The Encyclopedia of War Movies
The Encyclopedia of War Movies

Author: Robert Ralsey Davenport

Publisher: Facts on File

Published: 2004

Total Pages: 452

ISBN-13: 9780816044788

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Presents an overview of more than eight hundred films featuring armed conflicts, including "All Quiet on the Western Front," "The Great Escape," "The Thin Red Line," and "Schindler's List."

Encyclopedia of American Short Films, 1926-1959
Encyclopedia of American Short Films, 1926-1959

Author: Graham Webb

Publisher: McFarland

Published: 2020-07-10

Total Pages: 735

ISBN-13: 1476639264

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Short subject films have a long history in American cinemas. These could be anywhere from 2 to 40 minutes long and were used as a "filler" in a picture show that would include a cartoon, a newsreel, possibly a serial and a short before launching into the feature film. Shorts could tackle any topic of interest: an unusual travelogue, a comedy, musical revues, sports, nature or popular vaudeville acts. With the advent of sound-on-film in the mid-to-late 1920s, makers of earlier silent short subjects began experimenting with the short films, using them as a testing ground for the use of sound in feature movies. After the Second World War, and the rising popularity of television, short subject films became far too expensive to produce and they had mostly disappeared from the screens by the late 1950s. This encyclopedia offers comprehensive listings of American short subject films from the 1920s through the 1950s.

The Encyclopedia of Epic Films
The Encyclopedia of Epic Films

Author: Constantine Santas

Publisher: Scarecrow Press

Published: 2014-03-21

Total Pages: 713

ISBN-13: 0810882485

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Soon after film came into existence, the term epic was used to describe productions that were lengthy, spectacular, live with action, and often filmed in exotic locales with large casts and staggering budgets. The effort and extravagance needed to mount an epic film paid off handsomely at the box office, for the genre became an immediate favorite with audiences. Epic films survived the tribulations of two world wars and the Depression and have retained the basic characteristics of size and glamour for more than a hundred years. Length was, and still is, one of the traits of the epic, though monolithic three- to four-hour spectacles like Gone with the Wind (1939) and Lawrence of Arabia (1962) have been replaced today by such franchises as the Harry Potter films and the Lord of the Rings trilogy. Although the form has evolved during many decades of existence, its central elements have been retained, refined, and modernized to suit the tastes of every new generation. The Encyclopedia of Epic Films identifies, describes, and analyzes those films that meet the criteria of the epic—sweeping drama, panoramic landscapes, lengthy adventure sequences, and, in many cases, casts of thousands. This volume looks at the wide variety of epics produced over the last century—from the silent spectacles of D. W. Griffith and biblical melodramas of Cecil B. DeMille to the historical dramas of David Lean and rollercoaster thrillers of Steven Spielberg. Each entry contains: Major personnel behind the camera, including directors and screenwriters Cast and character listings Plot summary Analysis Academy Award wins and nominations DVD and Blu-ray availability Resources for further study This volume also includes appendixes of foreign epics, superhero spectaculars, and epics produced for television, along with a list of all the directors in the book. Despite a lack of overall critical recognition and respect as a genre, the epic remains a favorite of audiences, and this book pays homage to a form of mass entertainment that continues to fill movie theaters. The Encyclopedia of Epic Films will be of interest to academics and scholars, as well as any fan of films made on a grand scale.

War Movies and Economics
War Movies and Economics

Author: Laura J. Ahlstrom

Publisher: Routledge

Published: 2020-05-20

Total Pages: 174

ISBN-13: 1000072193

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War Movies and Economics: Lessons from Hollywood’s Adaptations of Military Conflict applies ongoing research in the relatively new genre of economics in popular media to Hollywood’s war movies. Whether inadvertently or purposefully, these movies provide numerous examples of how economic principles often play an important role in military conflict. The authors of the chapters included in this edited collection work to illustrate economics lessons portrayed in adaptations such as Band of Brothers, Conspiracy, The Dirty Dozen, Dunkirk, Memphis Belle, Saving Private Ryan, Schindler’s List, Spartacus, Stalag 17, and Valkyrie. Aspects of these stories show how key economic principles of scarcity, limited resources, and incentives play important roles in military conflict. The movies also provide an avenue for discussion of the economics of public goods provision, the modern economic theory of bureaucracy, and various game-theoretic concepts such as strategic moves and commitment devices. Where applicable, lessons from closely related fields such as management are also provided. This book is ideal reading for students of economics looking for an approachable route to understanding basic principles of economics and game theory. It is also accessible to amateur and professional historians, and any reader interested in popular culture as it relates to television, movies, and military history.

Hollywood Remembrance and American War
Hollywood Remembrance and American War

Author: Andrew Rayment

Publisher: Routledge

Published: 2020-08-31

Total Pages: 278

ISBN-13: 1000171418

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Hollywood Remembrance and American War addresses the synergy between Hollywood war films and American forms of war remembrance. Subjecting the notion that war films ought to be considered ʻthe war memorials of today’ to critical scrutiny, the book develops a theoretical understanding of how Hollywood war films, as rhetorical sites of remembering and memory, reflect, replicate and resist American modes of remembrance. The authors first develop the framework for, and elaborate on, the co-evolution of Hollywood war cinema and American war memorialization in the historical, political and ideological terms of remembrance, and the parallel synergic relationship between the aesthetic and industrial status of Hollywood war cinema and the remembering of American war on film. The chapters then move to analysis of Hollywood war films – covering The Great War, World War II, The Korean War, The Vietnam War, The Cold War, and the wars in Afghanistan and Iraq – and critically scrutinize the terms upon which a film could be considered a memorial to the war it represents. Bringing together the fields of film studies and memory studies, this book will be of interest to scholars and students in not just these areas but those in the fields of history, media and cultural studies more broadly, too.

Guts & Glory
Guts & Glory

Author: Lawrence H. Suid

Publisher: Addison Wesley Publishing Company

Published: 1978

Total Pages: 357

ISBN-13: 9780201074895

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An excellent contribution to the growing studies on American films and to the war film genre in particular. The author defines war movies as those in which combat or its influence are central, although "military movies" in which military men are portrayed in training or preserving peace are also considered. Within these definitions, Suid selects several dozen films from The Big Parade (1925) to Apocalypse Now and uses them to develop his main themes: the image of the military presented to mass audiences and the related question of the military's assistance to film makers. The relationship between Washington and Hollywood that emerges will be a disappointment for anyone seeking confirmation of conspiracy. The Pentagon is always looking for positive portrayals of the services, and the military's chief concern has been for accuracy in detail and procedure with increasing sensitivity to any costs to taxpayers. The author concludes that as long as movies can portray individual bravery, perseverance, or the excitement of challenging death in personal combat, "they will maintain their special place in American homes and theaters."