"The Oxford Handbook of Prehistoric Oceania presents the archaeology, linguistics, environment and human biology of Melanesia, Micronesia, and Polynesia. First colonized 50,000 years ago, Oceania witnessed the independent invention of agriculture, the construction of Easter Island's statues, and the development of the word's last archaic states."--Provided by publisher.
This unique history of the Civil War considers the impact of nineteenth-century American secret societies on the path to as well as the course of the war. Beginning with the European secret societies that laid the groundwork for Freemasonry in the United States, Mark A. Lause analyzes how the Old World's traditions influenced various underground groups and movements in America, particularly George Lippard's Brotherhood of the Union, an American attempt to replicate the political secret societies that influenced the European revolutions of 1848. Lause traces the Brotherhood's various manifestations, the most conspicuous being the Knights of the Golden Circle (out of which developed the Ku Klux Klan), and the Confederate secret groups through which John Wilkes Booth and others attempted to undermine the Union. Lause profiles the key leaders of these organizations, with special focus on George Lippard, Hugh Forbes, and George Washington Lafayette Bickley. Antebellum secret societies ranged politically from those with progressive or even revolutionary agendas to those that pursued conservative or oppressive goals. This book shows how, in the years leading up to the Civil War, these clandestine organizations exacerbated existing sectional tensions in the United States. Lause's research indicates that the pervasive influence of secret societies may have played a part in key events such as the Freesoil movement, the beginning of the Republican party, John Brown's raid on Harpers Ferry, Lincoln's election, and the Southern secession process of 1860-1861. This exceptional study encompasses both white and African American secret society involvement, revealing the black fraternal experience in antebellum America as well as the clandestine operations that provided assistance to escaped slaves via the Underground Railroad. Unraveling these pervasive and extensive networks of power and influence, A Secret Society History of the Civil War demonstrates that antebellum secret societies played a greater role in affecting Civil War-era politics than has been previously acknowledged.
The first biography of an American master The Songs We Know Best, the first comprehensive biography of the early life of John Ashbery—the winner of nearly every major American literary award—reveals the unusual ways he drew on the details of his youth to populate the poems that made him one of the most original and unpredictable forces of the last century in arts and letters. Drawing on unpublished correspondence, juvenilia, and childhood diaries as well as more than one hundred hours of conversation with the poet, Karin Roffman offers an insightful portrayal of Ashbery during the twenty-eight years that led up to his stunning debut, Some Trees, chosen by W. H. Auden for the 1955 Yale Younger Poets Prize. Roffman shows how Ashbery’s poetry arose from his early lessons both on the family farm and in 1950s New York City—a bohemian existence that teemed with artistic fervor and radical innovations inspired by Dada and surrealism as well as lifelong friendships with painters and writers such as Frank O’Hara, Jane Freilicher, Nell Blaine, Kenneth Koch, James Schuyler, and Willem de Kooning. Ashbery has a reputation for being enigmatic and playfully elusive, but Roffman’s biography reveals his deft mining of his early life for the flint and tinder from which his provocative later poems grew, producing a body of work that he calls “the experience of experience,” an intertwining of life and art in extraordinarily intimate ways.
The first of two volumes of the eagerly anticipated first complete edition of Auden’s poems—including some that have never been published before W. H. Auden (1907–1973) is one of the greatest poets of the twentieth century, and his reputation has only grown since his death. Published on the hundredth anniversary of the year in which he began to write poetry, this is the first of two volumes of the first complete edition of Auden’s poems. Edited, introduced, and annotated by renowned Auden scholar Edward Mendelson, this definitive edition includes all the poems Auden wrote for publication, in their original texts, and all his later revised versions, as well as poems and songs he never published, some of them printed here for the first time. This volume traces the development of Auden’s early career, and contains all the poems, including juvenilia, that he published or submitted for publication, from his first printed work, in 1927, at age twenty, through the poems he wrote during his first months in America, in 1939, when he was thirty-two. The book also includes poems that Auden wrote during his adult career with the expectation that he might publish them, but which he never did; song lyrics that he wrote to be set to music by Benjamin Britten, but which he never put into print; and verses that he wrote for magazines at schools where he was teaching. The main text presents the poems in their original published versions. The notes include the extensive revisions that he made to his poems over the course of his career, and provide explanations of obscure references. The second volume of this edition, Poems, Volume 2: 1940–1973, is also available.
The fierce, bloody battles of Bataan and Corregidor in the Philippines are legendary in the annals of World War II. Those who survived faced the horrors of life as prisoners of the Japanese. In Conduct Under Fire, John A. Glusman chronicles these events through the eyes of his father, Murray, and three fellow navy doctors captured on Corregidor in May 1942. Here are the dramatic stories of the fall of Bataan, the siege of “the Rock,” and the daily struggles to tend the sick, wounded, and dying during some of the heaviest bombardments of World War II. Here also is the desperate war doctors and corpsmen waged against disease and starvation amid an enemy that viewed surrender as a disgrace. To survive, the POWs functioned as a family. But the ties that bind couldn’t protect them from a ruthless counteroffensive waged by American submarines or from the B-29 raids that burned Japan’s major cities to the ground. Based on extensive interviews with American, British, Australian, and Japanese veterans, as well as diaries, letters, and war crimes testimony, this is a harrowing account of a brutal clash of cultures, of a race war that escalated into total war. Like Flags of Our Fathers and Ghost Soldiers, Conduct Under Fire is a story of bravery on the battlefield and ingenuity behind barbed wire, one that reveals the long shadow the war cast on the lives of those who fought it.
"Mennonite Women in Canada "traces the complex social history and multiple identities of Canadian Mennonite women over 200 years. Marlene Epp explores women's roles, as prescribed and as lived, within the contexts of immigration and settlement, household and family, church and organizational life, work and education, and in response to social trends and events. The combined histories of Mennonite women offer a rich and fascinating study of how women actively participate in ordering their lives within ethno-religious communities.
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their works to receive in-depth coverage in this volume include: * Eugene O'Neill: The Iceman Cometh (1946), A Moon for the Misbegotten (1947), Long Day's Journey Into Night (written 1941, produced 1956), and A Touch of the Poet (written 1942, produced 1958); * Tennessee Williams: The Glass Menagerie (1944), A Streetcar Named Desire (1947), Summer and Smoke (1948); * Arthur Miller: All My Sons (1947), Death of a Salesman (1949), and The Crucible (1953); * Thornton Wilder: Our Town (1938), The Skin of Our Teeth (1942), Shadow of a Doubt (1943), and The Alcestiad (written 1940s).
