Encyclopedia of Censorship

Encyclopedia of Censorship

Author: Jonathon Green

Publisher: Infobase Publishing

Published: 2014-05-14

Total Pages: 721

ISBN-13: 1438110014

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Articles examine the history and evolution of censorship, presented in A to Z format.


Censorship

Censorship

Author: Derek Jones

Publisher: Routledge

Published: 2001-12-01

Total Pages: 6858

ISBN-13: 1136798633

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First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.


Censorship

Censorship

Author: Philip Steele

Publisher: Evans Brothers

Published: 1999

Total Pages: 64

ISBN-13: 9780237518783

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One in a series of books on some of today's most controversial issues, this book examines all kinds of controls that have been imposed on communications, from the first emperor of China who had his critics buried alive, to new laws in Europe and North America relating to the Internet. It raises questions about secrecy and privacy, commercial and political power, moral and religious judgements, and artistic freedom. This series aims to encourage the reader to reach informed and considered opinions.


Encyclopedia of Journalism

Encyclopedia of Journalism

Author: Christopher H. Sterling

Publisher: SAGE Publications

Published: 2009-09-23

Total Pages: 3131

ISBN-13: 1452261520

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"Written in a clear and accessible style that would suit the needs of journalists and scholars alike, this encyclopedia is highly recommended for large news organizations and all schools of journalism." —Starred Review, Library Journal Journalism permeates our lives and shapes our thoughts in ways we′ve long taken for granted. Whether we listen to National Public Radio in the morning, view the lead story on the Today show, read the morning newspaper headlines, stay up-to-the-minute with Internet news, browse grocery store tabloids, receive Time magazine in our mailbox, or watch the nightly news on television, journalism pervades our daily activities. The six-volume Encyclopedia of Journalism covers all significant dimensions of journalism, including print, broadcast, and Internet journalism; U.S. and international perspectives; history; technology; legal issues and court cases; ownership; and economics. The set contains more than 350 signed entries under the direction of leading journalism scholar Christopher H. Sterling of The George Washington University. In the A-to-Z volumes 1 through 4, both scholars and journalists contribute articles that span the field′s wide spectrum of topics, from design, editing, advertising, and marketing to libel, censorship, First Amendment rights, and bias to digital manipulation, media hoaxes, political cartoonists, and secrecy and leaks. Also covered are recently emerging media such as podcasting, blogs, and chat rooms. The last two volumes contain a thorough listing of journalism awards and prizes, a lengthy section on journalism freedom around the world, an annotated bibliography, and key documents. The latter, edited by Glenn Lewis of CUNY Graduate School of Journalism and York College/CUNY, comprises dozens of primary documents involving codes of ethics, media and the law, and future changes in store for journalism education. Key Themes Consumers and Audiences Criticism and Education Economics Ethnic and Minority Journalism Issues and Controversies Journalist Organizations Journalists Law and Policy Magazine Types Motion Pictures Networks News Agencies and Services News Categories News Media: U.S. News Media: World Newspaper Types News Program Types Online Journalism Political Communications Processes and Routines of Journalism Radio and Television Technology


Cinema, Censorship, and the State

Cinema, Censorship, and the State

Author: Nagisa Oshima

Publisher: MIT Press

Published: 1993-08-13

Total Pages: 321

ISBN-13: 0262650398

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The texts in this volume make up an intellectual autobiography that reveals a rare conjunction of personal candor and political commitment. Nagisa Oshima is generally regarded as the most important Japanese film. director after Kurosawa and is one of Japan's most productive and celebrated postwar artists. His early films represent the Japanese New Wave at its zenith, and the films he has made since (including In the Realm of the Senses and Merry Christmas, Mr. Lawrence) have won international acclaim. The more than 40 writings that make up this intellectual autobiography reveal a rare conjunction of personal candor and political commitment. Entertaining, concise, disarmingingly insightful, they trace in vivid and carefully articulated detail the development of Oshima's theory and practice.The writings are arranged in chronological order and cover the period from the mid-1950s to the mid-1980s. Following a historical overview of the contemporary Japanese cinema, a substantial section articulates the theoretical and political rationale of 0shima's film production. Among many other topics considered in his essays, Oshima questions the economics of film production, the ethics of the documentary film, censorship (both political and sexual), and the relation of aesthetics and social taboos. A filmography and notes round out this important collection.


Secrets of Victory

Secrets of Victory

Author: Michael S. Sweeney

Publisher: Univ of North Carolina Press

Published: 2003-01-14

Total Pages: 290

ISBN-13: 0807875600

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During World War II, the civilian Office of Censorship supervised a huge and surprisingly successful program of news management: the voluntary self-censorship of the American press. In January 1942, censorship codebooks were distributed to all American newspapers, magazines, and radio stations with the request that journalists adhere to the guidelines within. Remarkably, over the course of the war no print journalist, and only one radio journalist, ever deliberately violated the censorship code after having been made aware of it and understanding its intent. Secrets of Victory examines the World War II censorship program and analyzes the reasons for its success. Using archival sources, including the Office of Censorship's own records, Michael Sweeney traces the development of news media censorship from a pressing necessity after the attack on Pearl Harbor to the centralized yet efficient bureaucracy that persuaded thousands of journalists to censor themselves for the sake of national security. At the heart of this often dramatic story is the Office of Censorship's director Byron Price. A former reporter himself, Price relied on cooperation with--rather than coercion of--American journalists in his fight to safeguard the nation's secrets.


Schirmer Encyclopedia of Film

Schirmer Encyclopedia of Film

Author: Barry Keith Grant

Publisher: Schirmer Books

Published: 2007

Total Pages: 552

ISBN-13:

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This reference source covers all aspects of the cinema, including film history, production, national cinemas, genre theory and criticism, and cultural contexts.