He never found a girl that didn’t immediately fall head over heels, and straight into his bed–until her. Nate Peters is living the playboy life. He has great friends; a great job; no responsibilities; and best of all, no girlfriend to complicate things. Being incredibly skilled with a pick-up line, he’s never failed to get a girl in his life… until he meets Rosie. Unable to stand a dented ego, Nate makes it his mission to win over this off-limits brunette, but it proves for one wild ride as Rosie has surprises of her own that rock Nate to the core. Has the player finally been played?
Head of the class... Garrett Daniels has this whole life thing figured out. The cocky, charismatic former high school star quarterback is an idolized football coach and "cool" teacher in the hometown where he's not just a golden boy — he's platinum. He has good friends, a great house on the lake, and the best damn sidekick a man could ask for: Snoopy, the albino beagle. Then...Callie Carpenter comes home. And knocks him right on his tight end zone. Back to school... Callie has a pretty sweet life herself...on the other side of the country. But circumstances — that she'd prefer to never speak of again — have brought her back home, helping out her parents and substitute teaching at her old high school. Now she's facing bickering, raging hormones, constant gossip, awkward weirdness, and drama galore...and that's just the teachers. Just like old times... When Garrett offers to show his former high school sweetheart the secrets of his winning teacher ways, Callie jumps at the chance - and then has to stop herself from jumping him. Good friends are all they can ever be. Or...these teachers just might end up getting schooled — by love.
Seattle 100: Portrait of a City is the culmination of a two-year personal project by renowned photographer, filmmaker, and social artist Chase Jarvis. Both a creative project and an insightful ethnography, Seattle 100 shares—via more than 300 stunning black-and-white portraits and biographies of each subject—a curated collection of leading artists, musicians, writers, scientists, restaurateurs, DJs, developers, activists, entrepreneurs, filmmakers, and more, all of whom are defining and driving culture in Seattle. Some faces you will know, other names you may have heard in passing, and others will have been unknown to you until now. With this book, Jarvis has created a snapshot of a city’s culture through its people. And it’s inclusive. Descriptive rather than prescriptive. It’s a 100, not an exclusive the 100, and it invites each of us to survey our own surroundings, our lives, our friends—and those not yet our friends—that make up the place we live, whether that’s Seattle or anywhere else. Individually, the images and words here introduce you to 100 engaging and important people. Collectively, this portrait of a city tells a fascinating, interwoven story about a unique and vibrant place. Beyond the photos and commentary by Jarvis, there are pithy musings by a select handful of subjects on the topics of art, food, community, region, culture, and film. In addition, many of the subjects share their favorite things, places, and doings in and around the Seattle that they have explored, discovered, and rediscovered time and again. Chase Jarvis is donating 100% of his artist proceeds from this book to the amazing arts and culture organization www.4culture.org.
We all know that having fun enriches our lives and lifts our spirits, but so often life gets in the way. Fun seems like something we did when we were kids, and we just don't have time for it now. I mean, we barely have time for all the stuff we have to do, let alone the stuff we want to do. We can go days without actually having any fun at all. If you ask New York Times bestselling author Annie F. Downs, she'll tell you that's no way to live! Annie knows that when you chase fun, joy follows. In this beautifully designed full-color devotional with a ribbon marker, she invites you to experience 100 delightful days of discovering fun right where you are. With her insightful writing and provocative questions, she helps you identify what you find fun and then go after it like it matters. Because it does. Fun isn't frivolous or somehow extra. It's essential! So join Annie on this 100-day journey into prioritizing fun in your life.
Join Nate, Ashton and their friends on a wild night out on the town for Nate's bachelor party. Twelve overgrown man-children, sixteen hours, and a whole lot of liquor. Just how much fun can be had in one night?
"Personal and very relaxed, casual and - in parts - funny. I Febrezed My Dog is kinda like having a long conversation with a buddy over beer. A smart and sensitive and fun buddy."- Andre Bagoo, Trinidad Newsday
American naturalist and conservationist Thornton W. Burgess was the author of more than one hundred books for children; the best-remembered of these is Old Mother West Wind, which was originally written for his young son. Burgess also wrote dozens of books about the creatures of the northern North American forest, four of which are collected here as the Green Forest Stories. This Green Forest Stories compilation focuses on Lightfoot the Deer, Blacky the Crow, Whitefoot the Wood Mouse, and twin bear cubs Woof-Woof and Boxer. Readers may have encountered these characters in other of Burgess’s stories about the “little people” of the Massachusetts forest. Burgess’s earliest ventures into animal fantasy are roughly contemporary with Rudyard Kipling’s Just So Stories and Beatrix Potter’s tales of various animals, and represent the most lasting American entry into this genre. Animal fantasy is a sub-genre of children’s literature in which animals are anthropomorphized into human-like characters and use language like humans. It is often criticized by those who want readers to experience more realistic representations of animals and the natural world, but animal fantasies engage a millennia-old tradition, in the Western canon reaching back at least as far as Aesop’s Fables; animal characters feature in teaching stories for children (and adults) in cultures around the world. Burgess’s stories are intended for children in the early elementary grades. The challenges and triumphs of the “little people” in his stories will feel identifiable to many young readers, and the snippets of moralizing and authorial commentary interleaved with the actions of the plot reflect a teaching device with a long history. In the late twentieth century, Burgess fell out of favour with teachers and librarians. This shift occurred in part due to changing tastes in literary style and in part due to a changing society. Burgess is entirely a writer of his time. Most of the animals he depicts are male, and many of the female animals who wander into the stories are more passive and more stereotyped than the kinds of representation preferred for girls today. (Such is not the case, however, of Old Granny Fox, who may be the smartest of the little people Burgess represents and certainly does not lack agency or self-determination.) The style of Burgess’s storytelling is undeniably old-fashioned but still deserves consideration. Although the writing is often simple and plain, there are rhetorical flourishes that reveal the author’s attention to craft. In particular, Burgess’s use of formulaic expressions such as “jolly, round, bright Mr. Sun” and “the Merry Little Breezes” links these tales to an orality that stretches back to at least The Iliad and The Odyssey of Homer (think of phrases such as “the wine-dark sea,” “rosy-fingered Dawn,” and “bright-eyed Athena”). Through his broader use of repetition and through onomatopoeia, Burgess underscores characteristics of his characters’ real-life forest counterparts—the way a chickadee calls, a squirrel scolds, or a rabbit lopes, for example. In these stories, as in the Green Meadow Stories collection, we observe features that signal Burgess’s experience as a writer for periodicals and as an early radio broadcaster. Each chapter begins with reminders about the previous chapter, and chapters end with either a strong, propulsive conclusion or a traditional cliff-hanger. The chapters are generally quite short—a comfortable size to read as a bedtime story, and just long enough to hold a new reader’s attention without demanding too much of that reader’s energy. The strong narrative voice sounds distinctly like oral storytelling. One can almost imagine a small group of young people seated in a circle at the storyteller’s feet. That image captures the essence of these animal tales. They are light, bright peeks into a complex and beautiful world, a world any girl or boy may want to pursue through study or personal explorations. As humanity faces the daily loss of animal species, stories that delight readers and listeners, that encourage them to learn about and respect the creatures of the non-human world, deserve our renewed attention and respect. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
