Esta edición impresa de la revista No Country Magazine, publicada en ocasión de la documenta fifteen, intenta analizar los dispositivos necrocoloniales del Estado cubano desde perspectivas múltiples. Perspectivas que abarcan, además de la esfera política, la literatura, el cine, el arte y, lo que es mejor, la manera en que todas estas epistemes se entrecruzan con el dictum ideológico. Para esto, esta edición especial bilingüe no solo ha convocado a diez ensayistas del mundo cubano, sino que pone a circular también algunos de los testimonios que mejor explican lo que significó el 11-J en la Isla: su entramado de represión y vejación estatal. No Country Magazine es una revista gestionada en colaboración por los equipos editoriales de las publicaciones independientes Rialta y El Estornudo. Directores: Carlos Aníbal Alonso y Carlos Manuel Álvarez Editor invitado: Carlos A. Aguilera Editores: Ibrahim Hernández Oramas, Tomás E. Pérez, Nils Longueira Borrego y Jesús Adonis Martínez Peña Autores: Carlos A. Aguilera, Hilda Landrove, Celia González, Anaeli Ibarra Cáceres, Grethel Domenech Hernández, Dean Luis Reyes, Yoandy Cabrera, Mailyn Machado, Enrique del Risco, Marie Laure Geoffray, Armando Chaguaceda, Solveig Font, Daniel Triana, Iris Mariño, Abel Lescay y Katherine Bisquet Diseño: Pilar Fernández Melo (FERMELO) Ilustraciones: Camila Lobón Traductores: Fabricio González Neira, LeAnne Russell
Destacar mi ángel de la guarda fue mi inspiración. El escrito de lo que siento como un "Privilegiado" El puente es una idea de que ha pasado mucha agua bajo el, para llegar a escribir el fruto de una vocación la de curtidor. Con mi barba más blanca como muestra la foto, además con mi boina favorita, que disimula el poco cabello que me queda, sin ser acomplejado. Héctor Quevedo Abarzúa.
As cities sprawl across Latin America, absorbing more and more of its people, crime and violence have become inescapable. From the paramilitary invasion of Medell¡n in Colombia, the booming wealth of crack dealers in Managua, Nicaragua and police corruption in Mexico City, to the glimmers of hope in Lima, this book provides a dynamic analysis of urban insecurity. Based on new empirical evidence, interviews with local people and historical contextualization, the authors attempts to shed light on the fault-lines which have appeared in Latin American society. Neoliberal economic policy, it is argued, has intensified the gulf between elites, insulated in gated estates monitored by private security firms, and the poor, who are increasingly mistrustful of state-sponsored attempts to impose order on their slums. Rather than the current trend towards government withdrawal, the situation can only be improved by co-operation between communities and police to build new networks of trust. In the end, violence and insecurity are inseparable from social justice and democracy.
Written by a diverse group of scholars and practitioners from Latin America, the US and Europe and taking into consideration the recent global financial crisis,the book offers a multifaceted insight into the expectations as well as the possible threats related to Latin America's incorporation into the sphere of global interconnectedness.
From television to travel bans, geopolitics to popular dance, The Subject of Revolution explores how knowledge about the 1959 Cuban Revolution was produced and how the Revolution in turn shaped new worldviews. Drawing on sources from over twenty archives as well as film, music, theater, and material culture, this book traces the consolidation of the Revolution over two decades in the interface between political and popular culture. The "subject of Revolution," it proposes, should be understood as the evolving synthesis of the imaginaries constructed by its many "subjects," including revolutionary leaders, activists, academics, and ordinary people within and beyond the island's borders. The book reopens some of the questions that have long animated debates about Cuba, from the relationship between populace and leadership to the archive and its limits, while foregrounding the construction of popular understandings. It argues that the politicization of everyday life was an inescapable effect of the revolutionary process as well as the catalyst for new ways of knowing and being.
This edited volume summarizes the work of a research group, called Social Bonds and Cultures of Peace that accompanies and supports victims of socio-political violence in Columbia. The individual chapters focus on the ongoing violence in the Colombian context, a complex and dynamic area in which various groups (drug traffickers, national armed forces, guerrilla fighters, self-defence groups) have been engaged in organized violence for more than 60 years. Emphasis is placed on the psychological consequences of violence and various forms of psychosocial support that psychologists have been providing to the victims of violence. Central to their work is the notion of "accompanying" those who have been victims of violence, listening to them, engaging them in dialogue and working together to strengthen the resources of victims. The recovery of individual and collective memories of atrocities is discussed as an important avenue for healing and for the empowerment of individuals and groups. The solidarity among victims creates opportunities at the grassroots level to pursue truth, reveal perpetrators of violence, seek public acknowledgment and attain social justice. For perpetrators of violence and members of armed groups, the book addresses a host of psychosocial issues related to disarming, demobilizing and reintegrating former combatants, including children, into society. Throughout the book, in the spirit of peace psychology, the researchers are engaged in a form of praxis that is cognizant of the wider geohistorical context within which victims and perpetrators are embedded and the dialectical relationship between micro and macro-level events and change. Researchers in Latin American studies, peace psychology, social justice and transitional justice, will find this volume to be an excellent resource.
Focusing on the cultural debate within the left during the Popular Unity government in Chile (1970-73), Chilean New Song and the Question of Culture in the Allende Government situates the discourses and artistic production linked to the Chilean New Song movement, in order to demonstrate that the musicians were part of the committed intelligentsia. Thus, they actively participated in the discussion and proposal of ways to integrate culture in the revolutionary process, playing an important political and cultural role. The analysis is mainly based on the government-friendly press and on records released between 1970 and 1973, verifying how the main trends observed in the cultural debate were expressed in the movement; the extent to which the positions defended by the musicians have been in tune with governmental purposes; and if they have in fact influenced the cultural policies debated and pursued by Popular Unity.
Covers writers from the ancient Greeks to 20th-century authors. Includes biographical-bibliographical entries on nearly 500 writers and approximately 550 entries focusing on significant works of world literature. Each author entry provides a detailed overview of the writer's life and works. Work entries cover a particular piece of world literature in detail.