The Mixtec, or the people of Ñuu Savi ('Nation of the Rain God'), one of the major civilizations of ancient Mesoamerica, made their home in the highlands of Oaxaca, where they resisted both Aztec military expansion and the Spanish conquest. In Encounter with the Plumed Serpent, two leading scholars present and interpret the sacred histories narrated in the Mixtec codices, the largest surviving collection of pre-Columbian manuscripts in existence. In these screenfold books, ancient painter-historians chronicled the politics of the Mixtec from approximately a.d. 900 to 1521, portraying the royal families, rituals, wars, alliances, and ideology of the times. By analyzing and cross-referencing the codices, which have been fragmented and dispersed in far-flung archives, the authors attempt to reconstruct Mixtec history. Their synthesis here builds on long examination of the ancient manuscripts. Adding useful interpretation and commentary, Jansen and Pérez Jiménez synthesize the large body of surviving documents into the first unified narrative of Mixtec sacred history. Archaeologists and other scholars as well as readers with an interest in Mesoamerican cultures will find this lavishly illustrated volume a compelling and fascinating history and a major step forward in knowledge of the Mixtec.
In the 1980s, many countries in Latin America were struggling to break free from decades of dictatorial rule by despots propped up by the U.S. government. In the Land of the Feathered Serpent is the story of a bright but naïve young marine biologist, with an outsized libido and a hypersensitive nose, who finds himself on a Homeric journey of discovery in Central America and Mexico during this period. As with Odysseus, Odel Bernini's journey takes place both in the physical terrain and in the landscape of his mind as he travels through the lowland jungles of the Petén rainforest and the 10,000-foot high sierras of Guatemala's Maya realm. Odel gets caught up with dirty politics and the CIA, is seduced by a dark siren, is nearly killed by a Cyclops, and is swept into the world of Maya mysticism. In the end, Odel finds himself transformed in unexpected ways. An adventure story and mystery, Odel's journey explores themes of truth and deception, trust and love, the dark heart and bright hope of humankind, and personal growth. The facts, places, and most characters in the story are real. Odel Bernini and his close friends are, however, purely fictional. See the Feathered Serpent website for further details www.featheredserpent.online
Meticulously pieced together from personal experiences that come with years of travel, an extensive knowledge of the historic and scholarly works, and a deep appreciation of Latin American art and culture—both ancient and modern—critically-acclaimed biographer Neil Baldwin has created a mosaic of words and images retelling the myth of the Plumed Serpent (or Quetzalcóatl) as it has evolved through the millennia. He has also created an essential guidebook for the armchair traveller and passionate tourist alike. Only a few hours by air from the United States are the mysteries and hauntingly beautiful ruins of Mexico. Among the vines intertwined in the frail latticework of crumbling palaces, spiraling geometric motifs covering vast walls that sink beneath the jungle, and nearly vertical temple steps leading hundreds of feet to a dizzying view of sky and earth, images of Quetzalcóatl abound. The fanged, bug-eyed feathered serpent thrusts his malevolent, sneering head from the pyramid at Teotihuacán; he swims in a river of rock around the temple at Xochicalco; and at Chichén Itzá, serpent and jaguar dance on a trail of stone, their embrace spawning a monstrous snake with clawed forefeet. Depicted as part man, snake, and bird, the Plumed Serpent is the earliest known creation myth from Mesoamerica, the region spanning Mexico and most of Central America. He embodies good and evil, sky and earth, feast and famine—the duality of life itself. Steep, massive temples were built in his honor at Teotihuacán, the vast city of ruins near today’s Mexico City, and at Chichén Itzá in northern Yucatán, the intricate complex that includes the famed ballcourt. Moctezuma, the ruler of the Aztecs, mistook Hernán Cortéz and the invasion of the Spanish in 1519 for the return of Quetzalcóatl. The Catholic Church with its army of Franciscan monks adapted his legend to introduce the indigenous people to Catholicism. The myth enhanced Emiliano Zapata’s stature as a latter-day Quetzalcóatl during the Mexican Revolution. Diego Rivera and the modern muralists invoked his image to include indigenous themes in their state-sponsored art. And Quetzalcóatl inspired English author D. H. Lawrence to write a new “American novel.” These and many other tales are recounted in the words and images of Neil Baldwin’s Legends of the Plumed Serpent. Whether sharing a moment of reflection among the breathtaking ruins, delving into the historic role of Quetzalcóatl during the Spanish Conquest, or tracing the themes of revolution and rebirth in the art of Rivera, Orozco, and Siqueiros, Neil Baldwin’s enlightening prose captures the imagination. Accompanied by numerous illustrations—many photographs taken by the author, and others painstakingly researched and gathered over the past decade—Legends of the Plumed Serpent is a true labor of love.
