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Vertical Readings in Dante’s Comedy is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion across the poem. This collection – to be issued in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the ‘Cambridge Vertical Readings in Dante’s Comedy’ website.
Table of contents: Martha Bayless, 'Merriment and Entertainment in Anglo-Saxon England: What is the Evidence?'; Christopher Crane, 'Taking Laughter Seriously: The Rhetoric of Humor in Middle English Drama, Sermon Exempla and Spiritual Instruction'; Paul Hardwick, 'Making Light of Devotion: The Pilgrimage Window at York Minster'; Dana Symons, 'Comic Pleasures: Chaucer and Popular Romance'; Christian Sheridan, 'Funny Money: Puns and Currency in the Shipman's Tale'; Laurel Broughton, 'From Buttfaces to Turd Bowling: Physical Humor in the Margins'; Sandra M. Hordis, 'Gender and Dialogic Laughter in Malory's Morte Darthur'; Miriamne Ara Krummel, 'Getting Even: Uneasy Laughter in The Play of the Sacrament'; Peter G. Beidler, 'Realistic Stage Comedy in Chaucer's Miller's Tale'; Elaine C. Block, 'Fooling Apes and Aping Fools on Misericord Carvings'.
This work explores the history of British comedy from silent slapstick and satire to contemporary romantic comedy. The essays include case studies on prominent personalities, and exploration of production cycles and studio output. Films discussed in the work include Sing As We Go, The Ladykillers, Trouble in Stone, The Carry Ons, Till Death Us Do Part, Monty Python's Life of Brian, Notting Hill, and Sex Lives of the Potato Men.
This collection – to be issued in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the Cambridge Vertical Readings in Dante’s Comedy website.
Robert Durling's spirited new prose translation of the Paradiso completes his masterful rendering of the Divine Comedy. Durling's earlier translations of the Inferno and the Purgatorio garnered high praise, and with this superb version of the Paradiso readers can now traverse the entirety of Dante's epic poem of spiritual ascent with the guidance of one of the greatest living Italian-to-English translators. Reunited with his beloved Beatrice in the Purgatorio, in the Paradiso the poet-narrator journeys with her through the heavenly spheres and comes to know "the state of blessed souls after death." As with the previous volumes, the original Italian and its English translation appear on facing pages. Readers will be drawn to Durling's precise and vivid prose, which captures Dante's extraordinary range of expression--from the high style of divine revelation to colloquial speech, lyrical interludes, and scornful diatribes against corrupt clergy. This edition boasts several unique features. Durling's introduction explores the chief interpretive issues surrounding the Paradiso, including the nature of its allegories, the status in the poem of Dante's human body, and his relation to the mystical tradition. The notes at the end of each canto provide detailed commentary on historical, theological, and literary allusions, and unravel the obscurity and difficulties of Dante's ambitious style . An unusual feature is the inclusion of the text, translation, and commentary on one of Dante's chief models, the famous cosmological poem by Boethius that ends the third book of his Consolation of Philosophy. A substantial section of Additional Notes discusses myths, symbols, and themes that figure in all three cantiche of Dante's masterpiece. Finally, the volume includes a set of indexes that is unique in American editions, including Proper Names Discussed in the Notes (with thorough subheadings concerning related themes), Passages Cited in the Notes, and Words Discussed in the Notes, as well as an Index of Proper Names in the text and translation. Like the previous volumes, this final volume includes a rich series of illustrations by Robert Turner.
This brilliant new verse translation by Allen Mandelbaum captures the consummate beauty of the third and last part of Dante's Divine Comedy. The Paradiso is a luminous poem of love and light, of optics, angelology, polemics, prayer, prophecy, and transcendent experience. As Dante ascends to the Celestial Rose, in the tenth and final heaven, all the spectacle and splendor of a great poet's vision now becomes accessible to the modern reader in this highly acclaimed, superb dual language edition. With extensive notes and commentary.
Hallelujah! It's a heavenly new collection of Ziggy cartoons to lighten your heart and brighten your day.Throughout these hilarious cartoons, our angel of mirth patiently endures the absurdities of life, ponders its mysteries, and celebrates the simple things. He calls Mother Nature Mom, talks to aliens, and believes in Santa Claus.Ziggy's wide-eyed wonder appeals to the child in all of us. But don't be fooled, this is a character with attitude -- and it's all positive.Gray skies got you down? Ziggy will find the silver lining and have you on cloud nine before long. Ziggy is the nice guy who finishes first in the hearts of his faithful readers. He is ageless, timeless, and always current. He has taken us through smiley faces, mood rings, sushi bars, and bad hair days. And Ziggy will take us into the new millennium with his good humor shining through.
