An examination of remedies for violent rage rediscovered in ancient Greek myths Millennia ago, Greek myths exposed the dangers of violent rage and the need for empathy and self-restraint. Homer's Iliad, Euripides' Hecuba, and Sophocles' Ajax show that anger and vengeance destroy perpetrators and victims alike. Composed before and during the ancient Greeks' groundbreaking movement away from autocracy toward more inclusive political participation, these stories offer guidelines for modern efforts to create and maintain civil societies. Emily Katz Anhalt reveals how these three masterworks of classical Greek literature can teach us, as they taught the ancient Greeks, to recognize violent revenge as a marker of illogical thinking and poor leadership. These time-honored texts emphasize the costs of our dangerous penchant for glorifying violent rage and those who would indulge in it. By promoting compassion, rational thought, and debate, Greek myths help to arm us against the tyrants we might serve and the tyrants we might become.
Psychological entitlement, or a sense that some individuals or groups are inherently worthier of certain privileges, is an overlooked but essential feature of the persistent inequality that resists social progress and oppresses those in the margins. In the political climate that gave rise to and resulted in Donald Trump's presidency, confusion, rage, and feelings of victimization linger among those who felt empowered by the validation felt with him into office--feelings that existed and will continue to exist independently of the former president himself. Enraged, Rattled, and Wronged confronts psychological entitlement in its many forms or related attributes, such as narcissism, to expose the ugly truths at the heart of this phenomenon. In exploring how members of advantaged groups come to understand their belief in their own worthiness relative to those in disadvantaged groups, expert psychologist Kristin J. Anderson channels her research and expertise in prejudice and discrimination to ask critical questions of the current political and social climate. What happens to entitled people when they feel pushed aside? How does their inflated sense of deservingness make them vulnerable to manipulation by the demagogues who use them, blinding them to the negative outcomes that are often paradoxical? What are they willing to tear down as they scramble to keep their grip on the status and power they believe are rightfully theirs? How has entitled rage played out historically, and how do these events lend themselves to both the predictable and unpredictable manifestations of power grabs that we see now? Drawing from a wealth of timely examples and empirical literature, Anderson situates this anger as backlash against the social progress that empowers marginalized groups, even at the expense of the dominant group, if necessary. Citing historical moments such as the rage of whites directed at newly freed African Americans in the South during Reconstruction and the anger of the entitled when women have attempted to control their reproduction, Anderson traces this phenomenon over time and delineates the link between individual-level processing of psychological deservingness and macro-level problems that impede equality, concluding with a call for action for to dominant group members to join the vibrant movements for social progress that have emerged in recent years.
“I am your accompanist. You do not know me. I am the guy who sits behind the upright in the unflattering fluorescent light of the dance studio, a bottle of water on the floor, a half-eaten Power Bar on the bench, and your audition in my hands.” Award-winning New York theatre composer and pianist Andrew Gerle pulls no punches in this irreverent, fly-on-the-wall guide to everything you've never been taught about auditioning for musical theatre. From the unique perspective of the pianist's bench, he demystifies the audition process, from how to put together your book and speak to an accompanist to the healthiest and savviest ways to approach the audition marketplace and your career. By better understanding the dynamics of professional auditions, you will learn to present yourself in the strongest, most castable way while remaining true to your own special voice – the one that, in the end, will get you the job.
In March 2010, Robert Menasse went to Brussels to begin researching a novel about the European Union. Instead of producing a work of fiction, however, his extended stay in Brussels resulted in The European Courier, a text in which he examines the European community from its beginnings in the transnational "Montanunion" (European Coal and Steel Community, 1951) to the current "financial crisis" of the European Union. In the course of his analysis, Menasse focuses on the institutional structures and forces that work to advance--or obstruct--the European project and its goal of a truly postnational European democracy. Given the internal tensions among the European Commission, the European Parliament, and the European Council, Menasse argues that what is frequently misunderstood as a financial crisis is, in fact, a political one. As Menasse claims in The European Courier, "Either the Europe of nation-states will perish or the project of transcending the nation-states will."
