English Poetry
English Poetry

Author: Geoffrey Chaucer

Publisher: Cosimo, Inc.

Published: 2010-04-01

Total Pages: 484

ISBN-13: 1616401559

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Originally published between 1909 and 1917 under the name "Harvard Classics," this stupendous 51-volume set-a collection of the greatest writings from literature, philosophy, history, and mythology-was assembled by American academic CHARLES WILLIAM ELIOT (1834-1926), Harvard University's longest-serving president. Also known as "Dr. Eliot's Five Foot Shelf," it represented Eliot's belief that a basic liberal education could be gleaned by reading from an anthology of works that could fit on five feet of bookshelf. Volume XL is the first of three volumes that ambitiously survey half a milliennium of poetry in the English language. Almost 300 works by more than 75 authors in this volume alone span the 14th through 18th centuries, and include: [ Geoffrey Chaucer: "The Prologue to the Canterbury Tales" [ George Gascoigne: "A Lover's Lullaby" [ Sir Walter Raleigh: "His Pilgrimage" [ Sir Philip Sidney: "A Ditty" [ Edmund Spenser: "Rudely Thou Wrongest My Dear Heart's Desire" [ Christopher Marlowe: "The Passionate Shepherd to His Love" [ William Shakespeare: "O Mistress Mine" [ Thomas Campion: "Follow thy Fair Sun" [ Ben Jonson: "The Noble Nature" [ John Donne: "Stay, O Sweet" [ George Herbert: "The Elixir" [ Richard Lovelace: "To Lucasta, on Going to the Wars" [ Andrew Marvell: "Love Will Find Out the Way" [ John Dryden: "Song for St. Cecilia's Day" [ Alexander Pope: "On a Certain Lady at Court" [ Thomas Gray: "Elegy" as well as traditional ballads and numerous works by writers who remain anonymous to us today. Useful explanatory footnotes explain the meanings of obsolete and rare words, as well as those in dialect.

The Harvard Classics Volume 1
The Harvard Classics Volume 1

Author: Charles William Eliot

Publisher: Theclassics.Us

Published: 2013-09

Total Pages: 138

ISBN-13: 9781230425085

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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1909 edition. Excerpt: ... BENJAMIN FRANKLIN HIS AUTOBIOGRAPHY 1706-1757 Twyford, at the Bishop of St. Asaph's,1 1771. DEAR SON: I have ever had pleasure in obtaining any little anecdotes of my ancestors. You may remember the inquiries I made among the remains of my relations when you were with me in England, and the journey I undertook for that purpose. Imagining it may be equally agreeable to* you to know the circumstances of my life, many of which you are yet unacquainted with, and expecting the enjoyment of a week's uninterrupted leisure in my present country retirement, I sit down to write them for you. To which I have besides some other inducements. Having emerged from the poverty and obscurity in which I was born and bred, to a state of affluence and some degree of reputation in the world, and having gone so far through life with a considerable share of felicity, the conducing means I made use of, which with the blessing of God so well succeeded, my posterity may like to know, as they may find some of them suitable to their own situations, and therefore fit to be imitated. That felicity, when I reflected on it, has induced me sometimes to say, that were it offered to my choice, I should have no objection to a repetition of the same life from its beginning, only asking the advantages authors have in a second edition to correct some faults of the first. So I might, besides correcting the faults, change some sinister accidents and events of it for others more favorable. But though this were denied, I should still accept the offer. Since such a repetition is not to be expected, the next thing most like living one's life over again seems to be a recollection of that life, and to make that recollection as durable as possible by putting it down in writing. 'The...

Chaucer in the Eighteenth Century
Chaucer in the Eighteenth Century

Author: David Hopkins

Publisher: Oxford University Press

Published: 2022-06-30

Total Pages: 465

ISBN-13: 0192862626

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This volume is a study of how the poetry of Chaucer continued to give pleasure in the eighteenth century despite the immense linguistic, literary, and cultural shifts that had occurred in the intervening centuries. It explores translations and imitations of Chaucer's work by Dryden, Pope, and other poets (including Samuel Cobb, John Dart, Christopher Smart, Jane Brereton, William Wordsworth, and Leigh Hunt) from the early eighteenth to the early nineteenth centuries, as well as investigating the beginnings of modern Chaucer editing and biography. It pays particular attention to critical responses to Chaucer by Dryden and the brothers Warton, and includes a chapter on the oblique presence of Chaucer in Samuel Johnson's Dictionary. It explores the ways in which Chaucer's poetry (including several works now known not to be by him) was described, refashioned, reimagined, and understood several centuries after its initial appearance. It also documents the way that views of Chaucer's own character were inferred from his work. The book combines detailed discussion of particular critical and poetic texts, many of them unfamiliar to modern readers, with larger suggestions about the ways in which poetry of the past is received in the future.

Poetry and British Nationalisms in the Bardic Eighteenth Century
Poetry and British Nationalisms in the Bardic Eighteenth Century

Author: Jeff Strabone

Publisher: Springer

Published: 2018-10-26

Total Pages: 359

ISBN-13: 3319952552

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This book offers a radical new theory of the role of poetry in the rise of cultural nationalism. With equal attention to England, Scotland, and Wales, the book takes an Archipelagic approach to the study of poetics, print media, and medievalism in the rise of British Romanticism. It tells the story of how poets and antiquarian editors in the British nations rediscovered forgotten archaic poetic texts and repurposed them as the foundation of a new concept of the nation, now imagined as a primarily cultural formation. It also draws on legal and ecclesiastical history in drawing a sharp contrast between early modern and Romantic antiquarianisms. Equally a work of literary criticism and history, the book offers provocative new theorizations of nationalism and Romanticism and new readings of major British poets, including Allan Ramsay, Thomas Gray, and Samuel Taylor Coleridge.