The National Cyclopaedia of American Biography
Author:
Publisher:
Published: 1906
Total Pages: 648
ISBN-13:
DOWNLOAD EBOOKIncludes cumulative subject index of the entire set. 1 v.
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Author:
Publisher:
Published: 1906
Total Pages: 648
ISBN-13:
DOWNLOAD EBOOKIncludes cumulative subject index of the entire set. 1 v.
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
Published: 1959
Total Pages: 874
ISBN-13:
DOWNLOAD EBOOKIncludes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals (July - December)
Author: Winfield Scott Downs
Publisher:
Published: 1934
Total Pages: 1072
ISBN-13:
DOWNLOAD EBOOKAuthor: Library of Congress. Copyright Office
Publisher:
Published: 1946
Total Pages: 848
ISBN-13:
DOWNLOAD EBOOKAuthor: Thomas William Herringshaw
Publisher:
Published: 1898
Total Pages: 1052
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 2001
Total Pages: 1884
ISBN-13: 9780787647933
DOWNLOAD EBOOKAuthor: William Richard Cutter
Publisher:
Published: 1919
Total Pages: 646
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 2002
Total Pages: 554
ISBN-13:
DOWNLOAD EBOOKAn encyclopedia designed especially to meet the needs of elementary, junior high, and senior high school students.
Author: University of Missouri
Publisher:
Published: 1925
Total Pages: 150
ISBN-13:
DOWNLOAD EBOOKAuthor: Mary Trent
Publisher: Taylor & Francis
Published: 2022-07-29
Total Pages: 235
ISBN-13: 1000615294
DOWNLOAD EBOOKThrough a variety of case studies by global scholars from diverse academic fields, this book explores photographic-album practices of historically marginalized figures from a range of time periods, geographic locations, and socio-cultural contexts. Their albums' stories span various racial, ethnic, gender and sexual identities; nationalities; religions; and dis/abilities. The vernacular albums featured in this volume present narratives that move beyond those reflected in our existing histories. Essays examine the visual, material, and aural strategies that album-makers have used to assert control over the presentation of their histories and identities, and to direct what those narratives have to say, a point of special relevance as these albums move out of private domestic space and into public archives, institutions, and digital formats. This book does not consider photographic albums and scrapbooks as separate genres, but as a continuum of modern creative practices of photographic and mass-print collage aimed at self-expression and narrative-building that co-evolved and were readily accessible. The book will be of interest to scholars working in art history, history of photography, visual culture, material culture, media studies, and cultural studies.