Based on his more than 40 years of field research, Means, an expert on the eastern diamondback rattlesnake, reveals the biological complexity and beauty of the animals he has studied. In Australia, Means searches for the fiercey, reputed to be the worlds deadliest terrestrial snake. In Mexico, he stalks the rattlesnake that might have served as the model for the mythical plumed serpent of Mayan art. In Florida, he is chased by cottonmouth moccasins. Through his experiences, Means hopes that readers will gain a new appreciation for animals called herps, or creepy-crawly things.
Published on the occasion of an exhibition held at the Los Angeles County Museum of Art, Apr. 1-July 1, 2012 and at the Dallas Museum of Art, July 29-Nov. 25, 2012.
Graham Hancock, an expert in ancient civilisations and author of the 9 million selling Fingerprints of the Gods, and expert too, on the use of hallucinogens to achieve higher states of consciousness, brings these two interests together in the second volume of the War God trilogy. The conquistador Hernán Cortés is dreaming of Tenochtitlan, the golden city of Aztecs. But in order to win the Aztecs' gold, Cortés and his small force of just five hundred men will have to defeat the psychotic emperor Moctezuma and the armies of hundreds of thousands he commands. Cortés expects that the Tlascalans, hereditary enemies of the Aztecs, will join him, but instead finds himself locked in a deadly struggle. As Cortés risks all against the Tlascalans, he plays mind games with Moctezuma, aiming to defeat the Aztec emperor psychologically before ever having to face him in battle. In this he is aided by his lover Malinal, a beautiful Mayan princess. It is from Malinal that Cortés learns of the myth of Quetzalcoatl, 'The Plumed Serpent'. She shows him how to exploit the prophecy of the fabled god king's return to weaken Moctezuma's resolve and keep alive the suspicion that the conquistador might actually be Quetzalcoatl himself.
"Every human being is by right a warrior who has achieved his place in the world in a battle of life and death. Look at it this way, at least once, as sperm, we all fight the bullfight for life - a unique contest against millions of other competitors - and we win! Now the battle continues... "A warrior knows that there is no guarantee of triumph over death. Even so, he fights his battle, not because he believes he will win, but because of the emotion of the war itself. For him, to give his war is already a victory. And while he fights he rejoices, because, for those who have already died, every second of life is a gift." "I love my children because they are deposits of my energy, my wife because she washes my clothes, she cooks and I catch her, my dog because he takes care of the house, my country because I was born here, my god because he's going to save me...". "The sorcerers have discovered the most refined form of love, because they love themselves. They have put the power of passion at the service of being, and it gives them the impetus to undertake the only quest that counts: that of oneself.
"The Secret of the Plumed Serpent," the second book of the elusive author and healer Armando Torres follows his bestseller "Encounters with the Nagual," where he describes his friendship with Carlos Castaneda, the controversial author of twelve best-selling books recounting Castaneda's apprenticeship with don Juan Matus, a Yaqui sorcerer and custodian of ancestral knowledge that has flourished for thousands of years in what is now Mexico and parts of Central America. Here, eight years later (the original Spanish edition was published in 2010), Torres continues his account of his experiences on the path of sorcerer-healer, the account he began and then abruptly broke off in the last chapter of the "Encounters with the Nagual." His simple, functional narrative opens an astounding vista of secret ceremonies, solemn incantations and magical beings roaming the otherworld, but also of relentless discipline and of unquenchable passion for absolute freedom his teachers the healers inherited from their ancestors, the Toltecs: masterful sorcerers, artists and men of knowledge dedicated to discovering the secret of existence. It is the secret of Quetzalcoatl, the Plumed Serpent, the gateway to infinity. As Torres works his way towards the final revelation, terror and wonder mingle with moments of earthy comedy, deliciously seasoned with the irony, wit and practical jokes of his friend and mentor Carlos. Somewhere in the anonymity of Mexican countryside, Armando's quest for freedom and impeccability continues.
Kate Leslie, an Irish widow visiting Mexico, finds herself equally repelled and fascinated by what she sees as the primitive cruelty of the country. As she becomes involved with Don Ramon and General Cipriano, her perceptions change.
