"This publication accompanies the exhibition Enlightened princesses: Caroline, Augusta, Charlotte, and the shaping of the modern world, co-organized by the Yale Center for British Art and Historic Royal Palaces, on view at the Yale Center for British Art, New Haven, from 2 February to 30 April 2017, and at Kensington Palace, London, from 22 June to 12 November 2017"--Colophon.
"The seventh princess, who lived in a remote castle, in a mountain region, met no real young men; the only young men she encountered were in the stories that she read. Her hero from her book was a rich and magical youth who wandered the world collecting tales wherever he could and retelling them. She shut herself up in her room for long periods to read about him and his adventures. In his stories he told, not just of beautiful princesses, but of jealous princesses, naive princesses, frisky princesses, demanding princesses, cursed princesses, brainy princesses, warrior princesses, healing princesses, coquettish princesses, enlightened princesses, even sleeping princesses, but he never, ever, mentioned her type of princess, a hidden princess, waiting to be discovered, waiting to be loved, lost in the tentacles of time. Then one day she read a mysterious story he had written himself. “If a person wants some thing,.. or another, they have only to ask,” said the character in that tale. “For this is the way that the universe works," he continued, "if a person sends out a signal, or a wish, into the ether, then it will most often be answered.” Buoyed up by this new concept the seventh princess made a wish and asked that her hero, the story teller, be delivered to her."
A fictional portrait of Henry VIII's first wife, Katherine of Aragon, follows her through her youthful marriage to Henry's older brother, Arthur, her widowhood, her marriage to Henry, and the divorce that led to Henry's marriage to Anne Boleyn.
Susan Elia MacNeal introduced the remarkable Maggie Hope in her acclaimed debut, Mr. Churchill’s Secretary. Now Maggie returns to protect Britain’s beloved royals against an international plot—one that could change the course of history. As World War II sweeps the continent and England steels itself against German attack, Maggie Hope, former secretary to Prime Minister Winston Churchill, completes her training to become a spy for MI-5. Spirited, strong-willed, and possessing one of the sharpest minds in government for mathematics and code-breaking, she fully expects to be sent abroad to gather intelligence for the British front. Instead, to her great disappointment, she is dispatched to go undercover at Windsor Castle, where she will tutor the young Princess Elizabeth in math. Yet castle life quickly proves more dangerous—and deadly—than Maggie ever expected. The upstairs-downstairs world at Windsor is thrown into disarray by a shocking murder, which draws Maggie into a vast conspiracy that places the entire royal family in peril. And as she races to save England from a most disturbing fate, Maggie realizes that a quick wit is her best defense, and that the smallest clues can unravel the biggest secrets, even within her own family.
This text provides an exploration and reconsideration of Restoration portraiture, considering some of the most beautiful paintings of the period, portraits of women of prominence and influence within the court of Charles II, from royal brides and daughters to mistresses and actresses.
An Ancient Collection Reimagined Composed around the Buddha’s lifetime, the Therigatha (“Verses of the Elder Nuns”) contains the poems of the first Buddhist women: princesses and courtesans, tired wives of arranged marriages and the desperately in love, those born into limitless wealth and those born with nothing at all. The original authors of the Therigatha were women from every kind of background, but they all shared a deep-seated desire for awakening and liberation. In The First Free Women, Matty Weingast has reimagined this ancient collection and created a contemporary and radical adaptation that takes the essence of each poem and highlights the struggles and doubts, as well as the strength, perseverance, and profound compassion, embodied by these courageous women.
This acclaimed translation of Michel Delon's Dictionnaire Europen des Lumires contains more than 350 signed entries covering the art, economics, science, history, philosophy, and religion of the Enlightenment. Delon's team of more than 200 experts from around the world offers a unique perspective on the period, providing offering not only factual information but also critical opinions that give the reader a deeper level of understanding. An international team of translators, editors, and advisers, under the auspices of the French Ministry of Culture, has brought this collection of scholarship to the English-speaking world for the first time.
'It has taken me a long time, my dearest Aza, to fathom the cause of that contempt in which women are held in this country ...' Zilia, an Inca Virgin of the Sun, is captured by the Spanish conquistadores and brutally separated from her lover, Aza. She is rescued and taken to France by Déterville, a nobleman, who is soon captivated by her. One of the most popular novels of the eighteenth century, the Letters of a Peruvian Woman recounts Zilia's feelings on her separation from both her lover and her culture, and her experience of a new and alien society. Françoise de Graffigny's bold and innovative novel clearly appealed to the contemporary taste for the exotic and the timeless appetite for love stories. But by fusing sentimental fiction and social commentary, she also created a new kind of heroine, defined by her intellect as much as her feelings. The novel's controversial ending calls into question traditional assumptions about the role of women both in fiction and society, and about what constitutes 'civilization'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
"This is the book on porcelain we have been waiting for. . . . A remarkable achievement."—Edmund de Waal, author of The Hare with Amber Eyes A sweeping cultural and economic history of porcelain, from the eighteenth century to the present Porcelain was invented in medieval China—but its secret recipe was first reproduced in Europe by an alchemist in the employ of the Saxon king Augustus the Strong. Saxony’s revered Meissen factory could not keep porcelain’s ingredients secret for long, however, and scores of Holy Roman princes quickly founded their own mercantile manufactories, soon to be rivaled by private entrepreneurs, eager to make not art but profits. As porcelain’s uses multiplied and its price plummeted, it lost much of its identity as aristocratic ornament, instead taking on a vast number of banal, yet even more culturally significant, roles. By the nineteenth and twentieth centuries, it became essential to bourgeois dining, and also acquired new functions in insulator tubes, shell casings, and teeth. Weaving together the experiences of entrepreneurs and artisans, state bureaucrats and female consumers, chemists and peddlers, Porcelain traces the remarkable story of “white gold” from its origins as a princely luxury item to its fate in Germany’s cataclysmic twentieth century. For three hundred years, porcelain firms have come and gone, but the industry itself, at least until very recently, has endured. After Augustus, porcelain became a quintessentially German commodity, integral to provincial pride, artisanal industrial production, and a familial sense of home. Telling the story of porcelain’s transformation from coveted luxury to household necessity and flea market staple, Porcelain offers a fascinating alternative history of art, business, taste, and consumption in Central Europe.