Enrage is the next standalone in the international best selling mafia series, Eagle Elite. Part of a world I loathe. Part of a family who hates me more than I hate myself. Living with a girl who reminds me of my darkness. I'm. In. Hell. Also known as the Cosa Nostra. My life was over the minute I stepped off that plane. Son to a murdered mob boss. Heir to a throne of murder and lies. My name is Dante Nicolasi. And there will be blood.
Walk into any European museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the objectsare all stolen. Few artefacts embody this history of rapacious and extractive colonialism better than the Benin Bronzes - a collection of thousands of brass plaques and carved ivory tusks depicting the history of the Royal Court of the Obas of BeninCity, Nigeria. Pillaged during a British naval attack in 1897, the loot was passed on to Queen Victoria, the British Museum and countless private collections. The story of the Benin Bronzes sits at the heart of a heated debate about cultural restitution, repatriation and the decolonisation of museums. In The Brutish Museums, Dan Hicks makes a powerful case for the urgent return of such objects, as part of a wider project of addressing the outstanding debt of colonialism.
Elminster meets danger and ridicule at every turn as he desperately defends the legacy of the goddess Mystra, mother of magic Commanded by the vestige of Mystra to work together, Manshoon and Elminster engage instead in a ferocious battle that sends the Sage plummeting into the Underdark as a cloud of ashes. Weakened but committed to the task set out for him, Elminster sets forth to rally Cormyr's Wizards of War. Along the way, the great mage seeks blueflame items to mend the immense rifts throughout the realms and thus prevent the ancient Primordials from rising and unleashing their rage. However, evil lies at every turn, and Elminster’s sworn enemy, Mansoon, has plans of his own. He wants to conquer Cormyr, become its new Emperor—and hunt down the Sage's clones. The battles are fiercer than ever, the stakes have never been higher, and the fate of Cormyr is on the line.
Anger now dominates American politics. It wasn’t always so. “Happy Days Are Here Again” was FDR’s campaign song in 1932. By contrast, candidate Kamala Harris’s 2020 campaign song was Mary J. Blige’s “Work That” (“Let ‘em get mad / They gonna hate anyway”). Both the left and right now summon anger as the main way to motivate their supporters. Post-election, both sides became even more indignant. The left accuses the right of “insurrection.” The right accuses the left of fraud. This is a book about how we got here—about how America changed from a nation that could be roused to anger but preferred self-control, to a nation permanently dialed to eleven. Peter W. Wood, an anthropologist, has rewritten his 2007 book, A Bee in the Mouth: Anger in America, which predicted the new era of political wrath. In his new book, he explains how American culture beginning in the 1950s made a performance art out of anger; how and why we brought anger into our music, movies, and personal lives; and how, having step by step relinquished our old inhibitions on feeling and expressing anger, we turned anger into a way of wielding political power. But the “angri-culture,” as he calls it, doesn’t promise happy days again. It promises revenge. And a crisis that could destroy our republic.
The Seven Deadly Sins have sliced up the dictionary and taken what's theirs. No one vice is too greedy as each volume prides itself on having more than 500 entries. Word lovers will lust after these richly packaged volumes--and once you've collected all seven, you'll be the envy of all your friends. Wrath: A Dictionary for the Enraged Anger will never cause a loss of words again--as long as the Wrathful keep this reference clutched in their fists during their next fit. Speech will be their weapon as they launch a verbal assault on anyone who's wronged them.
"Anger has a bad reputation. Many people think that it is counterproductive, distracting, and destructive. It is a negative emotion, many believe, because it can lead so quickly to violence or an overwhelming fury. And coming from people of color, it takes on connotations that are even more sinister, stirring up stereotypes, making white people fear what an angry other might be capable of doing, when angry, and leading them to turn to hatred or violence in turn, to squelch an anger that might upset the racial status quo"--
