the last form that the Colloquies were read and enjoyed for four centuries. For modern readers it is one of the best introductions to European society of the Renaissance and Reformation periods, with lively descriptions of daily life and provocative discussions of political, religious, social, and literary topics, presented with Erasmus's characteristic wit and verve. Each colloquy has its own introduction and full explanatory, historical, and biographical notes. Volumes 39 and 40 of the Collected Works of Erasmus series – Two-volume set.


Herculean Labours: Erasmus and the Editing of St. Jerome's Letters in the Renaissance

Herculean Labours: Erasmus and the Editing of St. Jerome's Letters in the Renaissance

Author: Hilmar Pabel

Publisher: BRILL

Published: 2008-07-31

Total Pages: 410

ISBN-13: 9047442237

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The first monograph in English on Erasmus of Rotterdam as an editor of St. Jerome, this book belongs to the growing scholarship on the reception of the Church Fathers in early modern Europe. Erasmus, like other Renaissance humanists, particularly admired Jerome (d. 419 or 420), and he expressed his admiration most conspicuously in his edition of Jerome’s letters. Proclaiming his editorial Herculean labours, Erasmus energetically promoted himself and his publication. Erasmus’ self-promotion cannot be reduced to a secular appropriation of Jerome, however. A detailed examination of a variety of editorial interventions demonstrates Erasmus’ religious purpose, his debt to previous editorial traditions as well as his editorial novelty, and his influence on subsequent sixteenth-century editions of Jerome.