WINNER OF THE RALPH J. GLEASON AWARD INCLUDES FOREWORD BY JOHNNY MARR Award-winning, Sunday Times bestselling author Jon Savage's definitive history of punk, its progenitors, the Sex Pistols, and their time: the late 1970s. A pop-culture classic full of anecdote, insight and exclusive interviews, England's Dreaming tells the sensational story of the meteoric rise and rapid decline of the last great rock 'n' roll band and the cultural moment they came to define. 'The definitive history of the English punk movement.' NEW YORK TIMES BOOK REVIEW 'Still the strongest history of punk.' GUARDIAN 'The best book about punk rock and pop culture ever.' NME
England's Dreaming is the ultimate book on punk, its progenitors, the Sex Pistols, and the moment they defined for music fans in England and the United States. Savage brings to life the sensational story of the meteoric rise and rapid implosion of the Pistols through layers of rich detail, exclusive interviews, and rare photographs. This fully revised and updated edition of the book covers the legacy of punk twenty-five years later and provides an account of the Pistols' 1996 reunion as well as a freshly updated discography and a completely new introduction.
On the day of Queen Elizabeth's Silver Jubilee, worlds collide, and so do bodies. A pearl-wearing girl and a punk boy—can it ever work? Everybody in Camberwick Square is thrilled to be celebrating the Queen's Silver Jubilee—everyone, that is, except the punk-rock squatters at number forty-one. When auction-house assistant Emily tries to interest art student Ciaran in joining in the jamboree, he ends up much more personally involved than he ever envisaged. They aren't exactly the best-matched couple in the world, but somehow their breathless passion takes them through street parties and fetishwear shops, towards their final destination of a rather special boat trip on the Thames. But will passion be enough to keep this pearl-wearing princess and Irish punk boy together against the odds? Or will convention prevail and hold them apart?
This introductory book offers a coherent history of twentieth century crime and the law in Britain, with chapters on topics ranging from homicide to racial hate crime, from incest to anarchism, from gangs to the death penalty. Pulling together a wide range of literature, David Nash and Anne-Marie Kilday reveal the evolution of attitudes towards criminality and the law over the course of the twentieth century. Highlighting important periods of change and development that have shaped the overall history of crime in Britain, the authors provide in-depth analysis and explanation of each theme. This is an ideal companion for undergraduate students taking courses on Crime in Britain, as well as a fascinating resource for scholars.
The Oxford Handbook of Disability Studies represents a comprehensive state of current research for the field of Disability Studies and Music. The forty-two chapters in the book span a wide chronological and geographical range, from the biblical, the medieval, and the Elizabethan, through the canonical classics of the eighteenth and nineteenth centuries, up to modernist styles and contemporary musical theater and popular genres, with stops along the way in post-Civil War America, Ghana and the South Pacific, and many other interesting times and places. Disability is a broad, heterogeneous, and porous identity, and that diversity is reflected in the variety of bodily conditions under discussion here, including autism and intellectual disability, deafness, blindness, mobility impairment often coupled with bodily difference, and cognitive and intellectual impairments. Amid this diversity of time, place, style, medium, and topic, the chapters share two core commitments. First, they are united in their theoretical and methodological connection to Disability Studies, especially its central idea that disability is a social and cultural construction. Disability both shapes and is shaped by culture, including musical culture. Second, these essays individually and collectively make the case that disability is not something at the periphery of culture and music, but something central to our art and to our humanity.
Rock and roll is more than just music. Rock is a culture and an ideology, which carries its own ethos. It is forcefully countercultural and exists as a bane in the sight of dominant Western culture. As rock engages and critiques culture, it invariably encounters issues of meaning that are existential and theological. A transformational theology of rock begins with those existential and theological issues raised by and within rock music. With God On Our Side attempts to respond to these queries in a way that is faithful to the work of the kingdom of God on earth by mining our long theological tradition and seeing what cohesive responses can be made to the issues raised by rock music. At its best, rock acknowledges there is something wrong with the world, raises awareness of marginalized voices, and offers an alternative mode of existence within our present reality. By teasing out the theological issues found in rock music, this book synthesizes the findings to create a distinctive cultural theology that is sensitive to the plight of the marginalized in the West. In this way, the book offers a way forward towards a transformational theology of rock and roll.
Enjoy a rock music time travel to the seventies! This unusual elegant ebook about the legendary Sex Pistols concert at Pingvin Club in Oslo July 20, 1977, contains witness reports from the gig, after parties, press conference and the complete list of spectators. Besides first-hand re-tale of the actual gig and great analyses of the Sex Pistols philosophy and influence on the music business, the ebook presents lots of previously unpublished photos of the band.
Rockin' Out offers a comprehensive history of popular music in the United States from the heyday of Tin Pan Alley to the present day sounds of electronic dance music and teen pop, from the invention of the phonograph to the promise of the Internet. It offers an analysis and critique of the music itself as well as how it is produced and marketed.
As one of the people who defined punk’s protest art in the 1970s and 1980s, Gee Vaucher (b. 1945) deserves to be much better-known. She produced confrontational album covers for the legendary anarchist band Crass and later went on to do the same for Northern indie legends the Charlatans, among others. More recently, her work was recognised the day after Donald Trump's 2016 election victory, when the front page of the Daily Mirror ran her 1989 painting Oh America, which shows the Statue of Liberty, head in hands. This is the first book to critically assess an extensive range of Vaucher’s work. It examines her unique position connecting avant-garde art movements, counterculture, punk and even contemporary street art. While Vaucher rejects all ‘isms’, her work offers a unique take on the history of feminist art.
