The compelling story of Pope Pius XI's secret relations with Benito Mussolini. A ground-breaking work, based on seven years of research in the Vatican and Fascist archives by US National Book Award-finalist David Kertzer, it will forever change our understanding of the Vatican's role in the rise of Fascism in Europe.
Emilio Lussu was an Italian MP and Professor of Political Economy, who was imprisoned because of his opposition to Mussolini. In 1929 he escaped with two fellow prisoners from the island of Lipari. Enter Mussolini combines an account of Mussolini’s rise to power and a critique of the Italian fascist movement that was influential at a time when many observers were still sympathetic to fascism, at least in its Italian guise. It was first published in English in 1936.
In 1945, disguised in German greatcoat and helmet, Mussolini attempted to escape from the advancing Allied armies. Unfortunately for him, the convoy of which he was part was stopped by partisans and his features, made so familiar by Fascist propaganda, gave him away. Within 24 hours he was executed by his captors, joining those he sent early to their graves as an outcome of his tyranny, at least one million people. He was one of the tyrant-killers who so scarred interwar Europe, but we cannot properly understand him or his regime by any simple equation with Hitler or Stalin. Like them, his life began modestly in the provinces; unlike them, he maintained a traditonal male family life, including both wife and mistresses, and sought in his way to be an intellectual. He was cruel (though not the cruellest); his racism existed, but never without the consistency and vigor that would have made him a good recruit for the SS. He sought an empire; but, in the most part, his was of the old-fashioned, costly, nineteenth century variety, not a racial or ideological imperium. And, self-evidently Italian society was not German or Russian: the particular patterns of that society shaped his dictatorship. Bosworth's Mussolini allows us to come closer than ever before to an appreciation of the life and actions of the man and of the political world and society within which he operated. With extraordinary skill and vividness, drawing on a huge range of sources, this biography paints a picture of brutality and failure, yet one tempered with an understanding of Mussolini as a human being, not so different from many of his contemporaries. 'The definitive study of the Italian dictator.' - Library Journal
The intersection between film stardom and politics is an understudied phenomenon of Fascist Italy, despite the fact that the Mussolini regime deemed stardom important enough to warrant sustained attention and interference. Focused on the period from the start of sound cinema to the final end of Fascism in 1945, this book examines the development of an Italian star system and evaluates its place in film production and distribution. The performances and careers of several major stars, including Isa Miranda, Vittorio De Sica, Amedeo Nazzari, and Alida Valli, are closely analyzed in terms of their relationships to the political sphere and broader commercial culture, with consideration of their fates in the aftermath of Fascism. A final chapter explores the place of the stars in popular memory and representations of the Fascist film world in postwar cinema.
Ordinary Violence in Mussolini's Italy reveals the centrality of violence to Fascist rule, arguing that the Mussolini regime projected its coercive power deeply and diffusely into society through confinement, imprisonment, low-level physical assaults, economic deprivations, intimidation, discrimination, and other everyday forms of coercion. Fascist repression was thus more intense and ideological than previously thought and even shared some important similarities with Nazi and Soviet terror.
A fresh treatment of Fascist Italy and Nazi Germany, revealing the close ties between Mussolini and Hitler and their regimes From 1934 until 1944 Mussolini met Hitler numerous times, and the two developed a relationship that deeply affected both countries. While Germany is generally regarded as the senior power, Christian Goeschel demonstrates just how much history has underrepresented Mussolini's influence on his German ally. In this highly readable book, Goeschel, a scholar of twentieth-century Germany and Italy, revisits all of Mussolini and Hitler's key meetings and asks how these meetings constructed a powerful image of a strong Fascist-Nazi relationship that still resonates with the general public. His portrait of Mussolini draws on sources ranging beyond political history to reveal a leader who, at times, shaped Hitler's decisions and was not the gullible buffoon he's often portrayed as. The first comprehensive study of the Mussolini-Hitler relationship, this book is a must-read for scholars and anyone interested in the history of European fascism, World War II, or political leadership.
