This compilation, edited by Edmund D. Jones, brings together critical essays that delve into the nuances of English poetry from the 19th century. Readers are introduced to the rich tapestry of literary criticism, exploring the depth and beauty of English poetry. The essays provide insights into the evolution of poetic forms, themes, and styles during this influential period.
This book contains nineteen essays focused on diverse literature of Indian and English authors with tradition, religion, ritual concerns, circumstances, art and culture – the main critical formations by multidisciplinary way. The compendiums of Indian Folklore such as Panchatantra, Hitopadesha, Kathasaritsagara, Jataka and others narrations have filled with knowledge and wisdom which lead us in right path – “Good wins over evil,” To obey your elders,” “Life is a long lesson in humanity,” “Humans as slave of circumstances,” “Back to the Vedas,” “The path of glory leads but to the grave” – are some quotes remain popular and valuable in all times to read, to understand, and to follow.
Anglo-Saxon lexicography studies Latin texts and words. The earliest English lexicographers are largely unidentifiable students, teachers, scholars and missionaries. Materials brought from abroad by early teachers were augmented by their teachings and passed on by their students. Lexicographical material deriving from the early Canterbury school remains traceable in glossaries throughout this period, but new material was constantly added. Aldhelm and Ælfric Bata, among others, wrote popular, much studied hermeneutic texts using rare, exotic words, often derived from glossaries, which then contributed to other glossaries. Ælfric of Eynsham is a rare identifiable early English lexicographer, unusual in his lack of interest in hermeneutic vocabulary. The focus is largely on context and the process of creation and intended use of glosses and glossaries. Several articles examine intellectual centres where scholars and texts came together, for example, Theodore and Hadrian in Canterbury; Aldhelm in Malmesbury; Dunstan at Christ Church, Canterbury; Æthelwold in Winchester; King Æthelstan's court; Abingdon; Glastonbury; and Worcester.
The eighteenth century is renowned for the publication of Samuel Johnson's A Dictionary of the English Language, which reference sources still call the first English dictionary. This collection demonstrates the inaccuracy of that claim, but its tenacity in the public mind testifies to how decisively Johnson formed our sense of what a dictionary is. The essays and articles in this volume examine the already flourishing tradition of English lexicography from which Johnson drew, as represented by Kersey, Bailey, and Martin, as well as the flourishing contemporary trade in encyclopedic, technical, pronunciation, and bilingual lexicons.
Three major developments in English lexicography took place during the seventeenth century: the emergence of the first free standing monolingual English dictionaries; the making of new kinds of English lexicons that investigated dialect or etymology or that keyed English to invented 'philosophical' languages; and the massive expansion of bilingual lexicography, which not only placed English alongside the European vernaculars but also handled the languages of the new world. The essays in this volume discuss not only the internal history of lexicography but also its wider relationships with culture and society.
The New York Times bestseller now in paperback. One of the preeminent linguists of our time examines the realms of language that are considered shocking and taboo in order to understand what imbues curse words with such power--and why we love them so much. Profanity has always been a deliciously vibrant part of our lexicon, an integral part of being human. In fact, our ability to curse comes from a different part of the brain than other parts of speech--the urgency with which we say "f&*k!" is instead related to the instinct that tells us to flee from danger. Language evolves with time, and so does what we consider profane or unspeakable. Nine Nasty Words is a rollicking examination of profanity, explored from every angle: historical, sociological, political, linguistic. In a particularly coarse moment, when the public discourse is shaped in part by once-shocking words, nothing could be timelier.
