Voice-Overs for Podcasting

Voice-Overs for Podcasting

Author: Elaine A. Clark

Publisher: Simon and Schuster

Published: 2020-11-17

Total Pages: 211

ISBN-13: 1621537471

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A Creative Performance Approach to Producing Podcasts that Showcase and Monetize Your Skills, Knowledge, and Personality Voice-Overs for Podcasting is exactly what podcasters of all levels need: an essential handbook to create, build, improve, and connect with audiences around the globe. Written by veteran voice-over coach and author, Elaine A. Clark, this book delivers the nuts and bolts of podcasting and elevates it to a new creative level where the voice is the star and the listener is the happy recipient. Clark shows the reader how, in addition to developing knowledge and expertise on their topic, a podcaster’s emotion, storytelling, content, voice, and performance techniques can hugely impact listeners and reviews. This must-read guide offers a fresh approach for podcasters to perform and deliver the most engaging story that audiences will want to hear, turning a small fan base into millions of subscribers. Chapters cover topics such as: Podcasting styles Episode formatting Voice quality and improvement Performance techniques Tips for overcoming pitfalls and challenges Recording, editing, and equipment Posting podcasts Monetizing Legal matters Insider tips and tricks What’s trending And much more practical and creative advice! With Voice-Overs for Podcasting, you’ll be on your way to creating, improving, and sharing your voice and story with the world.


Accurate English

Accurate English

Author: Prentice Hall

Publisher: Prentice Hall

Published: 1993-04-01

Total Pages: 200

ISBN-13: 9780130072610

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This manual accompanies the main text which focuses on the pronunciation of English in North America as it is spoken by educated native speakers. It teaches vowels, consonants, rhythm, stress and intonation using the principles of articulatory phonetics. It includes spelling patterns.


Enunciating English Properly

Enunciating English Properly

Author: Pickering

Publisher: Sts. Jude imPress

Published: 2004-09

Total Pages: 60

ISBN-13: 9780976659921

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This monograph aims at teaching immigrants and local-accent citizens how to pronounce the written word properly, using, at times. famous speeches and humorous instances. It sets three simple rules: start each [non-first] syllable with a consonant; if there are two consonants, end the syllable with one and begin the next with the second; be sure to pronounce - but not emphasize - each word's final consonant. Exceptions to the rules are found to have their roots in ancient languages whose double consonant sounds are now written with single English letters so as to hold our alphabet to 26 letters. This is demonstrated by scrolling out ancient alphabets from 1450 BC to 1600 AD.


Communication Gaps and How to Close Them

Communication Gaps and How to Close Them

Author: Naomi Karten

Publisher: Addison-Wesley

Published: 2013-07-15

Total Pages: 441

ISBN-13: 0133488705

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This is the digital version of the printed book (Copyright © 2002). The success of systems or software development depends on effective communication. But have you ever had trouble articulating a complex concept? Have you ever doubted that someone truly understood you–or that you completely received someone’s message? Managers and technical professionals have to communicate effectively in order to understand client requirements, build work-related relationships, meet market demands, and survive time pressures. So often, though, communication breaks down, and nothing gets done (or done well, at least). Thankfully, Naomi Karten–author of Managing Expectations–is here to help. Readers learn how to improve the way they handle a wide variety of communication conflicts, from one-on-one squabbles to interdepartmental chaos to misinterpretations between providers and customers. Drawing on a variety of recognizable experiences and on useful models for understanding personalities, such as the Myers-Briggs Type Indicator and the teachings of family therapist Virginia Satir, Karten provides a series of powerful tools and concepts for resolving communication problems–as well as methods for preventing them in the first place. Inadequate communications include misunderstood or missed messages, contradictory or mixed messages, and messages that are intentionally sabotaged. As the author notes, these miscommunications “can have a damaging, puzzling, and counterproductive impact on projects and relationships.” Karten helps readers identify many of the common factors that can cause communication gaps. For example, mistaken assumptions of understanding lack of follow-up unfixed project terminology emotional baggage personality conflicts mismatched communication preferences Karten’s witty, conversational tone makes this book easy to read; her real-life stories and examples make it easy to understand; and her use of hilarious cartoons by Mark Tatro brings her lessons to life. Communication Gaps and How to Close Them is a must-read for anyone who recognizes that the way he or she communicates in professional encounters, as well as in personal ones, can be improved. With Karten’s useful insights and practical techniques, this book will change not only how you communicate but also how you think about communication.


Impersonal Enunciation, or the Place of Film

Impersonal Enunciation, or the Place of Film

Author: Christian Metz

Publisher: Columbia University Press

Published: 2016-02-02

Total Pages: 279

ISBN-13: 0231540647

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Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In the 1970s, he used Sigmund Freud's psychology and Jacques Lacan's mirror theory to explain the popularity of cinema. In this final book, Metz uses the concept of enunciation to articulate how films "speak" and explore where this communication occurs, offering critical direction for theorists who struggle with the phenomena of new media. If a film frame contains another frame, which frame do we emphasize? And should we consider this staging an impersonal act of enunciation? Consulting a range of genres and national trends, Metz builds a novel theory around the placement and subjectivity of screens within screens, which pulls in—and forces him to reassess—his work on authorship, film language, and the position of the spectator. Metz again takes up the linguistic and theoretical work of Benveniste, Genette, Casetti, and Bordwell, drawing surprising conclusions that presage current writings on digital media. Metz's analysis enriches work on cybernetic emergence, self-assembly, self-reference, hypertext, and texts that self-produce in such a way that the human element disappears. A critical introduction by Cormac Deane bolsters the connection between Metz's findings and nascent digital-media theory, emphasizing Metz's keen awareness of the methodological and philosophical concerns we wrestle with today.