Mussolini in Ethiopia, 1919–1935 looks in detail at the evolution of the Italian Fascist regime's colonial policy within the context of European politics and the rise to power of German National Socialism. It delves into the tortuous nature of relations between the National Fascist Party and the National Socialist German Workers' Party (NSDAP), while demonstrating how, ultimately, a Hitler-led Germany proved the best mechanism for overseas Italian expansion in East Africa. The book assesses the emergence of an ideologically driven Fascist colonial policy from 1931 onwards and how this eventually culminated in a serious clash of interests with the British Empire. Benito Mussolini's successful flouting of the League of Nations' authority heralded a new dark era in world politics and continues to have its resonance in today's world.
A historical look at the American fascination with Italian fascism during the interwar period In the interwar years, the United States grappled with economic volatility, and Americans expressed anxieties about a decline in moral values, the erosion of families and communities, and the decay of democracy. These issues prompted a profound ambivalence toward modernity, leading some individuals to turn to Italian fascism as a possible solution for the problems facing the country. The Machine Has a Soul delves into why Americans of all stripes sympathized with Italian fascism, and shows that fascism’s appeal rested in the image of Mussolini’s regime as “the machine which will run and has a soul”—a seemingly efficient and technologically advanced system that upheld tradition, religion, and family. Katy Hull focuses on four prominent American sympathizers: Richard Washburn Child, a conservative diplomat and Republican operative; Anne O’Hare McCormick, a distinguished New York Times journalist; Generoso Pope, an Italian-American publisher and Democratic political broker; and Herbert Wallace Schneider, a Columbia University professor of moral philosophy. In fascism’s violent squads they saw youthful glamour and impeccable manners, in the megalomaniacal Mussolini they perceived someone both current and old-fashioned, and in the corporate state they witnessed a politics that could revive addled minds. They argued that with the right course of action, the United States could use fascism to take the best from modernity while withstanding its harmful effects. Investigating the motivations of American fascist sympathizers, The Machine Has a Soul offers provocative lessons about authoritarianism’s appeal during times of intense cultural, social, and economic strain.
A brilliant young historian follows the odyssey of Mussolini's body in an original exploration of the history and legacy of Italian Fascism Bullet-ridden, spat on, butchered bloody: this was the fate of Il Duce, strung up beside his dead mistress in a Milan square, as reviled in death as he was adored in life. With Italy's defeat in World War II, the cult of Benito Mussolini's physical self was brought to its grotesque denouement by a frenzied, jeering crowd of thousands-one eerily similar to the cheering throngs that had once roared their approval beneath Il Duce's balcony. In this groundbreaking work, Sergio Luzzatto traces the fortunes of the Fascist dictator's body: from his charisma, virility, and magnetic domination of Fascist parades, to his humiliating execution, the ugly display of his remains, and beyond. Buried, exhumed, stolen, and hidden for ten years, Il Duce's corpse was finally laid to rest, a shrine for fanatical followers. Through this pursuit, Luzzatto shows how in a totalitarian state the body of the ruler comes to incarnate the nation. And from the indignities visited on Mussolini's corpse, Luzzatto crafts a subtle social and intellectual history of a country struggling to become a republic and free itself from the thrall of Fascism. Elegantly written and stunningly conceived, alive with never-before-published letters, diaries, and reports, The Body of Il Duce cuts a new and compelling path through twentieth-century history.
With Mussolini ’s Italy, R.J.B. Bosworth—the foremost scholar on the subject writing in English—vividly brings to life the period in which Italians participated in one of the twentieth century’s most notorious political experiments. Il Duce’s Fascists were the original totalitarians, espousing a cult of violence and obedience that inspired many other dictatorships, Hitler’s first among them. But as Bosworth reveals, many Italians resisted its ideology, finding ways, ingenious and varied, to keep Fascism from taking hold as deeply as it did in Germany. A sweeping chronicle of struggle in terrible times, this is the definitive account of Italy’s darkest hour.